Duran Duran
Out to Reclaim the Crown
Writer: Andria LisleScrapbook, Issue 13, Published online on 01 Dec 2004 Page 1 of 2 Next >
I’m talking to Nick Rhodes and Roger Taylor. I’m talking to Nick Rhodes and Roger Taylor. My first instinct is to run, screaming, through the house—then speed-dial my friends, like I did every time MTV aired the “Rio” video back in 1981. Today, however, there are no shrieking, prepubescent girls to share my glee: It’s just me, Roger and Nick, talking about the reemergence of Duran Duran.
“Things are somewhat frantic right now,” Rhodes confesses, but he’s obviously relishing the moment. After all, it’s taken nearly two decades for the Fab Five—keyboardist Rhodes, frontman Simon LeBon, guitarist Andy Taylor, bassist John Taylor, and drummer Roger Taylor—to regroup and record Astronaut, the original line-up’s first new studio album in 21 years. “It’s complete Duran-demonium,” he deadpans. “Utter chaos.”
The reunion was three years in the making, and, as Rhodes explains, its beginnings were top secret. “In June, 2001, we rented a big house in the South of France and trucked everything in and started playing,” he says. “We started writing immediately. One day, someone started playing ‘Hungry Like the Wolf,’ and we all joined in—we were like ‘yeah, that still works.’”
“There was certainly a lot of humility in the room,” he remembers. “We were careful to give each other space and make sure everybody was happy. We knew that if we could make this work, there was no reason it couldn’t be as good or better than it ever was.”
Rhodes, of course, is referencing the band’s heyday in the early ’80s, when singles like “Is There Something I Should Know” and “Girls On Film” topped radio and music-video playlists. When Seven & the Ragged Tiger went multi-platinum in ’83, critics compared the Birmingham, England-born synth-pop purveyors to The Beatles as Duran-mania ruled teen scenes on both sides of the Atlantic.
By 1985, however, the party was coming to an end: Andy Taylor and John Taylor joined forces with Robert Palmer in The Power Station, while LeBon, Rhodes, and Roger Taylor retaliated with Arcadia. Then a disillusioned Roger quit the music business entirely, leaving LeBon and Rhodes to soldier on in Duran Duran.
“We were living in each other’s pockets every day for five years, and we started to drift apart,” Taylor says. “Being in Duran wasn’t very much fun at that point. It became hard to hang onto my individuality. I completely moved away from music—I bought a farm in the country and lived a very simple life.”
“When Roger left, it was unavoidable,” Rhodes interjects. “He wanted some space, and there wasn’t much we could say about that. Andy left because he wanted a solo career, and John left much later, in ’97.”
Pausing to reminiscence, he lets go a lengthy chuckle. “I thought they were complete idiots for leaving such huge talents as Simon and me behind, but I could understand it—we’d almost run that thing dry,” he says, referencing lackluster albums like Medezzaland and Pop Trash, which were released in 1997 and 2000, respectively.
“We’d managed to reflect our time so well in the ’80s, but after Pop Trash, Simon and I were having a hard time keeping things in perspective,” Rhodes admits. “Then we began talking about putting the original group back together.”
“Reuniting was always in the back of my mind,” Taylor says. “The original line-up only lasted five years—it was such a short episode. We were at the top of our game, and I felt that maybe we had a few more albums in us. When John gave me the call, I was ready.”
