Pop-ulation growth in Detroit Rock CityPAS/CAL's brand of ornamental indie pop might very well have appealed to 17th century French mathematician and philosopher Blaise Pascal. His Provincial Letters were noted for their wit and mockery, including the line, "I would have written a shorter letter, but I did not have the time." Casimer Pascal, the Detroit collective's frontman, shows how wry wordplay ("I mean, I'm no Clara Bow, but at least I own some of her pictures") has evolved during the past several hundred years on the band's long-awaited debut album, I Was Raised On Matthew, Mark, Luke & Laura.
If
your iTunes music library begins with A.C. Newman, PAS/CAL-New
Pornographers comparisons are inevitable. Both acts rely on a lot of
falsetto from their lead vocalist, and the hooky songs with a hint of
prog always match slick production with goofball storytelling. "We
Made Our Way, We Amtrakked," for example, details a train trip
from Detroit to Toronto in which Pascal has to get a pal out of a
racial conflict with a pair of Filipinos. Read either as a prophecy
for Coldplay's current wardrobe choices or maybe just a critique of
Michigan's militia, "Citizen's Army Uniform" is as biting
as they come.
Wordless punchlines adding to the album's playfulness
come in the form of the vaudvillian whistling, evolving rhythm
schemes and sweeping tempo changes. Many tracks, notably "Little
Red Radio," also cater to the vintage organ fetishist inside
many of us, with each song nearly bursting at the seams with catchy
experiments. PAS/CAL toiled for six
years (through several EPs and singles) to put out its proper
"debut," and it turned out to be time enough to get this
one right.


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