Published at 12:00 PM on May 18, 2009

Prodigal Rock: The Love Language Comes Home Again

Prodigal Rock: The Love Language Comes Home Again

Hometown: Raleigh, N.C.

Album: The Love Language
Band Members: Kate Thompson, Jordan McLamb, Stuart McLamb, Missy Thangs, Junis Beefmonth and Thomas Simpson
For Fans Of: Eels, Neutral Milk Hotel

"I always wondered what kind of situations benefit a songwriter,” recalls 28-year-old Stuart McLamb. “Do you need to just do a bunch of drugs and hole up in some seedy hotel room in Paris? Is that how it happens?” Not exactly, as the North Carolina tunesmith recently learned. His eponymous release as The Love Language stems from moving back in with his parents a few years ago after several sordid run-ins with the booze beast.

One gin-soaked night, he broke into, then trashed, his own band’s rehearsal space. Another evening, courtesy of vodka and a hard-hitting breakup with his girlfriend, “I just lost it in my buddy’s living room, and woke up in a Raleigh jail. In handcuffs,” he says. “My parents bailed me out that night, and I was really strapped for cash, so I moved back home.”

A sober McLamb severed all old musical ties and started punching the clock at a bustling hotel restaurant. “It’s funny what some good, hard work can do,” he marvels. While waiting tables, he began mapping out rhythms in his head and, at home, built a small arsenal of musical equipment. Utilizing a portable eight-track, his parents’ piano, a scratchy condenser mic and various other instruments, he started recording in his muffled bedroom, a tinny storage shed, even his folks’ dining room—“with them yelling at me in the middle of the day,” he says, “their 26-year-old son banging away on a drum set”.

The Love Language is now a 7-piece touring unit, but its decidedly-DIY one-man-band debut runs a playful gamut from old-school country (“Stars”) to sunshiny pop (“Sparxxx”) and big-band swing (“Lalita”). “And now it’s being hailed as this lo-fi album,” McLamb grouses. “But that was not my intention—I thought I was the most awesome producer around.”

In the album credits, the grateful son thanks “mom & dad,” first and foremost. And the grinning young girl in the cover shot is his late aunt, he reveals. “She died young, so I never had a chance to meet her. But they always said I favored her, so it was another way to give a little tip of the hat to my family.” 

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