Matt Pond: The Lives Inside the Lines in Your Hands
Even with dozens of LPs, EPs and singles credited to Matt Pond PA, _The Lives Inside the Lines in Your Hands_ is like a solo record of sorts. read more
Chris Stamey: Lovesick Blues
Last year The dB’s released their first record in almost three decades, applying a fresh coat to their slightly nerdy, paisley power-pop. read more
Eels: Wonderful, Glorious
"I've had enough of being complacent," sings indie-rock outcast Mark Oliver Everett at the offset of his band's 10th studio album, his trademark smoker-cough croon nestled over muted tom-toms, spook-house organs and screeching distortion. read more
Richard Thompson: Electric
Richard Thompson recorded Electric with Americana producing pro Buddy Miller in a Nashville studio. read more
My Bloody Valentine: m b v
Before this review goes any further, let’s reflect: It’s 2013. After years of hype, rumors, heartbreak, internet hints and untimely server crashes, you just opened a review of a new My Bloody Valentine album. read more
Jim James: Regions of Light and Sound of God
Imagine you’re the frontman for a successful rock band. Over the course of your career, you’ve somehow managed to acquire not only indie credibility but a fan base sizable enough to pack stadiums. read more
Frightened Rabbit: Pedestrian Verse
On its fourth studio album and first major label release, Scottish quintet Frightened Rabbit offers 12 tracks that are much closer to a rock record than ever before. read more
The Lone Bellow: The Lone Bellow
It’s hard to believe music rooted in tragedy can sweep listeners along with such potent exuberance, but Brooklyn’s The Lone Bellow creates a sweeping country rock that uses the three-part power harmonies of lead singer/writer Zach Williams, guitarist Brian Elmquist and mandolin player Kanene Pipkin to set Williams’ songs ablaze in emotion, passion and the moments where life is its most extreme. read more
Henry Wagons: Expecting Company? EP
“I’m in love with Mary Magdalene!” Henry Wagons bellows early on his new duets EP, Expecting Company? Of course he is. read more
Ducktails: The Flower Lane
Roughly five years ago, when no one was looking, indie artists began sticking their hands into the deep corduroy pockets of jam bands. read more
Fleetwood Mac: Rumours 35th Anniversary Reissue
Besides squeezing out endless cash wads from the wallets of music buyers (an ever-diminishing breed), what's the point of a fancy-ass remastered deluxe box-set reissue? In the case of Fleetwood Mac's 1977 pop masterstroke Rumours, it's a question especially worth asking. read more
Local Natives: Hummingbird
On “You & I,” the opening song of Local Natives’ sophomore LP Hummingbird, Kelcey Ayer’s initial vocals flap and flutter on delivery, stretching out the song’s title like a clumsy inaugural flight. read more
Tegan and Sara: Heartthrob
Tegan and Sara Quin have decided seven albums in that it’s time to throw down the pop gauntlet and see where seven albums gets you. read more
The Joy Formidable: Wolf's Law
It might be on the first listen, it might be after a year, but chances are at some point in listening to The Joy Formidable, you will discover complete ignorance as to what the songs are about. read more
Petra Haden: Petra Goes to the Movies
Petra Haden is best known as a vocal artist, less well known as a former member of the band That Dog or daughter of Charlie Haden. read more
Camper Van Beethoven: La Costa Perdida
Camper Van Beethoven snuck into a fair number of ears early in their career making music that didn’t make a lot of sense—lyrically or musically. read more
Widowspeak: Almanac
The story of Widowspeak can be seen as a sudden musical venture, but also as a lifetime in the making, as both singer Molly Hamilton and former drummer Michael Stasiak grew up in the neighboring cities in Washington, the damp forests and muted colors informing the eventual aesthetic of their band, combining with their new Brooklyn home and the area’s sleepwalking nostalgia championed by the Captured Tracks label. read more
Esben and the Witch: Wash The Sins Not Only The Face
Esben and The Witch are destined to make an awesome sound one day, just not yet. read more
Hilly Eye: Reasons To Live
When Amy Klein announced her departure from Titus Andronicus in late 2011, it came as a bit of surprise to those traveling in circles that, well, pay attention to the arrivals and departures of guitar players to and from marginally well-known indie rock bands. read more
FIDLAR: FIDLAR
With Black Lips looking beyond fistfights with fans and full-frontal nudity, FIDLAR may prove suitable heirs to the shock-rock throne. read more

