Published at 11:45 AM on October 23, 2008

By Steve LaBate

Finally: the first single from Guns N' Roses' comically overdue Chinese Democracy. But is there still a place in rock for Axl Rose?

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The final verdict on Chinese Democracy will have to wait until the finished album hits shelves (available Nov. 23, exclusively at Best Buy), but all the early signs point to it being the most over-the-top vanity project in rock history, rather than a carefully constructed masterwork. Axl might be holding the GN'R moniker hostage, but this new single doesn’t feel much like his old band. The one-minute-plus sound-collage intro is pretentious in a way GN'R never was, even when considering the more grand orchestral and conceptual scope of the Use Your Illusion albums. And while Axl’s voice sounds as strong as ever on “Chinese Democracy,” the painfully fussed-over music sullies the old GN'R sound with hints of Nine Inch Nails-esque industrial rock, Marilyn Manson-style theatrical pomp and suffocatingly compressed nü-metal power-chordage, even slotting in the kind of flashy attention-whore guitar solo Slash would probably scoff at.

It also doesn’t help Axl’s case that these are just different times. Back in GN'R’s heyday, there was a conspicuous lack of irony in pop music. The hyper-self-consciousness we see today hadn’t yet seeped into the rock mainstream. Hair-metal bands were just too dumb, high, drunk and overrun with bleach-blonde groupies to wonder how they were being perceived. After the navel-gazing and ironic detachment of the ’90s (which has reached critical mass in our culture over the last decade), the new Chinese Democracy single's lyrics seem unforgivingly silly:


If they were missionaries

Real time visionaries

Sitting in a Chinese stew

To view my disinfatuation


I know that I’m a classic case

Watch my disenchanted face …

Cause it would take a lot more time than you

Have got for masturbation

Even with your iron fist

All they've got to rule the nation …


This song is still living in that world of 20 years ago, when you could get away with lyrics this ridiculous—even when they weren’t the least bit tongue-in-cheek. And, sonically, the music is in a mid-’90s vaccum. Sure, in ’94 or ’95, it might’ve been a coup for GN'R to begin incorporating the influences of then-cutting edge acts like NIN and Manson, but in 2008, the sounds Axl is aping no longer sound fresh—hell, they’re practically classic rock at this point.

All of this is sad because, once upon a time, GN'R was such an important, vital band, and its larger-than-life frontman was a big part of the draw. But I don’t know if there’s a place for Axl Rose in today’s post-post-post-everything musical landscape. For Axl, Chinese Democracy is what Smile was to Brian Wilson—a creative albatross around his neck, an unfinished masterpiece weighing him down for a pretty huge chunk of his adult life, tarnishing his legacy, making him into a caricature. Unless the rest of Chinese Democracy is a huge improvement over the title track, there won’t be the same happy ending for Axl that there was for Wilson when he finally released Smile to critical acclaim in 2004.

With his former bandmates’ momentous contributions to the GN'R sound notoriously absent (especially the songwriting input of Stradlin); without all of the old lineup’s chemistry and electricity—you’re left with the bland, personality-starved ghost of a once-great band.

At this point, it seems like the best thing for Axl to do would be to make nice with Slash, Duff, Izzy and the gang, and go out on tour every few years to play the classic GN'R material for anyone who missed it the first time around. There would be no shame in that. To paraphrase what Slash told childhood friend Marc Canter in Canter’s Guns N’ Roses book Reckless Road, to make even one album as good as Appetite For Destruction—a classic record that people will be listening to for years, that had a huge impact on rock music when it was released, and that is now part of a tradition that includes the likes of the Stones, Led Zeppelin and The Stooges—is enough.

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