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    <title>Paste Magazine News &#x26; Updates</title>
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    <id>tag:www.pastemagazine.com,2008-03-17:/articles//23</id>
    <updated>2008-10-08T02:24:06Z</updated>
    
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<entry>
    <title>Rachael Yamagata&apos;s favorite spots for dating, breaking up and navigating other matters of the heart in Chicago</title>
    <link rel="alternate" type="text/html" href="http://www.pastemagazine.com/articles/2008/10/rachael-yamagatas-favorite-spots-for-dating-breaki.html" />
    <id>tag:www.pastemagazine.com,2008:/articles//23.28573</id>

    <published>2008-10-07T20:40:00Z</published>
    <updated>2008-10-08T02:24:06Z</updated>

    <summary>It seems apropos that, on the way to meet Rachael Yamagata, I saw a man run through oncoming traffic to help an old woman in danger of getting hit while crossing the street. That type of singular, romantic gesture is the kind of moment captured in vivid relief in Yamagata&apos;s music, which aptly traverses the minutiae of modern love, from first blush to the messy complications, and many points between. Her style appears in fine form on Rachael Yamagata (A Record in 2 Parts): Elephants and Teeth Sinking Into Heart, released today....</summary>
    <author>
        <name>Althea Legaspi</name>
        
    </author>
    
        <category term="Local:Chicago" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Paste:Local" scheme="http://www.sixapart.com/ns/types#category" />
    
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    <category term="michiganavenue" label="michigan avenue" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pontiaccafe" label="pontiac cafe" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="popsforchampagne" label="pop&apos;s for champagne" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="rachaelyamagata" label="rachael yamagata" scheme="http://www.sixapart.com/ns/types#tag" />
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        <![CDATA[It seems apropos that, on the way to meet <a href="http://www.rachaelyamagata.com/"><b>Rachael Yamagata</b></a>, I saw a man run through oncoming traffic to help an old woman in danger of getting hit while crossing the street. That type of singular, romantic gesture is the kind of moment captured in vivid relief in Yamagata's music, which aptly traverses the minutiae of modern love, from first blush to the messy complications, and many points between. Her style appears in fine form on <i>Rachael Yamagata (A Record in 2 Parts): Elephants and Teeth Sinking Into Heart</i>, released today. <br /><br /> ]]>
        <![CDATA[Of the album's two discs, <i>Elephants</i> houses darker, more poetic fare, while the rock-infused <i>Teeth</i>
explores some of the seedier sides of relationships. Given Yamagata&#8217;s lyrical insight into the ways of love, we asked the former Chicagoan (who now resides
in Philadelphia) to share her favorite local spots for finding and
igniting romance, and recovering from its often-messy aftermath.<br /><br /><b>Best place for a romantic first date </b><br /><a href="http://www.angelinaristorante.com/"><b>Angelina Ristorante.</b></a> Angelina&#8217;s is the most amazing small boutique Italian restaurant with the best food. I used to have angel hair pasta, sun-dried tomatoes, Italian sausage and goat cheese. <br /><br /><b>Best place for a fun, hang-out date</b><br />When things are going well and you want something fun to do, I&#8217;d say go to a  <b><a href="http://cubs.mlb.com/"><b>Cubs</b></a> </b>game. That always makes me feel fun, happy fun. [Also] the <a href="http://www.elboroomchicago.com/"><b>Elbo Room</b></a>.. That was one of my favorite jaunts to hang out in, as well as the <a href="http://www.myspace.com/pontiacwickerpark"><b>Pontiac Café</b></a>, [which] is awesome for sitting outside, if the weather&#8217;s nice, and having a drink <i>(Editor's note: according to a staff member, Pontiac Café is closing sometime this month. It was purchased by the owners of Violet Hour)</i>. <br /><br /><b>Best place to recover from a break-up</b><br /><a href="http://www.themagnificentmile.com/"><b>Michigan Avenue</b></a>, baby! Shop to your heart&#8217;s desire. And then go to <a href="http://www.popsforchampagne.com/"><b>Pop&#8217;s For Champagne</b></a> by yourself and feel elegant and romantic and then realize he or she wasn&#8217;t right for you anyways. That would be my breakup/make-yourself-feel-better day in Chicago. And then go to the lakefront the next morning and run it all off and get inspired by the water and the beauty of Chicago. <br /><br /><b>Best place to hang with your girlfriends and chat about relationships</b><br /><a href="http://www.tsunamichicago.com/"><b>Tsunami</b></a>, where I used to work for years and years and years. Sit upstairs on their velvet couches and have some sushi and some cold sake or martini, and dish. That&#8217;s what I would do.<br /><br /><b>Best place to meet someone new</b><br />I&#8217;ve been so wrapped up in this music, the only place I&#8217;ve ever met guys are in music clubs. But I wouldn&#8217;t necessarily trust the ones you meet there, that&#8217;s the problem. Like, I meet musicians, which have only ever broken my heart, so I don&#8217;t even know if I&#8217;d suggest that as a place to meet guys. Where else? How about the lakefront? You get a nice healthy guy out there, walking his dog. Get a dog, walk the dog, meet a cute guy with another dog, and live happily ever after. That&#8217;s my advice. And if it works for you, call me-- I&#8217;m getting a dog!<br /><br /><b>Related links:<br /></b><a href="http://www.pastemagazine.com/articles/2008/07/rachael-yamagata-set-for-oct-7-release-of-two-part.html">News: Rachael Yamagata to release two-part album in October</a><br /><a href="http://www.pastemagazine.com/articles/2004/06/rachel-yamagata-happenstance.html">Review: Rachael Yamagata: Rachel Yamagata - Happenstance</a><br /><a href="http://www.pastemagazine.com/articles/2004/01/4-to-watch-for-rachael-yamagata.html">Feature: 4 To Watch For: Rachael Yamagata </a><br />]]>
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<entry>
    <title>Carla Bruni covers Moldy Peaches&apos; &quot;Anyone Else But You&quot; for French television series Taratata</title>
    <link rel="alternate" type="text/html" href="http://www.pastemagazine.com/articles/2008/10/carla-bruni-covers-moldy-peaches-anyone-else-but-y.html" />
    <id>tag:www.pastemagazine.com,2008:/articles//23.28503</id>

    <published>2008-10-07T20:20:55Z</published>
    <updated>2008-10-07T20:38:17Z</updated>

    <summary>It seems that the first lady of France isn&apos;t content to...</summary>
    <author>
        <name>Paste News</name>
        <uri>http://www.pastemagazine.com</uri>
    </author>
    
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    <category term="juno" label="juno" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="kimyadawson" label="kimya dawson" scheme="http://www.sixapart.com/ns/types#tag" />
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        <![CDATA[It seems that the first lady of France isn't content to only cover the <b><a href="http://www.pastemagazine.com/articles/2007/12/no-promises.html">American and British poetic tradition</a></b>. With Yeats and Dickinson out of the way, Carla Bruni has turned her eye to something a little more culturally relevant, namely the Moldy Peaches' <b><a href="http://www.pastemagazine.com/articles/2007/11/baby-on-board.html"><i>Juno</i></a></b> theme song "Anyone Else But You."<br />]]>
        <![CDATA[While promoting her newest album, <i><b><a href="http://www.pastemagazine.com/articles/2008/09/carla-bruni-comme-si-de-rien-netait.html">Comme si de Rien n'Était</a></b></i>, Bruni appeared on the French television station <b><a href="http://www.mytaratata.com/"><i>Taratata</i></a></b> and performed "Anyone Else But You" with <i>Nouvelle Star</i> (the French <i>American Idol</i>) heartthrob Julien Doré (one assumes that Bruni's affections were directed at <b><a href="http://en.wikipedia.org/wiki/Sarkozy">this man</a></b>.)<br /><br />As is often the way in this series of tubes we call the interwebs, it didn't go unnoticed for long, and the Moldy Peaches' Kimya Dawson quickly gushed excitement on her <b><a href="http://users.livejournal.com/kimya_dawson_/290567.html?mode=reply">livejournal</a> </b>over the first lady of France's treatment of her song. We recommend you stream Bruni's version of the track in the <b><a href="http://www.pastemagazine.com/action/paste_station?station_track=track_9470_1025&amp;mode=normal" target="new"><i>Paste</i> Station pop-up player</a></b> while you read Dawson's hilarious post:<br /><br />"I actually squealed and doubled over laughing, and
maybe even thrust my clenched fist in the air upon hearing THE FIRST
LADY OF FRANCE sing the line... 'squinched up your face and did a dance, then you shook a little turd out of the bottom of your pants'!!!! SHE SANG THE LINE! For some reason, in my mind, that changes everything! When
I finished running around in circles, I shouted a big "HA! How you like
me now?" to the 9th grade French teacher who dropped me from the class
after 2 weeks and told me I was no good at French and would likely
never visit France or have anything to do with France. Well, it's true,
I still am lousy at the language, but the first lady of the country
sang MY turd lyric! That has got to count for something, right?!"<br /><br />Like Kimya notes, the song has disturbing implications about the president of France's bowel control. But hey, a little transatlantic crooning by an iconic Gaullic <i>chanteuse</i> has a way of warming the cockles of our hearts, even when it's about turds. Listen to Bruni's rendition of the song <a href="http://www.pastemagazine.com/action/paste_station?station_track=track_9470_1025&amp;mode=normal"><b>here</b></a>.<br /><br /><b>Related links:</b><br /><a href="http://www.pastemagazine.com/articles/2007/12/no-promises.html">Review: Carla Bruni: <i>No Promises</i></a><br /><a href="http://www.pastemagazine.com/articles/2008/09/carla-bruni-comme-si-de-rien-netait.html">Review: Carla Bruni: <i>Comme si de Rien n'Était</i></a><br /><a href="http://www.nytimes.com/2008/01/13/fashion/13bruni.html">NYTimes.com: The French President's Lover</a><br /><br /><b>Got a news tip for <i>Paste</i>? E-mail <a href="http://www.nytimes.com/2008/01/13/fashion/13bruni.html">news@pastemagazine.com</a>.</b><br />]]>
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</entry>

<entry>
    <title>Robert Plant shoots down Led Zeppelin tour, record rumors</title>
    <link rel="alternate" type="text/html" href="http://www.pastemagazine.com/articles/2008/10/robert-plant-shoots-down-led-zeppelin-tour-and-rec.html" />
    <id>tag:www.pastemagazine.com,2008:/articles//23.28043</id>

    <published>2008-10-07T19:36:00Z</published>
    <updated>2008-10-07T20:18:36Z</updated>

    <summary>Rumors that Robert Plant will join Led Zeppelin for a possible 2009 tour and recording session have been shot down via his official site....</summary>
    <author>
        <name>Paste News</name>
        <uri>http://www.pastemagazine.com</uri>
    </author>
    
