When her first album for Verve Forecast came due, Susan Tedeschi had just given birth to her daughter and didnât have any new material handy. So she resorted to plan Bârecording a set of heartfelt, felicitous soul covers.
âWhen I signed the deal I was pregnant. I had been writing with the band, but we just didnât have the whole concept of the record,â she explains. âAll of our original stuff really wasnât ready in time, and we had a deadline for the record. So when I got together with the producer and the record company, they suggested, âWhy donât we just go find a bunch of great tunes?ââ
Hope and Desire doesnât sound like an afterthought. Despiteâor perhaps because ofâthe fact that the album includes many unfamiliar songs and was tracked in just seven days with no overdubs, using session players rather than Tedeschiâs road band, the 11-track set contains strikingly spontaneous moments. The material was drawn from sources as divergent as Bob Dylan (âLord Protect My Childâ), Donny Hathaway (âMagnificent Sanctuary Bandâ) and the Rolling Stones (âYou Got the Silverâ), but the result is pure, gospel-tinged R&B.
âI felt like I was in a more live situation than I normally do [when] making a record,â reflects the raspy-voiced belter. âI didnât really do any overdubs or anything. With all the other records, every word had to be perfect, and this record is raw and itâs in the moment.â
Nowadays, Tedeschiâs tours require a lot of planning, because the singer/guitarist often devotes her attention to infant Sophia, three-year-old Charlie and her husbandâbandleader and Allman Brothers guitarist Derek Trucks. âI have to constantly think of where Iâm going,â says Tedeschi, âand are the kids coming with me or are they going to stay with my mother-in-law,â she says. âI canât just go and do whatever anymore.â

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