It’s not every June that brings the opportunity to see one of last year’s most acclaimed films on television—and without even a cable connection, at that!—but this June is one of those times. PBS scored a coup by booking 2009’s striking Goodbye Solo as part of its “Independent Lens” series, and it airs tonight at 10pm, EST.
This is the third film by one of the cinema’s most promising young directors, Ramin Bahrani. The first thing you might notice is how much the film is a reflection of our new multicultural world—an American director of Iranian descent’s story of a Senegalese cab driver and a white octogenarian in Bahrani’s hometown of Winston-Salem, N.C. But it is, of course, so much more than that—Goodbye Solo is probably the finest illustration yet of what A.O. Scott of the New York Times has called the neo-neo-realist movement in American film. The plot is relatively simple: A cab driver is curious when one of his passengers offers him $1000 up front for a one-way trip ten days hence to nearby Blowing Rock Mountain. When the driver jokes “You’re not going to jump off, are you?” he’s met with stony silence. His attempts over the next few days to penetrate the life of the man in his backseat form the crux of the film.
Veteran actor (and, it must be said, Former Elvis Presley bodyguard) Red West gets the role of his career here, and like Hal Holbrook in 2009’s That Evening Sun, he makes the most of it, turning what could have been a stereotyped crusty old man role into a portrait of great pathos. And Souleymane Sy Savane has a remarkable debut as the titular Solo, his easy smile, gentle teasing, and sunny worldview reflecting a peculiarly African charm. This is not a film where much happens—and that’s part of the point. Settle into your seat and slow your life down for an hour and a half, sink into Solo and William’s world, and see if you don’t come away with a memorable experience.
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Signs of Life 2008: Best Film
I happened upon this movie by chance.
After watching Charlie Rose last night, I was about to turn off the TV and head for bed. I left the television on as I tidied up the kitchen and when I returned, Maggie Gyllenhaal was introducing this movie. As it began, I became transfixed and spent the next 90+ minutes, immobile, watching this riveting movie. It was well-acted and beautifully directed. Outstanding. Memorable, indeed!
I happened upon this movie by chance when I turned on PBS. I try to catch Independent Lens. How lucky to have picked the right night.
This movie will forever remain dear to me. The acting was emotionally spectacular. Too feel the pain of Solo's hope dashing to save William, but never giving up on his own hope for himself, was so moving for me.
To know Williams pain and lonelinness and wonder, yet be aware why it was was, pulled at my heart.
Many people endure a lifetime of pain and guilt, with sadness. Some give up, some get on.
I wish all people who are sad and lonlely and have forgeotten the joy of hope, could have a Solo in their lives. Sometimes it matters to be felt in your hearts dark corners. Encouragement, kindness and compassion are great healers. Seeing this movie made me hope that my own grief at past losses, may be pushed away from the path of darkness many have to suffer as they grow old and perhaps,alone. I found joy in Solo's endless need to know "why" so he could help this sad man. Not many people care about another human being anymore, nor their life's history and why they are who they are. Solo's sunshine could have helped Williams censure of himself, had they met at another time and place.
This young director's ability to understand the complexities of grief, solitude, and lonliness as one gives up on living to not continue to age with the burden he suffers, is an astonishing character study. Much appaluse.