Hometown: Los Angeles, Calif.
Members: Kirpatrick Thomas, Dan Allaire, Henry Evans, Dave Koenig, Jason "Plucky" Anchando, Julie Patterson, Frankie Emerson, Marcos Diablero
Fun Fact: Frontman Thomas used to work the merch table for Brian Jonestown Massacre.
Why It's Worth Watching: A mix of psych-rock and the Spaghetti Western sound of Ennio Morricone equals the perfect soundtrack for your next trip to a ghost town.
For Fans Of: Black Angels, Ennio Morricone, The Doors
The Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, takes visitors on a trip through music history. For Kirpatrick Thomas, it was a ticket to ride. In 2001, the Newark, Del. musician was in the midst of a road trip to Los Angeles, looking to start anew after more than a decade fronting his band, Spindrift. The post-punk band had self-released a handful of albums and developed a solid reputation locally, but found it difficult to break through, particularly in the shadows of much larger music scenes in D.C., Philadelphia and New York.
As Thomas was wandering his way through the museum's John Lennon exhibit, he bumped into Brian Jonestown Massacre guitarist Frankie "Teardrop" Emerson, who was pushing frontman Anton Newcombe through the building in a wheelchair. Newcombe, an infamous instigator whose antics were immortalized in the 2004 documentary Dig!, had broken his foot in a fight at a gig the previous night. A BJM fan, Thomas hit it off with Emerson and they exchanged contact info. Thomas ended up joining the band on a subsequent tour, working the merch table and later playing guitar.
It was on tour with BJM that Thomas began to share with members of the band some demos he'd been working on for the West Coast incarnation of Spindrift. He'd seen Sergio Leone's Spaghetti Western classic Once Upon a Time in the West a year earlier, and was blown away by composer Ennio Morricone's haunting score. "I just became obsessed with that sound, and wanted to see if I could take it somewhere," Thomas says.
Thomas was also inspired by the Doors' cinematic sound, and had a vision for Spindrift as a Doors-meets-Morricone kind of band. Emerson was sold on the demos Thomas made, as were fellow BJM mates Dan Allaire and Dave Koenig. But Thomas had to fit Spindrift work in between BJM recording and tours. In the meantime, he took his vision even further by crafting a concept for The Legend of God's Gun, a feature film about a preacher-turned-gunslinger, and wrote an entire soundtrack of prairie-scorching originals for a movie that didn't yet have a script, director or any actors.
Jump ahead three years, and Thomas'
years-long pursuit is a reality. Filmmaker Mike Bruce and Thomas
brought The Legend of God's Gun to fruition, with
band members and friends serving as cast and crew. The tripped-out
Western is out on DVD and hitting the festival circuit now. Quentin
Tarantino liked the sound so much that he put the Spindrift track
"Indian Ride" on the soundtrack for his forthcoming movie, Hell Ride.
Meanwhile, Spindrift has followed up the God's Gun soundtrack with a new album, The
West, in stores this week via the Dandy Warhols' imprint, Beat the World Records. The
13-track album features three songs from the soundtrack, and is rife with Morricone staples like surf guitar, haunting
organ and loads of hi-hats. Not surprisingly, many of the instrumentals have a
cinematic tone, undulating between spastic blasts and haunting interludes.
There is also blues- and booze-fueled psychedelic rock (the harmonica-laced
"The Wind"), and a few shots from leftfield, such as "The Klezmer
Song," which conjures a drunken Eastern European bar, and "If You Don't Like
It
(Get the Fuck Out)," which sounds like a TV on the Radio b-side.
"I'm thrilled to have been able to make
this happen, and now I just want to see it through and keep it
going," Thomas says. And to think, all it took was a swift kick to the sternum
by a chance encounter with an angry singer in a wheelchair.
Download Spindrift's "Ace Coltrane" here.

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Link to Spindrift's "Ace Coltrane" is down.
Fixed. Thanks!