Theatrical, lushly orchestrated album a worthwhile experiment
Six albums in, Duncan Sheik deserves credit for shrewdly repositioning
a career that could have been relegated to one-hit wonder status. That hit—the ubiquitous '90s mainstay "Barely Breathing"—bears little resemblance
to anything on Whisper House, an album that sees Sheik continue down
the musical theatre path after penning the book to the incredibly
successful, Tony-Award winning musical Spring Awakening. In fact,
songs from Whisper House will anchor an upcoming musical of same
name.
The focused purpose actually benefits the album as a whole—Whisper House
is a cohesive statement, both lyrically and musically.
Heavy on atmosphere, the album evokes stark imagery from its collection
of macabre, melancholic stories of a haunted lighthouse by the sea.
"Secret places, stolen gazes, soft exchanges / All you ever dreamed,"
Sheik sings on "How It Feels," a lyric that fittingly describes the
childlike curiosity that permeates each song.
Two of the album's standout tracks, "Take a Bow" and lead single "Earthbound Starlight," typify the album's strengths: moody, melodic vocals seamlessly set against gorgeous instrumental arrangements—featuring piano, bells, horns, clarinets, trumpets, cellos, guitars and more. Sheik essentially creates a kind of literary chamber pop. And those vocals are also quietly impressive, especially on "I Don't Believe In
You", but he wisely employs singer/pianist Holly Brook to provide back-up vocals (though she takes the lead on the stunning "And Now We Sing"). The two create a harmonious unity not like Damien
Rice and
Lisa Hannigan—their voices compliment, and indeed enhance, each
other's. Even better, the ethereal timbre to Brook's voice fits nicely into the
world
Sheik's created on Whisper House—a world that never escapes the
feeling of being a soundtrack to a film or play you haven't seen, but a world that's worth
visiting nonetheless.
Listen to Duncan Sheik's "Earthbound Starlight" from Whisper House on MySpace.



Is this ALL the ink Paste intends to spill on one of the most successful singer/songwriters that emerged from the S/S boom of the 90s?
While most of Sheik's peers whose songs played alongside his on corporate radioback in the day have disappeared or returned to their day jobs -- good riddance to most of them -- Sheik's career, marked by multiple Tony awards, film scores and a handful of increasingly distinctive albums, lmore resembles the arc of someone like David Bowie than, say, Three Doors Down.
It's easy to dismiss Sheik if all you know about him is "Barely Breathing." But that's a lot like dismissing The Beatles for "Please Please Me." And the best may be yet to come.
Let's hope Paste supports it.
I recently saw a concert of Mr. Sheik which featured songs from "Whisper House". The show was absolutely captivating. He really is a gifted songwriter. I look forward to seeing "Whisper House" on the stage.
A beautiful album!
Lush music, gorgeous vocal harmonies and orchestrations with a dark story thread with whimsical atmospheric overtones.
Vocals with Sheik and Brook are pure heaven. Is there even a genre for this stuff?
Ground breaking.
The live concert is breathtaking.