The Office’s eighth episode, “Murder,” was a great way to dust off last week’s disastrous double date lunch between Michael, Jim, Pam and Pam’s mother, who is tactlessly dumped on her own birthday. Michael swiftly jumps from that role as the temperamental child to this episode’s all-knowing father figure whose mysterious ways pan out in the end. It’s tough to say whether he’s really growing up these days. There’s no telling what he’ll do between now and the end of the season, or even next episode.
“Murder” begins with an email from the corporate office urging all branches to disregard a rumor that sprouted from a Wall Street Journal article earlier that day. After Oscar looks up the piece online, he and his fellow employees discover that the Dunder-Mifflin head honchos were having a meeting to discuss the future of the struggling paper company, and maybe even tossing around the idea of bankruptcy(!). It certainly isn’t the first time we’ve had to consider the company’s mortality, but considering the show’s narrowing direction and how its last season could be fast approaching, this might be serious.
The news boggles the employees to an unproductive disarray. Jim rises to the task of assuaging their fears with a pep-talk meeting— valiant but in vain— which is interrupted by what seems an untimely phone call bearing the bad news of a “murder” in Savannah. This begins Michael’s office-wide, “Belles, Bourbon and Bullets” mystery game, where he assigns everyone to play a character in a “town meeting” to investigate the murder of a fellow citizen. The co-workers, sans Stanley, adapt surprisingly well to their characters, complete with hokey names, abysmal southern accents and props ranging from Angela’s shrunken head to Pam’s white lace gloves. The ensuing scenes brought life into some of the character’s otherwise deadpan (but lovable) roles— the greatest being Oscar’s jumbled and squeaking attempts to update the office on the corporate meeting, after Michael insists he must do so while in character.
Despite its successful distraction, the game’s appeasement doesn’t last. Andy asks out Erin while in character and worries whether he actually scored a date with her in real life. Michael refuses to break out of role and insists there is still another crime to solve (I do declare!). Jim tries to focus on the situation at hand, believing his co-manager has finally cracked before seeing the ulterior motive behind the lunacy— keep the staff’s head in the game and they won’t worry about Dunder-Mifflin’s future, at least for now.
Jim eventually confirms from David Wallace that the company is bleeding money, and then wisely withholds the information from the rest of the branch. The fun and games were nice this week, but the upcoming happenings at Dunder-Mifflin may be a crucial indicator of the show’s lifespan.

The Office up until this season was the BEST show on Television...It has now become the WORST show on Television.
Could SOMEONE tell me what is going on?!?!?!??
To JOE:
yes, the office has done a complete 180 in season 6 and this episode "murder" was one of the worst of the season. for example, the lame standoff with fake finger pistols at the end of the episode. IGNORANT. just plain juvenile, idiotic, and ignorant. i NEVER thought i would be saying this about my favorite television show.
joe, i think what happened this season was 100% the writers fault. they got lazy with the storylines, characters, and overall whole episodes. it was like they weren't even trying to make each episode special or memorable. i can almost guarantee that this season new writers have taken over the show. i know this because the humor is the exact opposite of what the first 5 seasons was. the old office was quirky, subtle, awkward, passive, and dry. the new office humor is cheesy, obvious, literal, cute, and even juvenile at points. not to mention, the main characters have all changed drastically. . . .jim is doing cute, adorable voice impressions!?! really?? pam is obnoxious and outspoken!?! what??!
dwight is just flat out mean and cruel now. his character is no longer sympathetic, likeable, or funny. michael scott is silly, zany, and literal?!? what happened to his passiveness along with his awkward, dry delivery.
this show has turned into an entirely different show, and i too have no idea what's going on with the show or what the writers are trying to do. i would like to find out who's responsible because i care passionatley about this show too much not to care. ridiculous, indeed