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    <category term="ledzeppelin" label="led zeppelin" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="robertplant" label="robert plant" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tour" label="tour" scheme="http://www.sixapart.com/ns/types#tag" />
    
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        <![CDATA[Rumors that <a href="http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&amp;friendID=33830445"><b>Robert Plant</b></a> will join Led Zeppelin for a possible 2009 tour and recording session have been shot down via his <a href="http://www.robertplant.com/"><b>official site</b></a>.]]>
        <![CDATA[<div>The longtime Zeppelin lead singer and current <a href="http://www.alisonkrauss.com/site.php"><b>Alison Krauss</b></a>
collaborator said that he "has no intention whatsoever of touring with
anyone for at least the next two years," and went on to say "it's both
frustrating and ridiculous for this story to continue to rear
its head when all the musicians that surround the story are keen to get
on with their individual projects and move forward."<br /><br />Ever since Led Zep's reunion show in London last December, fans have <a href="http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1003855970"><b>speculated that the band will officially reunite</b></a>, some even wondering if the band was planning to replace Plant if he refused to come back. The singer, who has received much acclaim for his 2007 album and tour with Alison Krauss, added that "I wish Jimmy Page, John Paul Jones and Jason Bonham nothing but success with any future projects."<br /><br />In order to appease the pain, Zeppelin fans can revel in a new release. <a href="http://www.rhino.com/"><b>Rhino</b></a> is putting out a 10-disc boxed on Nov. 4 featuring all
nine Zeppelin studio albums along with rarities album "Coda" in mini-LP replica
sleeves with artwork from the original U.K. vinyl releases. <br /><br /><span class="Apple-style-span" style="font-weight: bold;">Related links:</span></div><div><a href="http://www.pastemagazine.com/blogs/av/2008/02/robert-plant-alison-krauss-raising-sand-epk.html">Video of the Day: Robert Plant &amp; Alison Krauss, "Raising Sand EPK"</a><br /></div><div><a href="http://www.pastemagazine.com/articles/2007/12/robert-plant-biography-to-be-released.html">News: Robert Plant biography to be released</a> <br /></div><div><a href="http://www.pastemagazine.com/articles/2006/10/rounder-records-to-release-firstever-robert-plant.html">News: Rounder Records to release first-ever Robert Plant dvd<br /></a></div><div><br /></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: verdana; font-size: 12px; font-weight: bold; line-height: 14px;">Got news tips for&nbsp;<em>Paste</em>? E-mail&nbsp;<a href="mailto:news@pastemagazine.com" style="outline-style: none; color: rgb(117, 39, 10); text-decoration: none;">news@pastemagazine.com</a>.</span></div>]]>
    </content>
</entry>

<entry>
    <title>Informer:Atlanta 10/7/08</title>
    <link rel="alternate" type="text/html" href="http://www.pastemagazine.com/articles/2008/10/informeratlanta-10708.html" />
    <id>tag:www.pastemagazine.com,2008:/articles//23.28583</id>

    <published>2008-10-07T19:19:36Z</published>
    <updated>2008-10-07T20:56:12Z</updated>

    <summary> Welcome to Informer:Atlanta! Each Tuesday, we bring you the very best in the coming week&apos;s music, film and culture events in and around Atlanta. Think we missed something? Wanna tip us off to something cool over the horizon? Let us know! All events are recommended, but italics indicate an editor&apos;s pick. (L) indicates local artists....</summary>
    <author>
        <name>Julia Reidy</name>
        
    </author>
    
        <category term="Local:Atlanta" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Paste:Local" scheme="http://www.sixapart.com/ns/types#category" />
    
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    <content type="html" xml:lang="en" xml:base="http://www.pastemagazine.com/articles/">
        <![CDATA[ Welcome to Informer:Atlanta! Each Tuesday, we bring you the very best in the coming week's music, film and culture events in and around Atlanta. Think we missed something? Wanna tip us off to something cool over the horizon? <a href="mailto:atlanta@pastemagazine.com"><strong>Let us know!</strong></a> All events are recommended, but italics indicate an editor's pick. (L) indicates local artists.]]>
        <![CDATA[<big><strong>Music:</strong></big><strong></strong><br /><br />

<strong>Tuesday 10/7</strong><br /><ul><li>Dressy Bessy, Casper and the Cookies @ <a href="http://www.smithsoldebar.com/home.html">Smith's Olde Bar</a> -- 8 p.m. $10 adv.</li></ul><br /><span class="Apple-style-span" style="font-weight: bold;">Wednesday 10/8</span><br /><ul><li><a href="http://www.smithsoldebar.com/home.html">The Hiss (L), The Coathangers (L), Predator @ </a><a href="http://www.starbar.net/">Star Bar</a> -- 9 p.m., $3</li><li>Sunburned Hand of the Man, The Dead Science, Magic Apron @ <a href="http://www.badearl.com/">The Earl</a> -- 9 p.m., $7</li><li>Bernadette Seacrest @ <a href="http://www.eddiesattic.com/">Eddie's Attic</a> -- 8 p.m., $10 adv./$13 door</li><li><span class="Apple-style-span" style="font-style: italic;">DMTO (Don't Miss This Opener!): Say Hi, Jukebox the Ghost, Sleep Therapy (L) @ </span><a href="http://www.thedrunkenunicorn.net/"><span class="Apple-style-span" style="font-style: italic;">Drunken Unicorn</span></a><span class="Apple-style-span" style="font-style: italic;"> -- $8 adv./$10 door</span></li></ul>

<strong><br /></strong><div><strong>Thursday 10/9</strong><br /><ul><li>Hot Chip, Growing @ <a href="http://www.variety-playhouse.com/">Variety Playhouse</a> -- 8:30 p.m., $25</li><li><span class="Apple-style-span" style="font-style: italic;">DMTO: Evangelicals, Parenthetical Girls, Chainstereo (L), Tealights (L) @ </span><a href="http://www.thedrunkenunicorn.net/"><span class="Apple-style-span" style="font-style: italic;">Drunken Unicorn</span></a><span class="Apple-style-span" style="font-style: italic;"> -- $8 adv./$10 door</span></li></ul>

<strong><br /></strong></div><div><strong>Friday 10/10</strong><br /><ul><li>All Night Drug Prowling Wolves (L) record release, The Wake, Mocking Birds @ <a href="http://www.starbar.net/">Star Bar</a> -- 9 p.m., $10</li><li>Howlies (L), Pardner @ <a href="http://www.badearl.com/">The Earl</a> -- 9:30 p.m., $7</li><li>Dancer vs. Politician, Lovesick Scientist, Travel By Train @ <a href="http://www.instantkavarna.com/">Kavarna</a> -- 9 p.m.&nbsp;</li></ul>


<strong><br /></strong></div><div><strong>Saturday 10/11</strong><br /><ul><li>Jeff Holmes (of The Floating Men) @ <a href="http://www.instantkavarna.com/">Kavarna</a> -- 8 p.m.</li><li><span class="Apple-style-span" style="font-style: italic;">Sopo Cogtail Party: The Shondes, Herman Put Down The Gun, The Thieves @ </span><a href="http://www.wonderroot.org/"><span class="Apple-style-span" style="font-style: italic;">WonderRoot</span></a><span class="Apple-style-span" style="font-style: italic;"> -- 8 p.m. </span><a href="http://www.sopobikes.org/"><br /><span class="Apple-style-span" style="font-style: italic;">Sopo Bicycle Co-op</span></a><span class="Apple-style-span" style="font-style: italic;">'s third birthday party!</span></li><li><a href="http://www.pd.org/%7Eeyedrum/calendar/index.php?eventTypeId=5&amp;id=1921&amp;month=10&amp;year=2008"><span class="Apple-style-span" style="font-style: italic;">"A Ten Year Affair"</span></a><span class="Apple-style-span" style="font-style: italic;"> @ </span><a href="http://www.eyedrum.org/"><span class="Apple-style-span" style="font-style: italic;">Eyedrum</span></a><span class="Apple-style-span" style="font-style: italic;"> -- 8 p.m., $10. <br />Eyedrum celebrates its 10-year anniversary with over 30 musicians and performing artists, not to mention a debut viewing of a documentary about the organization as well as the First Annual Eyedrum Awards (or "The Eddies").&nbsp;</span></li></ul>
<strong></strong></div><div><span class="Apple-style-span" style="font-weight: bold;"><br /></span></div><div><strong>Sunday 10/12</strong><br /><ul><li>DMTO (Don't Miss This Opener!): Wire, The Selmanaires (L) @ <a href="http://www.variety-playhouse.com/">Variety Playhouse</a> -- 8 p.m., $20</li></ul>


<strong><br /></strong></div><div><strong>Monday 10/13</strong><br /><ul><li>SkabDriver, Lazer/Wulf @ <a href="http://www.smithsoldebar.com/home.html">Smith's Olde Bar</a> -- 8 p.m.</li></ul>




<big><strong><br /></strong></big></div><div><big><strong>Film:</strong></big><strong></strong><br /><br />

<strong>Sunday 10/12</strong><br /><ul><li><em>Stomp and Stammer</em> Film Night: <em>Joe Strummer: The Future Is Unwritten</em> and <em>X - Live in Los Angeles</em> @ <a href="http://www.fivespot-atl.com/">The Five Spot</a>&nbsp;</li><li><a href="http://www.foundfootagefest.com/"><span class="Apple-style-span" style="font-style: italic;">The Found Footage Festival</span></a><span class="Apple-style-span" style="font-style: italic;"> @ </span><a href="http://www.plazaatlanta.com/"><span class="Apple-style-span" style="font-style: italic;">The Plaza Theatre</span></a><span class="Apple-style-span" style="font-style: italic;"><br />The Queens, N.Y.-based touring film fest reaches the ATL, and brings with it the weirdest collection of awkward footage imaginable. We can't say it any better than they can, so here's how the Plaza describes it: "Awkward sexual harassment in the workplace reenactment videos, flamboyant 1980s exercise tapes, and ridiculous home movies unite in the latest edition of the Found Footage Festival, a touring collection of discarded video clips that are, usually unintentionally, gut-bustingly funny." Don't miss this!</span></li></ul>
<a href="http://www.foundfootagefest.com/"></a></div><div><span class="Apple-style-span" style="font-size: 16px; font-weight: bold;"><br /></span></div><div><big><strong>Culture:</strong></big><strong></strong><br /><br />

