Director: Kathryn Bigelow
Writer: Mark Boal
Cinematographer: Barry Ackroyd
Starring: Jeremy Renner, Anthony Mackie, Guy Pearce, Brian Geraghty
Studio/Run Time: Summit Entertainment, 131 mins.
Point Break director makes mostly convincing war film
Kathryn Bigelow’s jerky, zoomy, dusty new film features 10 nail-biting
displays of limb-risking bravery by an Army bomb squad, each one
followed by two, maybe three minutes of downtime—tops. It’s a joyride
across the desert, with the top down and a rattlesnake in the glove
compartment.
A funny thing happens somewhere in the middle of Bigelow’s variations on the theme: The threat of being blown to bits starts to feel routine, almost dull. Maybe that’s how a soldier feels after the numbness sets in, but it clashes with the rock ’n’ roll soundtrack that accents the hero’s final strut for the camera—and I can’t believe the director of Point Break wants us to take that moment ironically.
Watch the trailer for The Hurt Locker:


I do not like to be hit on the head with moral messages a la "Body of Lies", "Lions for Lambs", "Rendition" etc - all preaching to the converted. I don't understand this new fangled argument about separating the personal views from the film. Isn't a director's viewpoint a part of the film and is meant to be reacted to? Are we supposed to ignore it and just focus on the technical aspect? Plus, this is a film about war so wouldn't it effect the view of a person with an opinion on the subject? Morally, is it fair to fashion an action/thriller out of misery (American or Iraqi)? Or we are supposed to ignore that, as well? If you praise this film because it is ambivalent or not passing any "facile" judgments about war you admit war is too complex, is that not an opinion too? Are American critics falling over this film and calling it the "best american film about Iraq war" because it does not show the torture and the suffering gone through by the Iraqi people? Oh, that would be passing a "facile judgement" right? By focusing on a group of American bomb squad is maybe a good cinematic decision. It makes the film more tense and compact but ignoring the plight of the invaded and make them come across as a tribe deserving of such treatment makes this film more dubious than ambiguous. While I did enjoy the film's various action set-pieces, I find the idea that it took a film about the plight of the soldiers rather than the other sides to get the critics sympathy flowing, disturbing.