Will Hoge
Will Hoge stands in the middle of the windowless, dorm-sized dressing room, his acoustic guitar slung over his shoulder. It won’t be long before he and his bandmates will be thrust into the spotlight... read more
Angie Aparo's Declaration of Independence
Head shaved clean and sporting a faded Neil Young & Crazy Horse T-shirt, Angie Aparo ambles about the stage at Chattanooga, Tenn., club Rhythm & Brews... read more
20 Signs of Life From 2003
Consider for a moment the dizzying flood of pop albums that bombarded store shelves this past year, cast overboard from a bloated industry foundering by degrees in its own elaborate waste. Record execs looking for different folks who sound just like The Strokes, Chris Lord-Alge forever polishing the production on some label’s next titanic investment. Another year, another parade of musical cash cows regurgitating the same formulaic crud. We’ve heard it all before. And then, with Fall approaching, Rufus Wainwright arrives like a knight in shining armor (quite literally, if you check the album cover of his latest project, Want... read more
20 Signs of Life From 2003
In the liner notes accompanying Over the Rhine’s gloriously self-indulgent double-disc, OHIO, co-founder Linford Detweiler, writes, “We grew up in small coal mining towns in the Ohio Valley, listening to music that could have only been unearthed in America: Southern Gospel, Country Western and Rock ’n’ Roll. This music fertilized the soil of our early lives. We sit down at the upright piano these days with dirt under our fingernails.” And I suppose that’s what I love about this album. The songs feel gritty and real, unpolished and perfect. Just like people. All the artifice (both musical and emotional) has... read more
20 Signs of Life From 2003
The blonde, frighteningly gorgeous captain of the cheerleading squad isn’t always a superficial ditz; sometimes she’s the fun, well-read, valedictorian of her class as well. But it’s easy to succumb to stereotypes, regardless of how worn-out they may be. The same applies to pop music. When an artist displays a knack for crafting bright, sunny tunes with eminently singable choruses and radio-groomed hooks, I find myself expecting less than brilliance in the lyrics department. Erin McKeown’s Grand offers yet another reminder of what happens when you assume. Armed with prodigious talent on a slew of instruments—guitar, banjo, mandolin, bass, drums,... read more
20 Signs of Life From 2003
I first saw Drive-By Truckers at Athens, Ga.’s now-defunct Hi-Hat Club in 1998. Even then, their brand of countrified, redneck rock was strangely captivating. The band has since progressed, slowly at first and then rushing headlong with Southern Rock Opera, a concept album based on the tragic Lynyrd Skynyrd story. But Patterson Hood, Mike Cooley and company didn’t stop there. Facing trying personal times plagued by divorce, deaths of loved ones and financial struggles, the band members went into the studio and—with the help of David Barbe’s brilliant, tasteful, raw-in-all-the-right-places production—cranked out one of the greatest Southern rock records of... read more
20 Signs of Life From 2003
One huge tabby, Thumper, sits like a sandbarred tugboat beneath the bed, peeking out between two acoustic guitars. Another curious Calico named Pink strolls the length of the coffee table, poking her head into every stray drinking glass, just to sample each liquid. And their owner—ex-Red-House-Painters/new-Sun-Kil-Moon frontman Mark Kozelek—reclines in his living room chair, watching them with delight and purring over his pampered pets. “A lotta people come in here and they like my cats,” he notes, extricating Pink’s nearly-stuck nose from a water goblet. “And then some people don’t know what to do—if one of the cats wants... read more
20 Signs of Life From 2003
One huge tabby, Thumper, sits like a sandbarred tugboat beneath the bed, peeking out between two acoustic guitars. Another curious Calico named Pink strolls the length of the coffee table, poking her head into every stray drinking glass, just to sample each liquid. And their owner—ex-Red-House -Painters/new-Sun-Kil-Moon frontman Mark Kozelek—reclines in his living room chair, watching them with delight and purring over his pampered pets. “A lotta people come in here and they like my cats,” he notes, extricating Pink’s nearly-stuck nose from a water goblet. “And then some people don’t know what to do—if one of the cats... read more
Cake And Pie And Other Good Eats
What food goes best with rock'n'roll? Lisa Loeb and boyfriend Dweezil Zappa cook up a storm at Indigo Girl Emily Saliers' Decatur, Ga. restaurant... read more
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Jonathan Richman
Jonathan Richman isn’t your normal interview. Few artists, when approached by a publication, request a phone number so they can call you back whenever the mood strikes... read more
2003 Reader's Poll
Click here to take vote in our 2003 Reader's Poll. Random winner will receive a Paste Records prize pack. read more
Sarah McLachlan
Less than a month from the scheduled release date, Sarah McLachlan holds a copy of the finished master for her new album, Afterglow... read more
The Musical Journey of Matthew Ryan
Songwriter Matthew Ryan doesn’t pull up in a limo. He doesn’t even get dropped off by a cab. In true rock star fashion, Ryan comes sauntering slowly down the street... read more
Dec 03/Jan 04 Issue
The Dec 03/Jan 04 issue will is now on the newsstand. Pick up a copy at Borders, Barnes & Noble, Tower Records, Books-a-Million or your favorite independent retailer. read more
Delbert McClinton: Candid Recordings
For a road warrior like Delbert McClinton, making a live album should be no big thing... read more
Lyric - This Darkness
I can think of two singers who have written songs in answer to the question, “Why do you wear black?” Morrissey’s famous phrase has become a truism of Goth culture: “I wear black on the outside / Because black is how I feel on the inside” (from the song “Unloveable”). Johnny Cash’s answer in “Man in Black” is far less saturnine: I wear the black for the poor and the beaten down, Livin’ in the hopeless, hungry side of town, I wear it for the prisoner who has long paid for his crime, But is there because he’s a victim... read more
4 Way Street: Happy Collision
Street’s Jim Boggia, Ben Arnold, Scott Bricklin and Joseph Parsons came together at the request of an industry pal... read more
Robert Bradley: No Surprise
It took Robert Bradley until he was 46 to release his first album, but it took him another seven years to put out the record he’s always wanted to make... read more
20 Signs of Life From 2003
Transatlanticism, the fourth album from Death Cab For Cutie, starts with a bang. “So this is the new year,” sings Ben Gibbard, his voice and the exuberant song brimming with possibility... read more