<strong>Friday 10/10</strong><br /><ul><li><a href="http://www.gashakespeare.org/romeo.asp"><em>Antigone</em></a> premieres @ <a href="http://www.oglethorpe.edu/about_us/tour/conant_performing_arts_center.asp">Oglethorpe University's Conant Performing Arts Center</a> --
Georgia Shakespeare's new original musical adaptation of Sohpocles' Greek classic continues through November 2.&nbsp;</li></ul>
<strong></strong></div><div><span class="Apple-style-span" style="font-weight: bold;"><br /></span></div><div><strong>Saturday 10/11-Sunday 10/12</strong><br /><ul><li><a href="http://tasteofatlanta.net/">Taste of Atlanta</a> @ <a href="http://www.atlanticstation.com/">Atlantic Station</a>Tickets available in advance for individual days at <a href="http://tasteofatlanta.net/">TasteOfAtlanta.net</a>. <br />Get ready to loosen that belt! Sample morsels from 70 of Atlanta's best restaurants at the yearly outdoor culinary event, as well as cooking demonstrations, wine tastings and other activities.&nbsp;</li><li><a href="http://www.brookhavenartsalliance.com/baf/bafMain.html">2008 Brookhaven Arts Festival</a> @ Apple Valley Road, behind the Brookhaven MARTA station -- Sat. 10-6 p.m., Sun. 12-6 p.m.</li><li><a href="http://www.candlerparkfallfest.org/"><span class="Apple-style-span" style="font-style: italic;">Candler Park Fall Fest</span></a><span class="Apple-style-span" style="font-style: italic;"> @ Candler Park -- 11 a.m. - 7 p.m. both days</span></li></ul>




<strong><br /></strong></div><div><strong>Sunday 10/12</strong><br /><ul><li>Comedian <a href="http://www.brianposehn.com/brian_new.html">Brian Posehn</a> @ <a href="http://www.badearl.com/">The Earl</a> -- 8:30 p.m., $22 adv./$25 door</li></ul>


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</entry>

<entry>
    <title>Andrew Bird to tour, let Noble Beast out of cage</title>
    <link rel="alternate" type="text/html" href="http://www.pastemagazine.com/articles/2008/10/andrew-bird-lets-noble-beast-out-of-cage-tours.html" />
    <id>tag:www.pastemagazine.com,2008:/articles//23.28522</id>

    <published>2008-10-07T18:53:44Z</published>
    <updated>2008-10-07T20:22:20Z</updated>

    <summary>Whistling violin virtuoso, loop-master and songsmith Andrew Bird has confirmed that Noble Beast, his upcoming follow-up to the much-beloved Armchair Apocrypha, will be released Jan. 27, 2009 on Fat Possum Records....</summary>
    <author>
        <name>Paste News</name>
        <uri>http://www.pastemagazine.com</uri>
    </author>
    
        <category term="Music" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="andrewbird" label="andrew bird" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="noblebeast" label="noble beast" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="recordrelease" label="record release" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tour" label="tour" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.pastemagazine.com/articles/">
        <![CDATA[Whistling violin virtuoso, loop-master and songsmith Andrew Bird has confirmed that <i>Noble Beast</i>, his upcoming follow-up to the much-beloved <a href="http://www.pastemagazine.com/articles/2007/04/andrew-bird-armchair-apocrypha.html"><b><i>Armchair Apocrypha</i></b></a>, will be released Jan. 27, 2009 on Fat Possum Records.<br /> ]]>
        <![CDATA[Earlier this year, Bird <a href="http://www.pastemagazine.com/articles/2008/03/andrew-bird-suzanne-vega-blog-for-new-york-times.html"><b>blogged</b></a> for <i>The New York Times</i>' songwriting feature Measure for Measure and admitted that while he usually isn't too pleased during early stages of recording an album, <i>Noble Beast</i> was wonderfully worrisome. "I listened to my record recently and I'm concerned about how much I like it," he admitted then. If you're unsure how this astonishing lack of self-deprecation will affect the new work, check out album track "Oh No" or upcoming tour dates below.<br /><br />Tracklisting:<br /><br />1. Oh No<br />2. Masterswarm<br />3. Fitz and the Dizzyspells<br />4. Effigy<br />5. Tenuousness<br />6. Nomenclature<br />7. Not a Robot, But a Ghost<br />8. Anonanimal<br />9. Natural Disaster<br />10. Confess<br />11. Souverian<br />12. On Ho!<br /><b><br />Listen to Andrew Bird's "Oh No" from <i>Noble Beast</i>:<i><br /><br /></i><object width="300" height="110"><param name="movie" value="http://media.imeem.com/m/dsg2hg5ixO/aus=false/" /><param name="wmode" value="transparent" /><embed src="http://media.imeem.com/m/dsg2hg5ixO/aus=false/" type="application/x-shockwave-flash" wmode="transparent" width="300" height="110"></object></b><br /><br />We know where the staged Bird sings:<br /><b><br />October</b><br /><b>7</b> - New York, N.Y. @ Hiro Ballroom<br /><b>7</b> - Brooklyn, N.Y. @ Music Hall of Williamsburg (with Barack Rock)&nbsp;&nbsp; &nbsp;<br /><b>8</b> - Portsmouth, N.H. @ The Music Hall<br /><b>9</b> - Albany, N.Y. @ The Egg<br /><b>10</b> - Northampton, Mass. @ Calvin Theatre<br /><b>19</b> - Los Angeles, Calif. @ Largo at The Coronet<br /><b>20</b> - Los Angeles, Calif. @ Largo at The Coronet<br /><br /><p>
<strong>Related links:</strong><br />
<a href="http://www.pastemagazine.com/articles/2007/04/andrew-bird-armchair-apocrypha.html">Review: Arndrew Bird - <i>Armchair Apocrypha</i></a><br /><a href="http://www.andrewbird.net/" target="new">
AndrewBird.net</a><br />
<a href="http://www.pastemagazine.com/blogs/dream/2007/02/let-them-eat-cake-going-to-a-wedding-with-andrew-b.html">Blog: Let Them Eat Cake - Going to a Wedding with Andrew Bird</a><br />
</p>

<p>
<strong>Got news tips for <i>Paste</i>? E-mail <a href="mailto:news@pastemagazine.com">news@pastemagazine.com</a></strong><b>.</b></p>]]>
    </content>
</entry>

<entry>
    <title>Ezra Furman &amp; the Harpoons: Inside the Human Body</title>
    <link rel="alternate" type="text/html" href="http://www.pastemagazine.com/articles/2008/10/ezra-furman-and-the-harpoons-inside-the-human-body.html" />
    <id>tag:www.pastemagazine.com,2008:/articles//23.28415</id>

    <published>2008-10-07T18:00:26Z</published>
    <updated>2008-10-07T17:25:31Z</updated>

    <summary>Young, gifted and crackedIf you&#8217;re Ezra Furman, you&#8217;re right out of college and the man in the grey suit threatens to steal your soul, so you fend off encroaching suburbia with a batch of new tunes. On his second album of jittery, willfully naive folk-punk, Furman plays the alienated romantic geek, employing a wobbly sense of pitch to better effect than anyone since the early Violent Femmes. &#8220;We Should Fight,&#8221; the great howling mess of an opener, sets the tone, all raw guitars and protestations of uncompromising humanity. The rest of the songs&#8212;alternating between strident rockers and swooning ballads&#8212;are overwrought,...</summary>
    <author>
        <name>Paste News</name>
        <uri>http://www.pastemagazine.com</uri>
    </author>
    
        <category term="Music" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Reviews" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="ezrafurmanamptheharpoons" label="<![CDATA[ezra furman &amp; the harpoons]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="insidethehumanbody" label="inside the human body" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="issue48" label="issue 48" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mintyfresh" label="minty fresh" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.pastemagazine.com/articles/">
        <![CDATA[<i>Young, gifted and cracked<br /></i><br /><font style="font-size: 1.25em;">If you&#8217;re Ezra Furman, you&#8217;re right out of college and the man in the grey suit threatens to steal your soul, so you fend off encroaching suburbia with a batch of new tunes.</font> On his second album of jittery, willfully naive folk-punk, Furman plays the alienated romantic geek, employing a wobbly sense of pitch to better effect than anyone since the early Violent Femmes. &#8220;We Should Fight,&#8221; the great howling mess of an opener, sets the tone, all raw guitars and protestations of uncompromising humanity. The rest of the songs&#8212;alternating between strident rockers and swooning ballads&#8212;are overwrought, goofy, achingly sincere and totally original. Even his failures are charmingly his own, like the damaged sea chantey that erupts in the middle of &#8220;The Dishwasher,&#8221; an otherwise meandering folk ballad. Real life will intrude soon enough for Furman. Thankfully, he appears committed to spending the interim bashing out songs, working on his poet-laureate credentials and celebrating the sheer, giddy wonder of being young and alive. <br /><b><br />Listen to Ezra Furman and the Harpoons' "We Must Fight" from <i>Inside the Human Body</i>:<i><br /><br /></i></b> <object width="300" height="110"><param name="movie" value="http://media.imeem.com/m/MOXPJOt20k/aus=false/" /><param name="wmode" value="transparent" /><embed src="http://media.imeem.com/m/MOXPJOt20k/aus=false/" type="application/x-shockwave-flash" wmode="transparent" width="300" height="110"></object>]]>
        
    </content>
</entry>

<entry>
    <title>Tarantino, del Toro, others vote the 500 Greatest Movies</title>
    <link rel="alternate" type="text/html" href="http://www.pastemagazine.com/articles/2008/10/tarantino-del-toro-others-vote-for-empires-500-gre.html" />
    <id>tag:www.pastemagazine.com,2008:/articles//23.28424</id>

    <published>2008-10-07T17:21:39Z</published>
    <updated>2008-10-07T17:23:38Z</updated>

    <summary>British film monthly Empire is known for its lists, but the mag has outdone itself with its latest, the 500 Greatest Movies of All Time. Such lists are, of course, fairly useless to anything other than overheated web-forum debates and Netflix queues, but they remain a favorite pastime for populist film buffs and the magazines that bolster them, so who&#8217;re we to resist?...</summary>
    <author>
        <name>Paste News</name>
        <uri>http://www.pastemagazine.com</uri>
    </author>
    
