-David Foster Wallace
A few years back, Time
featured a piece titled “Who’s the Voice of this Generation?” postulating that
at age 44, David Foster Wallace was too old to be the voice of his. While he may have the talent and, “for a few
twinkly, magical minutes interest swirled around Wallace,” ultimately his work
was just too dense and difficult to be something that caught the eye of the mass market. It’s probably an exaggeration
to claim that he was that voice, but for those willing to expend the effort, his
books were every bit as important as Kerouac’s or Salinger’s. More valuable than reaching many, when
Wallace touched his audience he touched them deeply.
Wallace was found dead by his wife on Friday evening. The death was apparently a suicide, which,
while shocking, was certainly a topic Wallace spent his lifetime dealing
with. Not only was this something that
he worked on in "Suicide as a Sort of Present," “Good Old Neon,” and Infinite Jest, but it was a personal
issue for years. Following the
publication of his second book, Girl With
Curious Hair, Wallace checked himself into a hospital suicide watch. Even before this, he’d had lifelong
depression issues that in some ways led him to writing. Feeling lost within his philosophy studies,
Wallace took a year off from college and picked up the pen. During this period, he largely wrote his
first novel, The Broom of the System,
and on the strength of it, studied in the MFA program at the University of
Arizona. Although Wallace later discounted
Broom, the book is a minor
masterpiece of postmodern fiction that follows closely in the footsteps of The Crying of Lot 49.
Wallace is best known for Infinite Jest, the sprawling, 1,079 page non-linear novel that redefined the landscape of American literature. Time listed it as one of the 100 best English language novels, and it earned Wallace a MacArthur grant shortly afterward. With it, Wallace attempted to break beyond the postmodern meta-fictionalists and truly do something unique. There is no doubt that Infinite Jest is a work of fiction that went somewhere new.
Even though Wallace always considered himself a novelist,
his most-read body of work may be his non-fiction. Beginning with Signifying Rappers (co-written by his roommate and later National
Book Award-finalist, Mark Costello), the book was one of the first
serious studies of hip-hop music and the culture that surrounds it. Through the years that followed, he wrote
about tennis, pornography, lobsters, John McCain and just about everything
in between. Most of all, he wrote about
life as an American at the turn of the century and did so with a miraculously
discerning eye.
On a personal note, Wallace is a lot of what led me to
writing. Even when working within characters
or through pseudonyms, his voice was always clear and incisive. His ability to make anyone empathetic was
combined with a passion to forge a direct connection to his readers that few
artists of any sort have ever found. He
wasn’t concise or simple, but neither were the observations and feelings he
wrote about.
At the time of his death, Wallace was working on another
novel. His output of short works had
slowed down from his normally prodigious rate, with his most recent full piece
the hauntingly beautiful “Good People” in 2007. After giving a reading of “Three Fragments from a Longer Thing” at the
end of 2000, Wallace finally published an excerpt from “Untitled Excerpt from
Something Longer That Isn’t Even Close to Halfway Finished Yet” as “The
Compliance Branch” this past February in Harper’s. The last time he did something similar was in
preparation for Infinite Jest—it seemed inevitable that the next great novel was on its way. N+1
perhaps said it best:
“One could feel the anticipation mounting for the next Wallace effort, which would not only claim the awards denied Infinite Jest, but also galvanize public discussion in a rare way, like Catch-22 or the first final episode of Friends. Would the new novel be even bigger? (It seemed both logical and unlikely.) Or would Wallace pare out what many considered extraneous, leaving us with the leanest, meanest, 500-page novel in recent memory? When asked about his work-in-progress, Wallace responded by inquiring whether his interlocutor had ever read the pre-Socratic philosopher Parmenides, and, if so, whether he had done so under the influence of hallucinogens. There were rumors that the new novel had to do with porn.”
Unfortunately, it looks like we’ll never get to read Wallace’s
second magnum opus. Even though his life
was cut short, he did leave an incredible output of beloved literature and at least
a little more from him is left to come, with the film adaptation of Brief Interviews With Hideous Men on its
way next year. Our hearts go out to Wallace’s family,
friends and students.
Related links:
Review: Oblivion Stories
Review:Consider the Lobster
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Thank you for this different approach into the life and death of Wallace. I did not know him, but in this article I feel as if I've encountered a better understanding of the tragedy that has occurred.