They’re dunked in wide rivers and lazy farm ponds. Some are dropped down holes sawed through winter ice, the better to cool—as Memphis preacher E.D. Campbell once sermonized—that “fire burning in my soul.”
They’re submerged alone and by the dozen, in white robes and their
Sunday best. Crowds gather on grassy banks as if for a picnic or fair
or game of rounders. Some tote umbrellas, some carry children, some
have smiles as broad and beatific as the river Jordan, which these
scenes are meant to replicate.
They’re all part of the photographs and recordings that make up
Take Me to the Water: Immersion Baptism in Vintage Music and
Photography 1890-1950, the latest small miracle from Grammy-winning
Atlanta-based imprint Dust-to-Digital. The pictures, discarded
artifacts of ecstatic Americana, come from the stash of Jim Linderman,
who in his introduction recalls advice he’s plainly taken to heart:
“Collect the heck” out of whatever you find interesting.
Bound in hardback with an accompanying CD of rustic gospel and
recorded preachifying, Linderman’s sepia-toned images are
transformative—even the unholiest
among us would be hard-pressed to witness these anonymously snapped
pictures without feeling a tug toward the Glory Land. The ritual
submersions kindle the human quests for rebirth, purification and a
moment of blessed suspension. They’re at once old-timey and
timeless—and a little dangerous, too. That backward dive is the
ultimate trust fall. When you see the coatless preacher holding an
unseen congregate underwater with both hands, you can only hope the
sinner is being saved and not drowned.
Observe the pair in dark clothing—down-creek from one camera’s
lens, past the overhanging tree limbs—who wade into a long finger of
bright sunlight that seems to lead up into infinity. Or the girl in the
pond with folded arms from whom waves radiate in ever-widening circles,
finally rippling off the bottom of the page and up through your
fingertips.
Linderman writes about the connection between the visual and the
aural—a specialty of Dust-to-Digital and Lance Ledbetter, the label’s
founder and chief obsessive. Dust-to-Digital debuted in 2003 with Goodbye, Babylon, a six-CD set of vintage religious music and a 200-page book, all packed with raw cotton in a simple
wooden box. The label won a Grammy this year with Art of Field
Recording Volume I, and released Volume II in January. Take Me to the
Water isn’t as far-reaching as those sets, but its thoroughness and focus have a rare effect. Beautifully packaged and meticulously
curated, the songs and sermons provide their own kind of baptism into
this other time and place. The 25 tracks range from Bill Boyd and His
Cowboy Ramblers to Rev. Nathan Smith’s Burning Bush Sunday School Pupils.
They all hew to a single theme, put best by Elder J.E. Burch during a
1927 sermon recorded in Atlanta. His words could serve as this
project’s mission statement. “The subject is wash,” he begins. “You
wash ladies understand that it’s essential that you want your garments
clean. And in the same like mind, our God almighty wants His garments
clean. And He tells you to wash
Wash away your guilty conscience. Wash
away every evil thought. And you don’t wash, glory to God, with the
natural water, but you wash with the word of God.”
Say amen.
Click here to see more photos from Take Me To The Water.


I'm a happy subsciber, and in the print version, it said there were more related photos on your site.
I couldn't find them.