        <category term="Film &amp; TV" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="empire" label="empire" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="guillermodeltoro" label="guillermo del toro" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="quentintarantino" label="quentin tarantino" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sammendes" label="sam mendes" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.pastemagazine.com/articles/">
        <![CDATA[British film monthly <i><b><a href="http://www.empireonline.com/">Empire</a></b></i> is known for its lists, but the mag has outdone itself with its latest, the 500 Greatest Movies of All Time. Such lists are, of course, fairly useless to anything other than overheated web-forum debates and Netflix queues, but they remain a favorite pastime for populist film buffs and the magazines that bolster them, so who&#8217;re we to resist? ]]>
        <![CDATA[The list&#8212;<b><a href="http://www.empireonline.com/500/">available in full here</a></b> with a sleek design that can take unearthly patience to get through all the way&#8212;comes with the added pedigree
of high-profile participation, combining the votes of 10,000 <i>Empire</i>
readers with 50 &#8220;key film critics&#8221; and major filmmakers like Quentin Tarantino,
Guillermo del Toro (<i>Pan&#8217;s Labyrinth</i>) and Sam Mendes (<i>American Beauty</i>). <br />
<br />
The top 25 of Empire&#8217;s list is below. No. 1 for <i>The Godfather</i>&#8212;eh, we suppose that makes sense. But No.
2? And No. 10!? Other gems include <i>Saw</i> (No. 499) and <i>V for
Vendetta</i> (No. 337). Parse your approval and your horror in the comments.&nbsp; <br />
<br />
<i>Empire</i>'s top 25 movies ever made:<br /><br />1. <i>The Godfather<br /></i>
2. <i>Raiders of the Lost Ark</i><br />
3. <i>Star Wars Episode V: Empire Strikes Back</i> <br />
4. <i>Shawsank Redemption</i> <br />
5. <i>Jaws</i><br />
6. <i>GoodFellas </i><br />
7. <i>Apocalypse Now </i><br />
8. <i>Singin&#8217; in the Rain</i> <br />
9. <i>Pulp Fiction</i><br />
10. <i>Fight Club</i> <br />
11. <i>Raging Bull</i> <br />
12. <i>The Apartment </i><br />
13. <i>Chinatown</i> <br />
14. <i>Once Upon a Time In the West</i><br />
15. <i>The Dark Knight</i><br />
16. <i>2001: A Space Odyssey</i><br />
17. <i>Taxi Driver</i><br />
18. <i>Casablanca</i> <br />
19. <i>The Godfather Part II</i><br />
20. <i>Blade Runner</i><br />
21. <i>The Third Man</i><br />
22. <i>Star Wars Episode IV: A New Hope</i> <br />
23. <i>Back to the Future</i><br />
24. <i>The Lord of the Rings: The Fellowship of the Ring</i><br />
25. <i>The Good, The Bad, and The Ugly<br /><br /></i><b>Related links:<br /></b><a href="http://www.empiremagazine.com/">EmpireMagazine.com</a><br /><a href="http://www.afi.com/tvevents/100years/movies.aspx">AFI.com: AFI's 100 Greatest American Movies</a><br /><a href="http://www.ew.com/ew/article/0,,20207076_20207387_20207063,00.html">EW.com: The New Classics, Movies - Best from 1983 to 2008</a><br /><br /><b>Got a news tip for <i>Paste</i>? E-mail <a href="http://www.youtube.com/watch?v=0sjdknlFsgw&amp;feature=related">news@pastemagazine.com</a>.</b>]]>
    </content>
</entry>

<entry>
    <title>Magnolia Electric Co. schedules tour dates, preps album</title>
    <link rel="alternate" type="text/html" href="http://www.pastemagazine.com/articles/2008/10/magnolia-electric-co-schedules-tour-dates-preps-al.html" />
    <id>tag:www.pastemagazine.com,2008:/articles//23.28519</id>

    <published>2008-10-07T16:00:44Z</published>
    <updated>2008-10-07T16:13:38Z</updated>

    <summary>Folks have been known to utter the words &quot;Jason Molina&quot; and &quot;depressing&quot; in the same breath...</summary>
    <author>
        <name>Austin L. Ray</name>
        <uri>http://www.pastemagazine.com</uri>
    </author>
    
        <category term="Lead Stories" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Music" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="jasonmolina" label="jason molina" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="magnoliaelectricco" label="magnolia electric co." scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="recordrelease" label="record release" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="stevealbini" label="steve albini" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tour" label="tour" scheme="http://www.sixapart.com/ns/types#tag" />
    
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        <![CDATA[Folks <b><a href="http://www.google.com/search?hl=en&amp;q=jason+molina+depressing&amp;btnG=Search">have been known</a></b> to utter the words "Jason Molina" and "depressing" in the same breath, but what do folks know, really? After all, Molina's on vacation right now! OK, not exactly, but the roots rocker who originally hails from Ohio has relocated to the United Kingdom, where he's been solo touring and "writing, writing, writing," according to a press release from his label, Secretly Canadian.<br />]]>
        <![CDATA[But fret not, 'mericans: Molina and his Co. have scheduled a handful of tour dates, mostly around the Southern and Midwestern portions of these United States. The band, which, in addition to Molina, includes Jason Groth, Pete Screiner, Mikey Kapinus and Mark Rice, will possibly be debuting some new material as well as some Songs: Ohia tracks from back in the day. What's more, the crew will convene post-tour with Steve Albini at his Electrical Audio studio in Chicago to begin work on a new Magnolia Electric Co. album. According to <b><a href="http://www.magnoliaelectricco.com/archives/267">the band's website</a></b>, the record is tentatively titled <i>A Map of the Falling Stars</i>, and is in the works for mid-2009. Hold on, Magnolia!<br /><br />Dates:<br /><br /><b>October</b><br /><b>21</b> - Bloomington, Ind. @ Buskirk Chumley<br /><b>22</b> - Louisville, Ky. @ Headliners<br /><b>23</b> - Asheville, N.C. @ Grey Eagle<br /><b>24</b> - Athens, Ga. @ 40 Watt<br /><b>25</b> - Birmingham, Ala. @ The Bottle Tree<br /><b>26</b> - Memphis, Tenn. @ Hi Tone<br /><b>27</b> - Denton, Texas @ Rubber Gloves<br /><b>28</b> - Houston, Texas @ Walter's on Washington<br /><b>30</b> - Austin, Texas @ Mohawk<br /><b>31</b> - Norman, Okla. @ The Opolis<br /><br />
<b>November<br />1</b> - Lawrence, Kan. @ Jackpot<br /><b>2</b> - St. Louis, Mo. @ The Bluebird<br /><b>3</b> - Chicago, Ill. @ Abbey Pub<br /><br /><b>Related links:</b><br /><a href="http://www.scjag.com/mp3/sc/texas71.mp3">Download: Magnolia Electric Co.'s "Texas 71" from <i>Sojourner</i></a><br /><a href="http://www.pastemagazine.com/articles/2005/06/magnolia-electric-co-1.html">Review: Magnolia Electric Co. - </a><i><a href="http://www.pastemagazine.com/articles/2005/06/magnolia-electric-co-1.html">What Comes After the Blues</a><br /></i><a href="http://www.pastemagazine.com/articles/2005/06/magnolia-electric-co-1.html">MagnoliaElectricCo.com</a><br /><br /><b>Got a news tip for <i>Paste</i>? E-mail <a href="mailto:news@pastemagazine.com">news@pastemagazine.com</a>.</b><br />]]>
    </content>
</entry>

<entry>
    <title>Oh my God! You killed Kenny 84 times in 19 unique ways</title>
    <link rel="alternate" type="text/html" href="http://www.pastemagazine.com/articles/2008/10/oh-my-god-you-killed-kenny-84-times-in-19-unique-w.html" />
    <id>tag:www.pastemagazine.com,2008:/articles//23.28266</id>

    <published>2008-10-07T15:50:00Z</published>
    <updated>2008-10-07T15:53:54Z</updated>

    <summary>Fall guys are old hat, macabre-wise. There was the terrible heat Piggy took in Lord of the Flies and the gruesome sacrifices of hot-headed teens every slasher flick, ever. But of all the unfortunate characters born to bear the brunt of bad situations, South Park masterminds Trey Parker and Matt Stone&#8217;s creation-- and repeated destruction-- of Kenny McCormick was a whole special brand of deadly awful....</summary>
    <author>
        <name>Rachael Maddux</name>
        <uri>http://www.pastemagazine.com</uri>
    </author>
    
