Dead Snow (Død snø)

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Dead Snow  (Død snø)

Yep, actual Nazis, exiled after World War II and now reanimated with a slightly different kind of hunger for human flesh. It’s hyperbolic evil taken to a new extreme: Skulls and limbs are decimated, and there’s a zealous fixation on human intestines. Alas, co-writer/director Tommy Wirkola can’t resist the urge to make the mordant comedy implicit in these movies more literal than it should be. A midnight selection at Sundance this year, Dead Snow boasts a surprising technical expertise that will placate genre devotees, but the lame play for laughs diffuses the movie’s momentum without any real upside for the viewer.