Gore VerbinskiThe Host
The original film followed a family’s often disturbing part
in a regional crisis set off when an enormous, unusually dexterous
monster emerges after a chemical dump. Details on the remake are scant,
but Verbinski has set up first-time feature director Fredrik Bond, who
previously created commercials for Nike and Adidas, to helm the project
for a new start-up he carved out at Universal.
Could there be an upside to this? The chief virtue of the original Host is the economy of its ambitious
narrative, which easily could have slipped into CGI excess.
Verbinski, who most famously directed the Pirates of the Caribbean
movies but also did fine work on The Weather Man and Mousehunt, has
proven a capable and often clever navigator of studio
boilerplate. It’s unclear how far his creative reach will go, but
if we seek hope, recall the evocative
gloom and restraint he brought to his hit take on J-horror, The Ring. If he compels Bond to reign in the prerogatives of his earlier gigs, the
new movie could be more viable than loyalists fear.
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