        <category term="Features" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Film &amp; TV" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="kennymccormick" label="kenny mccormick" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="southpark" label="south park" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.pastemagazine.com/articles/">
        <![CDATA[Fall guys are old hat, macabre-wise. There was the terrible heat Piggy
took in <i>Lord of the Flies</i> and the gruesome sacrifices of hot-headed
teens every slasher flick, ever. But of all the unfortunate characters born to bear the brunt of bad situations, <i>South Park</i> masterminds Trey Parker and Matt Stone&#8217;s
creation-- and repeated destruction-- of Kenny McCormick was a whole special brand of deadly awful. ]]>
        <![CDATA[It wasn&#8217;t enough that his trademark orange parka muffled his voice or that his alcoholic mother and trailer-trash father left his family life lacking. And it didn&#8217;t satisfy Parker and Stone just to shoot Kenny with a spaceship&#8217;s fireball, trample him with a herd of cows and run him over with a police car&#8212;all of which occurred in the show's premiere episode. Instead, they continued to kill his tiny cut-out figure over and over again until season 5&#8217;s &#8220;Kenny Dies,&#8221; when his passing garnered some more serious attention and the murder rate eked to a near halt. <br /><br />Classifying and categorizing Kenny&#8217;s deaths, which we undertook in honor of our first-ever violence issue, turned out to be a harrowing task that opened up question after question about death&#8217;s dour variables. Is getting cooked in fire different than being burned? How to factor in intent? Should we parse out vehicular accidents from cattle tramplings? Does the agent of death matter? Is sacrifice its own category or merely a subset? Do getting torn apart and cut up merit separate headings? We phoned polling experts, enrolled in data management courses, begged our business staff to help&#8212;and still the pressure of accuracy threatened to crush us like, well, any of the 17 different objects that crushed Kenny himself.<br /><br />But like <i>South Park</i>, which is now in the middle of its twelfth season, we persevered. Amidst grotesque caveats, we now proudly present our cross-referenced, comprehensive catalog of Kenny McCormick&#8217;s <i>South Park</i> deaths. Moments when Kenny miraculously escapes the clutches of quietus (only to die later in an episode) are marked with a pound sign.<br /><br /><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.pastemagazine.com/articles/assets_c/2008/10/YouKilledKenny.html" onclick="window.open('http://www.pastemagazine.com/articles/assets_c/2008/10/YouKilledKenny.html','popup','width=662,height=558,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://www.pastemagazine.com/articles/assets_c/2008/10/YouKilledKenny-thumb-430x362.jpg" alt="YouKilledKenny.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" height="362" width="430" /></a></span><div align="center"><i>Click to view chart at full size.</i><br /></div><br />Kenny dies 84 unique times.<br /><br /><b>Grim Reaper: 2</b><br />1.06<br />Credits of seasons 2-4<br /><br /><b>Electrocuted: 1</b><br />3.01 - Struck by lightening, brought back to life when girlfriend performs CPR<br /><br /><b>Exploded: 8</b><br />2.08 - Firecracker explodes in hand<br />2.11 - Head explodes due to planetarium demonstration&#8217;s intensity<br />3.02 - Spontaneously combusts due to withheld flatulence<br />3.10 - Gets seizure from video game, explodes, spills over with rats<br />3.16 - Insides explode from pressure buildup due to an anally-inserted tampon<br />4.08 - Due to a gas buildup&nbsp; when antacid mixes with water<br />4.09 - Blown up while with Afghan counterpart<br />7.15 - Upon being zapped by Saddam Hussein<br /><br /><b>Shot: 9</b><br />1.01 - By spaceship #<br />1.02 - By Mr. Garrison, who was trying to shoot Kathie Lee Gifford<br />1.03 - By Ned after escaping volcano<br />1.10 - Turned into a duck-billed platypus by Damien, then shot by Jimbo<br />2.10 - By police while trying to surrender, in front of Marilyn Manson<br />4.03 - By police in Elian Gonzalez-style raid<br />5.11 - By airport security<br />9.03 - By Chinese mafia<br />11.14 - By Wendy Testaburger&#8217;s stray bullet<br /><br /><b>Attacked by Animal: 6</b><br />1.01 - Trampled by cattle #<br />1.08 - Swarmed by mutant turkeys<br />2.07 - Attacked by a huge, black, scary monster #<br />2.13 - Gored by bull&#8217;s horns<br />3.05 - Attacked by bear while impersonating a deer<br />3.13 - Beaten up by Cartman&#8217;s Phonics Monkey<br /><br /><b>Run Over: 10</b><br />1.01 - Police car<br />1.13 - Train<br />2.07 - The Fonz&#8217;s motorcycle<br />2.17 - Mining cart full of underpants<br />3.12 - Snowspeeder, while in ED-209 costume<br />4.06 - Ambulance<br />4.07 - While trying to fix Timmy&#8217;s wheelchair, a la <i>Speed</i><br />4.17 - By car during filming of <i>The Spirit of Chistmas</i><br />5.10 - Motorcycle<br />9.04 - Ice cream truck # (later died when taken off feeding tube at hospital)<br /><br /><b>Crushed: 17</b><br />1.02 - In the school play by the Native American Hut #<br />1.03 - By a large volcanic bomb ejected from the volcano #<br />1.07 - Mir satellite # (revived as zombie via Worcestershire sauce embalming.)<br />1.07 - By a falling angel statue and then by a crashing airplane <br />2.03 - By car tipped upside down # (steps out through sunroof)<br />2.03 - By tree (twice: once it misses, once it hits)<br />2.04 - By grave stone<br />2.08 - By bleachers<br />2.09 - By theater crowd<br />2.12 - By mosh pit in Cartman&#8217;s treehouse<br />3.03 - By chandelier<br />4.01 - By bricks after flying off sled<br />4.07 - By piano<br />4.09 - By elevator<br />4.13 - By Cartman&#8217;s door against a wall<br />4.14 - By stage light<br />8.07 - By ceiling, after being thrown by &#8220;Mr. Jefferson,&#8221; who is really Michael Jackson<br /><br /><b>Dismembered: 9</b><br />1.04 - Arms and head ripped off by three Middle Park Cowboy football players<br />1.07 - Cut by chainsaw wielded by Kyle to end the zombie curse<br />1.11 - By Iraqi sword<br />2.06 - By audience members on <i>Jesus and Pals</i><br />2.14 - Head bitten off by Ozzy Osbourne #<br />2.18 - By conveyor belt in front of prehistoric man exhibit<br />3.06 - Pulled by magnet into giant fan<br />5.07 - Face sliced by boomerang<br />Credits of season 7 on<br /><br /><b>Burned or Cooked: 3</b><br />1.05 - Knocked into a microwave oven with a chair and cooked by a mutant clone of Stan<br />3.14 - By a National Guard warning flare<br />5.08 - Falls into lava trying to save a Gamesphere console<br /><br /><b>Asphyxiated: 1</b><br />1.11 - By tetherball<br /><br /><b>Hit by projectile: 2</b><br />2.05 - Overpowered dodgeball thrown by Chinese opponent<br />4.04 - Hit by frying pan<br /><br /><b>Disease/Bodily failure: 5</b> <br />2.10 - Chicken pox<br />3.16 - Fatal defecation after playing &#8220;Brown Note&#8221;<br />5.01 - Laughs to death<br />5.02 - Vomits intestines<br />5.13 - Dies of &#8220;terminal illness&#8221;<br /><br /><b>Sacrifice: 2</b><br />3.09 - To open conch shell that Moses is trapped in<br />4.16 - During Carousel, a ceremony based on <i>Logan&#8217;s Run</i><br /><br /><b>Frozen: 1</b><br />3.11 - Frozen in carbonite<br /><br /><b>Drowned: 1</b><br />4.02 - With cement shoes on <br /><br /><b>In a dream: 1</b><br />4.06 - By alien-like baby brother<br /><br /><b>Impaled: 2</b><br />5.06 - By metal pipe, during roller coaster ride<br />6.15 - By flagpole during movie trailer, as part of the body of Rob Schneider, who ingested a roast beef containing Kenny&#8217;s recently-exorcised soul<br /><br /><b>Mysterious/Unknown: 2</b><br />3.03 - Dies in unknown manner while waiting for Chef at bus stop (revived mysteriously at dawn) #<br />5.12 - Seen dead without explanation<br /><br /><b>Mixed/other: 3</b><br />2.02 - Self-sacrificially, while turning on hospital generator. (Sacrifice, electrocuted)<br />2.15 - Drowned by Stan&#8217;s goldfish (Drowned, attacked by animal)<br />5.04 - Mass suicide in reflecting pool at Lincoln Memorial. (Sacrifice, drowned) <br />]]>
    </content>
</entry>

<entry>
    <title>Sarah Vowell</title>
    <link rel="alternate" type="text/html" href="http://www.pastemagazine.com/articles/2008/10/sarah-vowell.html" />
    <id>tag:www.pastemagazine.com,2008:/articles//23.28327</id>

    <published>2008-10-07T15:00:28Z</published>
    <updated>2008-10-07T15:26:33Z</updated>

    <summary>The time would seem right for a hipster micro-history of...</summary>
    <author>
        <name>Paste News</name>
        <uri>http://www.pastemagazine.com</uri>
    </author>
    
        <category term="Books" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Reviews" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="issue48" label="issue 48" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="riverheadbooks" label="riverhead books" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sarahvowell" label="sarah vowell" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thewordyshipmates" label="the wordy shipmates" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.pastemagazine.com/articles/">
        <![CDATA[<i>Did Pilgrims progress? <br /></i><br /><font style="font-size: 1.25em;">The time would seem right for a hipster micro-history of Puritan New England.</font> After all, <i>John Adams</i> burned up the charts. And if anyone could take the squabbles over religion that turned us into the country we are today and make them amusing, one would think it would be Sarah Vowell, high priestess of historical essays for all us PBR-swilling public-radio listeners.<br /> ]]>
        <![CDATA[While <i>The Wordy Shipmates</i> contains scads of Vowell&#8217;s trademark
acerbic asides, unlike her previous works, this book is (almost) a
straight-up history. It is a dense&#8212;and I do mean dense&#8212;meditation on
the Puritan founders of the Massachusetts Bay Colony, especially John
Winthrop, creator of the famous &#8220;City Upon a Hill&#8221; speech.<br />
<br />
Vowell&#8217;s primary-source research and theological knowledge are
impressive, and parts of the book are laugh-out-loud funny. Yet the
nonlinear narrative and stylistic flourishes ultimately prevent <i>The Wordy Shipmates</i> from becoming more than swell cocktail chatter for the holidays. ]]>
    </content>
</entry>

<entry>
    <title>Deerhoof kicks off Fall tour</title>
    <link rel="alternate" type="text/html" href="http://www.pastemagazine.com/articles/2008/10/deerhoof-kicks-off-massive-fall-tour.html" />
    <id>tag:www.pastemagazine.com,2008:/articles//23.28193</id>

    <published>2008-10-07T14:40:45Z</published>
    <updated>2008-10-07T11:34:50Z</updated>

    <summary>Like the fauna that shares their name, Deerhoof&apos;s migration pattern shifts every Fall, and this time it&apos;s in support of the band&apos;s new LP Offend Maggie, which is now available in both digital and physical formats. The San Francisco-based four piece has already hit the road and plans to hopscotch across the U.S. for October and November before hitting Europe in December....</summary>
    <author>
        <name>Paste News</name>
        <uri>http://www.pastemagazine.com</uri>
    </author>
    
