
Bill Callahan
Bill Callahan - Woke on a Whaleheart
[Drag City]
Writer: Brian HoweReviews, Issue 30, Published online on 23 Apr 2007
On his millionth album, Bill Callahan drops the Smog moniker but keeps the rest
Mr. Callahan has finally completed his two-decade transformation from malevolent provocateur to aphoristic folk-rocker. Smog was a concept—inscrutable, misogynistic; he peppered his daunting lo-fi albums with abrasive no-fi experiments. In truth, Callahan could've dropped the Smog moniker a couple albums ago, and it makes sense that the creator of A River Ain't Too Much to Love's dreamy naturalism, and his latest's upbeat trad-folk might want to distance himself from the persona he'd finally escaped. The way that time-tempered baritone patiently enunciates wry wisdom on the gospel-tinged Whaleheart is deeply familiar—rivers and sycamores are condensed symbols; a girl dances until she becomes a diamond—and one feels glad for Callahan, for his long-delayed emergence into a spiritual clearing.
