Disposable Heroes, they ain't. Five years and a new producer later, Metallica is back to prove that old-school Bay Area thrash is still kicking. After tossing ex-producer Bob Rock to the curb and hiring Slayer wizard Rick Rubin in his place, the band holed up in the studio for two years, incubating Death Magnetic until it was honed to the razor edge of a Kirk Hammett guitar solo. Recently, Metallica announced that the album is finished, unveiled a tracklist, and set a release of late August for the album's first single, "The Day that Never Comes."

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Disposable Heroes, they ain't. Five years and a new producer later, Metallica is back to prove that old-school Bay Area thrash is still kicking. After tossing ex-producer Bob Rock to the curb and hiring Slayer wizard Rick Rubin in his place, the band holed up in the studio for two years, incubating Death Magnetic until it was honed to the razor edge of a Kirk Hammett guitar solo. Recently, Metallica announced that the album is finished, unveiled a tracklist, and set a release of late August for the album's first single, "The Day that Never Comes."
Eclectic rockers come into their own, construct beauteous art-rock nuggetsOn third album Shall Noise Upon, Apollo Sunshine finally focuses its kaleidoscope long enough to savor the sights. Never troubled by the problem of finding a voice so much as slowing down the torrent of post-everything fuzz guitar, tempo shifts and schizoid stomps, the trio here finds a middle ground between melody and experimentation. Part is simply a matter of consolidating structures—verse/weirdness/verse—but there’s also a newfound grace and, in that, an even-keeled mission. The disc-opening “Breeze” fades into a shimmering exotica that melts into dripping sunshine folk, with harmonies tipping into layered harps. Everywhere, there’s gorgeous atmosphere, like the evocatively celestial instrumental “Green Lawns of Outer Space” and, later, Sam Cohen’s swelling pedal steel cutting through “Fog and Shadow.” Despite the detours (like Tropicália shimmy “Honestly”), the music frequently comes back to a strum. And then another totally unexpected interlude.
Maybe Ted Leo can see the future. He and his merry band of Pharmacists released the single "Bomb.Repeat.Bomb" from their 2007 album Living With The Living (#19 on Paste's Signs of Life for that year). Few song titles in the history of the world have sounded more like an Against Me! b-side than "Bomb.Repeat.Bomb." And now, a mere year later, the two groups are teaming up for a fall tour.
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Former Paste cover boy and Academy Award-winning actor Philip Seymour Hoffman (remember 2006's Capote?) is set to direct a play in London's West End at Trafalgar Studios.Categories:
After folk opener Freakwater, as a celebrity-induced tension fell over the unnaturally hushed Variety Playhouse crowd waiting for M. Ward and Zooey Deschanel to take the stage, my skepticism abounded. I wondered whether all these people were excited about the music they were about to hear, or were they just waiting to see a movie star? I wondered if the music would hold up to "vanity project" scrutiny. (I enjoyed She & Him's recent debut, Volume One, but wasn't floored by it.) I wondered if She & Him
performances were as awkward as they'd been rumored to be. I wondered
what kind of contrast there would be between the veteran M. Ward's
musicianship and newcomer Deschanel's.
Categories:
Release
Date: August 1
Director: Joshua Michael Stern
Writers: Jason Richman, Joshua Michael Stern
Cinematographer: Shane Hurlbut
Starring: Kevin Costner, Madeline Carroll, Molly Johnson, Kelsey Grammer
Studio/Run Time: Walt Disney Studios, 100 mins.
More often than not, when a Hollywood film talks about sticking to principles, it reveals its true colors in the final act with a bait-and-switch. Case in point, a piece of milquetoast called Swing Vote.
Obscure indie music artists, take note: Your life just (potentially) got a whole lot easier. Independent CD and DVD manufacturer, Disc Makers, recently acquired CD Baby, the interwebs' premiere location for indie music.
In January, we reported that Sacha Baron Cohen, best known for his characters Borat and Ali G, had been cast in Steven Spielberg's upcoming feature The Trial of the Chicago Seven. And while it still looks like Cohen's involved in the film, Spielberg is bowing out due to his commitments to about five other projects. Film School Rejects noticed that Production Weekly added Paul Greengrass to the film's listing, and though no official confirmation has been announced, suspicions that Spielberg would postpone the project have been around for months.
There comes a time in every dance rocker’s life when he must strike out on his own, or maybe with a partner, and deejay a worldwide disco tour. In the case of LCD Soundsystem frontman James Murphy and drummer Pat Mahoney, that time is now.
Though CSS has shed the overt pop of its 2006 debut (which spawned the highest ever Billboard charting single for a Brazilian artist, “Music Is My Hot, Hot Sex”), the true nation of origin for the electro-punks’ Sub Pop follow-up, Donkey, is still the dancefloor.
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Episode 70
August 19, 2008
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