        <category term="Music" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="deerhoof" label="deerhoof" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tour" label="tour" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.pastemagazine.com/articles/">
        <![CDATA[Like the fauna that shares their name, Deerhoof's migration pattern shifts every Fall, and this time it's in support of the band's new LP <i>Offend Maggie</i>, which is now available in both digital and physical formats. The San Francisco-based four piece <b><a href="http://www.pitchforkmedia.com/node/146149">has already hit the road</a></b> and plans to hopscotch across the U.S. for October and November before hitting Europe in December.<br />]]>
        <![CDATA[Deerhoof also promised to donate some of the proceeds of the digital sales of its newest album to a charity of its fans' choosing. The votes are in, and <b><a href="http://www.doctorswithoutborders.org/">Doctors Without Borders</a></b> will be cut a (hopefully) fat check from the band's local branch.<br /><br />Deerhoof will be trotting through forests near you soon, so ready to get your freak-rock on.<i> Offend Maggie</i> is out now on <b><a href="http://www.killrockstars.com/">Kill Rock Stars</a></b>.<br /><br /><b>October<br />9</b><b>- </b>Salt Lake City, Utah @ Urban Loung<br /><b>11 - </b>Denver, Colo. @ Bluebird<br /><b>13 - </b>Omaha, Neb. @ The Slowdown<br /><b>14 - </b>Minneapolis, Minn. @ First Avenue<br /><b>15 - </b>Milwaukee, Wis. @ Turner Hall<br /><b>17 - </b>Chicago, Ill. @ Metro<br /><b>18 - </b>Pontiac, Mich. @ Crofoot Ballroom<br /><b>21 - </b>New York, N.Y. @ Spiegeltent<br /><b>22 - </b>New York, N.Y. @ Irving Plaza<br /><b>23 - </b>Cambridge, Mass. @ Middle East<br /><b>24 - </b>Northampton, Mass. @ Pearl Street<br /><b>25 - </b>Philadelphia, Pa. @ Starlight Ballroom<br /><b>26 - </b>Washington, D.C. @ 9:30 Club<br /><b>28 - </b>Carrboro, N.C. @ Cat's Cradle<br /><b>29 - </b>Asheville, N.C. @ Grey Eagle<br /><b>30 - </b>Nashville, Tenn. @ Mercy Lounge<br /><b>31 - </b>Athens, Ga. @ 40 Watt Club<br /><b><br />November<br />1 - </b>Orlando, Fla. @ The Social<br /><b>2 - </b>Tampa, Fla. @ Crowbar<br /><b>5 - </b>New Orleans, La. @ House of Blues<b><br />6 - </b>Houston, Texas @ Numbers<br /><b>7 -</b> Dallas, Texas @ Granada<br /><b>8 - </b>Austin, Texas @ Fun Fun Fun Fest<br /><b>10 - </b>El Paso, Texas @ Club 101<br /><b>12 - </b>Tucson, Ariz. @ Club Congress<br /><b>13 - </b>Tempe, Ariz. @ The Clubhouse<b> <br /><br />December<br />2 - </b>London, U.K. @ University of London Union<br /><b>3 - </b>Berlin, Ger. @ Lido<br /><b>5 - </b>Antwerp, Belg. @ Trix<br /><b>6 - </b>Amsterdam, Neth. @ Melkweg<br /><b>8 - </b>Rennes, Fra. @ Antipode<br /><b>10 - </b>Lyon, France @ Grrrnd Zero<br /><b>11 - </b>Paris, France @ Trabendo<br /><b>12 - </b>Barcelona, Spain @ Primavera Sound Winter Edition<br /><b>13 -</b> Madrid, Spain @ Primavera Sound Winter Edition<br /><br /><b>Related links:</b><br /><a href="http://www.pastemagazine.com/action/article/3729/deerhoof_takes_notes">Feature: Deerhoof Takes Notes from the Best Seats in the House</a><br /><a href="http://www.pastemagazine.com/articles/2008/06/deerhoof-offends-maggie-tours-for-cheap.html">News: Deerhoof to <i>Offend Maggie</i>, play cheap shows</a><br /><a href="http://deerhoof.killrockstars.com/">Deerhoof.KillRockStars.com</a><br /><br /><b>Got a news tip for <i>Paste</i>? E-mail <a href="mailto:news@pastemagazine.com">news@pastemagazine.com</a>.</b><br />]]>
    </content>
</entry>

<entry>
    <title>Nick and Norah&apos;s Infinite Playlist</title>
    <link rel="alternate" type="text/html" href="http://www.pastemagazine.com/articles/2008/10/nick-and-norahs-infinite-playlist.html" />
    <id>tag:www.pastemagazine.com,2008:/articles//23.28270</id>

    <published>2008-10-07T14:15:14Z</published>
    <updated>2008-10-07T11:28:08Z</updated>

    <summary>Nick and Norah&apos;s Infinite Playlist, from director...</summary>
    <author>
        <name>Paste News</name>
        <uri>http://www.pastemagazine.com</uri>
    </author>
    
        <category term="Film &amp; TV" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Reviews" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="michaelcera" label="michael cera" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="nickandnorahsinfiniteplaylist" label="nick and norah&apos;s infinite playlist" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="petersollett" label="peter sollett" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.pastemagazine.com/articles/">
        <![CDATA[<b>Release Date: </b>Oct. 3<br /><b>Director: </b>Peter Sollett<br /><b>Writers: </b>Lorene Scafaria <br /><b>Cinematographer: </b>Tom Richmond<br /><b>Starring: </b>Michael Cera, Kat Dennings, Aaron Yoo, Rafi Gavron, Ari Graynor, Alexis Dziena<br /><b>Studio/Run Time: </b>Columbia Pictures, 90 mins.<br /><b><br /></b><font style="font-size: 1.25em;"><i>Nick and Norah's Infinite Playlist</i>,<i> </i>from director Peter Sollett (<i>Raising Victor Vargas</i>), plays the indie-music angle</font>&#8212;especially a search for <i>the</i> nebulous, underground<i> </i>performance&#8212;like the dilemma of youth itself. ]]>
        <![CDATA[The film follows its title characters through a New York all-nighter in search of that mythic concert. It's an adult representation of the precocious Manhattanite's teenage experience, which the movie tries to reconcile by forcing its audience into embarrassing moments. After all, what feels more adolescent than repeated humiliation? The more successful of these tap into the awkwardness we've seen in every Michael Cera role, but many of the situations the film creates feel forced and irrelevant.<br /><br />One of the more painful goings-on involves a friend of Norah's (Ari Graynor) fishing her chewing gum out of a vomit-filled toilet in a train station. Memorable? Yes, but when the landmark scene of an artsy teen romance invokes the viewer's gag reflex, something is out of balance. &nbsp; <br /><br />But if <i>Nick and Norah</i> can be hard to watch, the Candyland portrayal of the New York cityscape reassures the audience. As the characters stumble from one club to another, the every-colored neon lights present the city as it must be from the perspective of invincible youth.<br /><br />And it&#8217;s that sparkle that brightens the film as New York itself becomes our only real guide through the lethargic narrative midsection. When the young love finally does come to fruition, the characters feel the same about the experience as the audience does: It's been very strange&#8212;at turns comic, boring and nerve-wracking&#8212;but at least it was a half-good adventure.<br /><br /><b>Watch the trailer for <i>Nick and Norah's Infinite Playlist</i>:</b><br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/-btDYY-uLeY&amp;hl=en&amp;fs=1" /><param name="allowFullScreen" value="true" /><embed src="http://www.youtube.com/v/-btDYY-uLeY&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"></object>]]>
    </content>
</entry>

<entry>
    <title>Playing With Gunfire: A Report on the Military-Video-Game Complex</title>
    <link rel="alternate" type="text/html" href="http://www.pastemagazine.com/articles/2008/10/playing-with-gunfire-a-report-on-the-military-vide.html" />
    <id>tag:www.pastemagazine.com,2008:/articles//23.27003</id>

    <published>2008-10-07T14:00:50Z</published>
    <updated>2008-10-06T21:38:10Z</updated>

    <summary>In Capcom&#8217;s 1985 coin-op smash, Commando, you fire white pellets at endless streams of generic enemies. When hit, they simply vanish, leaving no trace on the stylized tropical environments behind them. In real war...</summary>
    <author>
        <name>Paste News</name>
        <uri>http://www.pastemagazine.com</uri>
    </author>
    
