Hometown: Album: WavvvesFor Fans Of:Twenty-two-year-old surf-punk wunderkind Nathan Williams, who performs as Wavves, is an unlikely candidate for the voice of a generation.Wavvves
"I don't know anything about recording," Williams explains in a loping, Virginia-meets-California twang. "The recording sounds that shitty because I don't know what I'm doing." In concert, however, he's in full
control, abandoning the lo-fi trappings of his recent release and Wavves (his actually-eponymous 2008 debut—watch those v's), for polished command, letting his flawed yet beautiful
melodies rise to the surface. On record, the formerly-garbled lyrics to "So Bored"
come from a faceless, tinny presence, but they're delivered live by a vulnerable voice
still smarting with teen angst; Williams'
sensitive rendition of "No Hope Kids" showcases a falsetto that
occasionally cracks, but never gives in. Backed by touring drummer Ryan Ulsh
("We met in a gay bar in Virginia in sixth grade called The Hole,"
Williams says), the songs have room to breathe with cleaned-up guitar
tones and vocals that aren't maxing out the microphones.
During a hectic run of shows at 2009's SXSW music conference in Austin, Texas,
Williams played a sea-green Fender Mustang, a model popular among
surf-guitar players in the 1960s and not a far cry from Kurt Cobain's
signature Jag-Stang. The instrument choice could be a coincidence, but
there's no disputing that a well-mic'ed, well-mixed Wavves performance
bears more than a passing resemblance to Nirvana. Pay a real producer
to record the band “properly,” and an album might sound that way, too—but at this point, Williams admits that he hasn't decided what a budget and a big name could
bring to his work. "I don't know that much about different producers," he says, jokingly adding: "I know about this guy John Peel. I don't know if you've heard about him or not." And then Williams'
well-documented hip-hop obsession finally shows itself: Timbaland, stay close
to your phone.