        <category term="Features" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Games" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="americasarmy" label="america&apos;s army" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="callofduty" label="call of duty" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="issue47" label="issue 47" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="medalofhonor" label="medal of honor" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="videogames" label="video games" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="wargames" label="war games" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.pastemagazine.com/articles/">
        <![CDATA[<p><i>From chess to </i>Halo<i>, games about war are as old as war itself. </i>Paste<i> examines the history, benefits, costs and ramifications of the massively popular world of virtual war.<br /></i><br /><font style="font-size: 1.5625em;">I</font><font style="font-size: 1.25em;">n Capcom&#8217;s 1985 coin-op smash, <i>Commando</i>, you fire white pellets at endless streams of generic enemies.</font> When hit, they simply vanish, leaving no trace on the stylized tropical environments behind them. In real war, the cost of a human life is inestimable. But in <i>Commando</i>, life&#8217;s value is both measurable and dirt cheap: dropping a quarter in the glowing slot bought you three lives. That&#8217;s a little more than eight cents per.<br /></p>
]]>
        <![CDATA[<p>War&#8217;s strategic, competitive nature makes it ideally suited to
games in all media. Long before the digital revolution, games like
chess, capture the flag, football and Risk used the concept of warring
nations and their resources as frameworks for play. But
digital-simulation technology has been especially conducive to martial
fantasy.<br />
<br />What it means to digitally recreate war for fun is an important
question, especially now that video games have attained mainstream
popularity rivaling music and movies. The Entertainment Software
Association reported over nine billion dollars in total sales
(including consoles, console games and PC games) in 2007. And the
top-selling game of that year was Activision/Infinity Ward&#8217;s <i>Call of
Duty 4: Modern Warfare</i>, which, as of January 2008, had sold more than
seven million copies since its release in November 2007. Video games
are no longer a niche market; they&#8217;re a cultural bellwether.<br />
<br />From <i>Commando</i> onward, war games have tended toward greater intimacy
and realism. Like so many culturally significant stories, this one
involves technology gradually catching up with our fantasies. Chess
places the player in the role of a general and imagines war as purely
tactical, equalizing infantry fodder and military infrastructure as
carved icons constrained by elegant, inviolable rules. While many
real-time war-strategy games still employ this abstract approach, the
real innovation of war video games has been to privilege the visceral
over the cerebral, casting players not as generals, but as pawns
immersed in the chaos of the battlefield. <br />
<br />As video games become more immersive, plunging headlong toward true
holodeck-style virtual reality, and as war itself becomes increasingly
<i>virtual</i>, waged via satellites and computer screens, the relationship
between the two becomes more entangled. But this is nothing new. Going
as far back as the early &#8217;60s when several MIT students created a game
called <i>Spacewar!</i> by hacking a simulation program in a university lab
funded by DARPA (Defense Advanced Research Projects Agency), video
games have been inextricably linked to the military. <br />
<br />
<font style="font-size: 1.25em;"><i><font style="font-size: 1.5625em;">A</font></i><i>merica&#8217;s Army</i>, a first-person shooter owned and developed by the U.S.
government, is a far cry from the cartoon sprites of yore.</font> You move
through a lush 3-D environment with realistic textures and touches of
natural beauty. In the tutorial phase, wisecracking officers teach you
how to fire various authentic weapons, use a bipod, and climb rope
bridges. As you learn where you&#8217;re allowed to walk and where you
aren&#8217;t, and what you have to do to advance the game, you might feel a
familiar sense of diminishing options. <br />
<br />Playing <i>America&#8217;s Army</i> illuminates how all video games&#8212; even the
so-called &#8220;open world&#8221; or &#8220;sandbox&#8221; ones (which supposedly provide
players with a higher degree of freedom than traditional, linear
games)&#8212;are good at indoctrinating players with values prized by the
military: discipline, conformity, obedience and a willingness to
repeatedly perform arcane tasks to minute specifications. Pace-setting
open-world franchise <i>Grand Theft Auto</i> grants players superficial
freedoms while teaching them the algorithms required to eventually win.
<br />
<br />As such,<i> America&#8217;s Army</i>, openly acknowledged to be a recruitment
tool, scarcely needed to tamper with extant first-person shooter
protocols in order to give players a realistic idea of military life
(with some conspicuous PR-related omissions, including civilian
casualties and excessive gore). It simply replaces bossy wizards with
uniformed officers, and fantasy realms with military bases. Tony Ng, a
cadet at Valley Forge Military Academy &amp; College, characterizes
<i>America&#8217;s Army</i> as &#8220;very realistic&#8221; compared to his real-world military
training. <br />
<br />By channeling players into the game world via their own embodied
perspective (instead of an avatar), the first-person shooter has been
pivotal in war games&#8217; shift toward greater player immersion. The format
was popularized by 1992 PC game<i> Wolfenstein 3D</i>, where the player
explored a faux 3-D castle, blasting monstrous Nazis, culminating in a
final boss fight with Hitler himself. Many of the most popular modern
first-person shooters&#8212;<i>Medal of Honor</i>,<i> Call of Duty</i> and<i> Brothers in
Arms</i>, to name just a few&#8212;have also adopted World War II as their
setting. <br />
<br />&#8220;In terms of pure gameplay,&#8221; explains one of<i> Call of Duty 4</i>&#8217;s lead
designers, Zied Rieke, &#8220;World War II has an enormous amount to offer:
massive forces using a huge variety of weapons; fighting in diverse
locales; militaries that are both uniquely equipped and equally
matched; unambiguous conflict between good and evil, democracy and
tyranny; historical and cultural relevance to most of the world.&#8221; The
widely accepted moral clarity of WWII ultimately makes it more
appealing to game designers than, say, Vietnam. &#8220;The idea of playing a
game that tries to emulate the complexity of Vietnam is a little
insulting,&#8221; says Seargent First Class Patrick McDougal, discussing the
game <i>Conflict: Vietnam</i>. &#8220;I can&#8217;t imagine playing it in front of my
Vietnam vet uncles.&#8221; <br />
<br />But even at a distance of more than 60 years, WWII games have
occasionally found themselves in hot water. In 2000, <i>Medal of Honor </i>was
added to Germany&#8217;s index of youth-endangering media for its use of the
swastika, which under German law can only be used for historical,
educational and artistic references. Whether war video games can refer
meaningfully to history, or only transform it into a playground, is at
the heart of their embattled morality. Rieke believes that war games
can shed light on history. &#8220;<i>[In Call of Duty 4</i>], our take on modern
warfare is definitely dark and gritty,&#8221; he explains. &#8220;I think it would
feel wrong to try to portray it in any other way. Especially in a
rah-rah &#8216;America, fuck yeah!&#8217; kind of way. We aren&#8217;t trying to make a
documentary, but we definitely try to show the good and the bad aspects
of war in equal measure.&#8221;<br />
<br />Besides its massive sales, <i>Call of Duty 4</i> is a benchmark because it
finally discards WWII in favor of modern combat, with contemporary arms
technology and Middle Eastern battlefields. All three of the soldiers
who commented for this article named <i>CoD4 </i>as a favorite. Sergeant
McDougal says that <i>CoD 4 </i>is &#8220;cathartic, but not necessarily in a good
way. It scares the hell out of me to see eerily accurate Middle Eastern
environments, U.S. equipment and guys going down left and right. My
wife thinks that games like this serve as therapy, and I&#8217;ve got to say
that they trigger emotions entirely different from, say, <i>NHL [08] </i>or
<i>MotorStorm</i>.&#8221; <br />
<!--nextpage-->
<br />As war games continue to gain popularity, and the electronic gaming
industry as a whole becomes more powerful, it&#8217;s likely that we&#8217;ll see
more war games venturing into modern contexts, with results that might
be edifying, as described by Sergeant McDougal, or absurd. The
forthcoming game starring rapper 50 Cent, <i>Blood on the Sand</i>&nbsp; (a sequel
to 2005&#8217;s roundly panned urban brawler<i> 50 Cent: Bulletproof</i>) will find
him wreaking havoc in the Middle East. The mind boggles at the idea of
pretending to be a superstar rapper running amok in a fictionalized
war-torn country as the daily fatalities roll down the wire. <br />
<br />The soldiers I spoke with agreed that there are still certain lines
these games shouldn&#8217;t cross. &#8220;The moment you&#8217;re rewarded for performing
as our enemy, or you piss on the guys who do this stuff for real,&#8221; says
Sergeant McDougal, imagining a game from the perspective of al-Qaeda,
&#8220;that&#8217;s when I&#8217;m marching in the streets.&#8221; And Sergeant Stoney
Archambault, an MP in the 82nd Airborne Division at Fort Bragg,
believes that &#8220;production companies should never put America&#8217;s army or
any of the allied armies in a bad light.&#8221; <br />
<br />The limits of what Western war games can tastefully convey aren&#8217;t
just patriotic, they&#8217;re pragmatic, and it&#8217;s practical concerns that
ultimately hamper the realism of war games. Games will probably never
include the long stretches of tedium that real war involves, let alone
actual injury or death. Sergeant Archambault puts it bluntly: &#8220;Fear is
the one thing that games could never recreate.&#8221; Rieke compares war
games to reality television: &#8220;We still don&#8217;t have shows about brushing
your teeth and taking out the garbage,&#8221; he says. &#8220;The same thing
applies to video games. Realism is great as long as it&#8217;s still fun. At
Infinity Ward, in the cases where fun and realism come into conflict,
fun always wins.&#8221;<br />
<br />To believe that Americans of enlistment age are naive enough to
take war&#8217;s portrayal in games at face value is to believe that
Internet-generation Americans are much less media-savvy than they are.
In <i>Call of Duty 4</i>, Cadet Ng jokes, &#8220;Who knew that carrying 50 pounds on
your back and running around all day would actually get you tired?
That&#8217;s something video games can&#8217;t get too realistic about, it just
wouldn&#8217;t be fun.&#8221; The transaction is more complex and goes far beyond
games, which are part of a cumulative, media-driven portrayal of war
that affects young Americans on a subconscious level: something less
believed than <i>felt</i>. We learn awful truths about war pretty early in our
lives, but the heroic aura the concept accrues in childhood lingers on.<br />
<br />&#8220;I was heartbroken,&#8221; Sergeant McDougal says about <i>G.I. Joe</i>, &#8220;when I
realized that the Armed Forces didn&#8217;t have massive two-way
communication screens inside secret compounds built all in steel, and
unrated sailors who try to take off in F-16s on a whim get
court-martialed, not applauded. I would be an idiot if I thought the
&#8216;Real American Hero&#8217; didn&#8217;t influence my worldview.&#8221; Whether you regard
this media-driven war boosterism as insidious (for misleading young
Americans about the nature of military life) or admirable (for
inculcating them with a sense of duty and selflessness) obviously
depends on your ideology. But the effect is real, and it&#8217;s worth
considering whether video games and other entertainment media influence
or simply reflect culture.<br /><br />Cadet Ng believes that &#8220;if gamers enjoy playing war video games so
much, then they wouldn&#8217;t have a problem doing it in real life.&#8221; This is
difficult to empirically verify. Enlistees who are influenced by war
video games are also likely to be influenced by a vast array of other
factors: social, economic and familial. Sergeant McDougal has a
different take than Cadet Ng. &#8220;I am somewhat disturbed by all war
games,&#8221; he explains, &#8220;primarily because they&#8217;ve gotten into the uncanny
valley of combat patrol while ignoring the rest of military existence.
It&#8217;s dismaying to think that a game that accurately emulates a raid is
being played by some guy who would never voluntarily enlist and is
waving a CODEPINK sign as his day job&#133;. [It] grates and galls me to
think that some guy is playing these games and thinking he&#8217;s accurately
emulating the reality of a GWOT engagement.&#8221;<br />
<font style="font-size: 1.5625em;"><br /></font>
<font style="font-size: 1.25em;"><font style="font-size: 1.5625em;">O</font>n the surface, the military&#8217;s relationship with games looks like one
of co-option.</font> Video-game magazines almost always include recruitment
ads for the military, which emphasize the same qualities that ads for
games do: access to bleeding-edge tech, adventure and heroism,
comradeship and community, purpose and fun. And the military has long
provided consultants and aid to entertainment media of all stripes
(sometimes, in hilariously wrong-headed ways: in 1979, the U.S. Navy
provided an aircraft carrier and uniformed personnel for The Village
People&#8217;s &#8220;In the Navy&#8221; video; one doubts this had the desired effect on
recruitment rolls). But the relationship is actually more about
reclamation than co-option, as the military invented the technology
that makes modern gaming possible.<br />
<br />In a 1997 <i>Wired</i> article, Fred Hapgood told the story of Air Force
Captain Jack Thorpe, who&#8212;from the late &#8216;70s to early &#8216;80s&#8212;led the team
that developed SIMNET, an application for linking simulators to teach
group maneuvers via the proto-Internet network: ARPANET. SIMNET
employed avatars, &#8220;toy&#8221; models and force feedback (akin to the rumble
technology in many modern console controllers), setting the
technological template for first-person, online, multiplayer war gaming
as we know it. The use of simulation technology for training purposes
became widespread in the Department of Defense, and remains so today. <br />
<br />
<font style="font-size: 1.25em;"><font style="font-size: 1.5625em;">B</font>ecause of their status as commercial products designed to entertain,
video games are compelled to skirt the more tedious and grim realities
of war, but industrious players are finding ways to inject reality, or
at least countervailing opinion, into these fantasies.</font> Since 2006,
online activist Joseph DeLappe says on his website, &#8220;I have been
entering the<i> America&#8217;s Army</i> recruiting game as &#8216;dead-in-iraq&#8217; and
utilizing the in-game text-messaging system to type in the names, age,
service branch, and date of death of each American casualty&#8221; in the
current conflict in Iraq. &#8220;Think of me as a participant in the game,&#8221;
DeLappe told <i>Radar</i>&#8217;s Matt Peckham, &#8220;only I&#8217;m choosing to be a
conscientious objector.&#8221;<br /><br />And the Jenkins Collaboratory (whose project leadership includes
Timothy Lenoir, a Duke University professor who has extensively
researched and written about the &#8220;military-entertainment complex&#8221;),
recently received a MacArthur Grant for its project &#8220;Virtual Peace: The
Humanitarian Assistance Training Seminar,&#8221; a &#8220;digital humanitarian
assistance game that creates a learning environment for young people
studying public policy and interaction relations,&#8221; according to the
official announcement. <br />
<br />But will it be fun? It&#8217;s hard to imagine gamers rallying around the
dissemination of relief as ardently as they drive machine-gun mounted
Hummers through enemy terrain: The humanitarian urge, perhaps
thankfully, tends more toward the real world than the virtual one.
Gaming technology will continue to be used as propaganda, by hawks and
doves alike, for as long as it&#8217;s profitable and effective&#8212;or until
games blur into the truly immersive cyberspace imagined in sci-fi
classics like William Gibson&#8217;s <i>Neuromancer</i> and Neal Stephenson&#8217;s<i> Snow
Crash</i>, and hinted at by<i> Second Life</i>: virtual worlds with all the free
will, complexity and moral ambiguity of the one we actually live in. <br />
<br />But <i>Second Life </i>isn&#8217;t even a game according to stricter
definitions, which dictate that a proper game must have an ultimate
end, an angle or slant. Games demand winners and losers, and as such
they are perfect reflections of militaristic culture. As long as our
way of life is suspended in a tense web of opposing military powers, to
argue that war games shouldn&#8217;t exist is naive at best, and hypocritical
at worst. In the end, it should be left to gamers to decide what they
deem acceptable and rewarding in their virtual play.</p>
]]>
    </content>
</entry>

<entry>
    <title>Metalocalypse: Season Two coming to DVD Dec. 2</title>
    <link rel="alternate" type="text/html" href="http://www.pastemagazine.com/articles/2008/10/metalocalypse-season-two-headed-to-dvd-dec-2.html" />
    <id>tag:www.pastemagazine.com,2008:/articles//23.28133</id>

    <published>2008-10-07T13:50:07Z</published>
    <updated>2008-10-07T11:16:12Z</updated>

    <summary>Although the animated band is almost creepily popular in real life, the fictional Dethklok of Adult Swim remains our favorite face of bombastic, vaguely evil death-metal superstardom. They may not be able to boil an egg, but so extensive is their celebrity on Metalocalypse that it defies human conception&#8212;and often gets their fans killed....</summary>
    <author>
        <name>Paste News</name>
        <uri>http://www.pastemagazine.com</uri>
    </author>
    
        <category term="Film &amp; TV" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="adultswim" label="adult swim" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="dethklok" label="dethklok" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="dvd" label="dvd" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="metalocalypse" label="metalocalypse" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.pastemagazine.com/articles/">
        <![CDATA[Although the animated band is <b><a href="http://www.pastemagazine.com/articles/2008/06/adult-swims-dethklok-makes-death-metal-history.html">almost creepily popular</a></b> in real life, the fictional Dethklok of <b><a href="http://www.adultswim.com/">Adult Swim</a></b> remains our favorite face of bombastic, vaguely evil death-metal superstardom. They may not be able to boil an egg, but so extensive is their celebrity on <b><a href="http://www.adultswim.com/shows/metalocalypse/"><i>Metalocalypse</i></a></b> that it defies human conception&#8212;and often gets their fans killed. ]]>
        <![CDATA[The cheerily caustic series, originally formulated by <i>Home Movies</i>
creator <b><a href="http://www.brendonsmall.com/">Brendon Small</a></b> and <i>Da Ali G Show</i> writer <b><a href="http://www.imdb.com/name/nm0085116/">Tommy Blacha</a></b> to imagine
what a band &#8220;100 times more popular than the Beatles&#8221; might be like, has run for two seasons with <b><a href="http://www.tvsquad.com/2008/07/25/comedy-centrals-tv-funhouse-comic-con-report/">a third on the way</a></b>. And after the
success of Deathkolk&#8217;s album last summer, Adult Swim and Warner Home Video have announced a new DVD set for the show&#8217;s second go-around, due
for release Dec. 2.<br />
<br />
The set will feature the second season&#8217;s 18 episodes and promises
hidden bonus material for fans to dig up (hidden because, according to the
press release, &#8220;anything worthwhile demands some work&#8221;). In the meantime,
we're just going to watch the intro song on loop all day:<br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/q3uyq7YK4XI&amp;hl=en&amp;fs=1&amp;rel=0" /><param name="allowFullScreen" value="true" /><embed src="http://www.youtube.com/v/q3uyq7YK4XI&amp;hl=en&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"></object><br /><br /><b>Related links:</b><br /><a href="http://www.pastemagazine.com/articles/2008/07/catching-up-with-metalocalypses-brendon-small.html">Catching Up With... Metalocalypse's Brendon Small</a><br /><a href="http://www.pastemagazine.com/articles/2008/06/adult-swims-dethklok-makes-death-metal-history.html">News: Adult Swim's <i>Dethklok</i> makes death metal history</a><br /><a href="http://www.pastemagazine.com/articles/2007/08/dethklok-to-unleash-mega-dethalbum.html">News: Dethklok to unleash mega <i>Dethalbum</i></a><br /><br /><b>Got a news tip for <i>Paste</i>? E-mail <a href="http://www.youtube.com/watch?v=0sjdknlFsgw&amp;feature=related">news@pastemagazine.com</a>.</b>]]>
    </content>
</entry>

<entry>
    <title>Live Review: Atlanta Eighties Punk Reunion @ The Masquerade 10/4/08</title>
    <link rel="alternate" type="text/html" href="http://www.pastemagazine.com/articles/2008/10/live-review-atlanta-eighties-punk-reunion-the-masq.html" />
    <id>tag:www.pastemagazine.com,2008:/articles//23.28467</id>

    <published>2008-10-07T13:46:20Z</published>
    <updated>2008-10-07T17:25:41Z</updated>

    <summary>[Above: The Swimming Pool Q&apos;s, shown here playing in downtown Atlanta in the early &apos;80s, performed at the Masquerade Saturday night.] Full disclosure: I am not the city&#8217;s leading expert in the ways of punk. I discovered punk as a seventh grader in the early 1980s, first through new wave bands like Blondie and Devo, then later through a local Macon band called Vex. As high schoolers, my friends and I moved on to shows by local Atlanta and Athens bands, and then to records by more established national bands: Black Flag, Social Distortion, The Ramones, Dead Kennedys. And though...</summary>
    <author>
        <name>Julia Reidy</name>
        
    </author>
    
        <category term="Local:Atlanta" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Paste:Local" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="atlantaeightiespunkreunion" label="atlanta eighties punk reunion" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="livereview" label="live review" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="swimmingpoolqs" label="swimming pool q&apos;s" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="themasquerade" label="the masquerade" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.pastemagazine.com/articles/">
        <![CDATA[[<i>Above: The Swimming Pool Q's, shown here playing in downtown Atlanta in the early '80s, performed at the Masquerade Saturday night.</i>]

<br /><br />Full disclosure: I am not the city&#8217;s leading expert in the ways of punk. I discovered punk as a seventh grader in the early 1980s, first through new wave bands like Blondie and Devo, then later through a local Macon band called Vex. As high schoolers, my friends and I moved on to shows by local Atlanta and Athens bands, and then to records by more established national bands: Black Flag, Social Distortion, The Ramones, Dead Kennedys. And though punk was, and remains, only a tile in my mosaic of musical experience, I have the greatest memories of coming up to
Atlanta to play with the big punk boys. <a href="http://www.myspace.com/the_metroplex"><br /><span class="Apple-style-span" style="font-weight: bold;"><br /></span></a>]]>
        <![CDATA[<!--StartFragment-->



<p class="MsoNormal"><a href="http://www.myspace.com/the_metroplex"><span class="Apple-style-span" style="font-weight: bold;">The Metroplex</span></a> and <a href="http://www.myspace.com/688club"><span class="Apple-style-span" style="font-weight: bold;">688 </span></a>were, for my friends
and me, the ports of entry to a half-mythical land much edgier and cooler than
anything we could find in Macon. In our hometown, even the local punk shows had their
share of jocks and preps in the audience; it was more of a cool, &#8220;Look Ma, I&#8217;m
rebelling!&#8221; scene than the truly revolutionary world we saw in films like
<span class="Apple-style-span" style="font-style: italic;"><a href="http://www.imdb.com/title/tt0086589/"><span class="Apple-style-span" style="font-weight: bold;">Suburbia</span></a></span> and <span class="Apple-style-span" style="font-style: italic;"><a href="http://www.imdb.com/title/tt0082252/"><span class="Apple-style-span" style="font-weight: bold;">The&nbsp;Decline of Western Civilization</span></a></span>. But the Atlanta punk scene was
the real deal: True punk music and true punk attitude, complete with all the
piercings, Mohawks, dyed hair, slam-dancing, and stage stunts that really did
seem exciting and dangerous back in the early eighties.</p><p class="MsoNormal">Saturday night&#8217;s Atlanta Eighties Punk Reunion at the
<a href="http://www.masq.com/"><span class="Apple-style-span" style="font-weight: bold;">Masquerade</span></a> brought it all back. It didn&#8217;t look quite like I remember the
Metroplex circa 1983-- there were a lot more Dockers walking around, and I&#8217;m
sure more credit card tabs were opened at the bar that night than in the entire history of
Metroplex and 688 combined. But I saw it was encouraging, actually, that even
the kids that grew up to be bankers and lawyers still have a passion for the
music. And anyway, the evening didn&#8217;t play out as a
re-creation of that great scene from the Eighties-- how could it? It was meant as a tribute to that time. And it worked.</p>



<p class="MsoNormal">The music proved to have held up surprisingly well over the years. The
bands, most notably the legendary <a href="http://www.pastemagazine.com/articles/2007/08/greg-graffin-punkrock-phd.html"><span class="Apple-style-span" style="font-weight: bold;">Swimming Pool Q&#8217;s</span></a>, still have much of the
fire and energy that punk had up until the mid-80s or so, which is more
than I can say about most of the punk music being made today. In fact,
counter-intuitively, sometimes a little age can actually make a punk band more
energetic and authentic. Perhaps the biggest difference between those singers
and the &#8220;punk&#8221; singers of today is the muscularity of the music: Henry Rollins, Mike Ness and Iggy Pop, for instance, sound like grown men up on the boards funneling true rage, not whiny teens
moaning about Daddy not paying them enough attention.<br /><br />The Masquerade reunion
was a fantastic turn-back-the-calendar-- not only as a walk down memory lane to
a formative time in all our musical development, but also as a reminder of why
the music was awe-inspiring in the first place. And if you missed the gathering, I wouldn't despair. The place was packed, and I will be shocked in Masquerate doesn't repeat the event in the future. <br /><br /><strong>Related links:</strong><br />
<a href="http://www.pastemagazine.com/articles/2008/10/catching-up-with-henry-rollins.html">Feature: Catching Up With... Henry Rollins</a><br />
<a href="http://www.pastemagazine.com/articles/2008/05/iggy-pop-x-jenny-lewis-and-more-get-down-with-pupp.html">News: Iggy Pop, X, Jenny Lewis and more get down with puppets</a><br. /><a href="http://www.pastemagazine.com/articles/2007/08/greg-graffin-punkrock-phd.html"><br />Feature: Greg Graffin: Punk-Rock Ph.D.</a></br.></p>]]>
    </content>
</entry>

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