Published at 1:00 PM on December 1, 2008
Jeremy Medina

By Jeremy Medina

Oscar Buzz: Who's ahead in this year's key races?

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BEST DIRECTOR

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1. David Fincher, The Curious Case of Benjamin Button
2. Danny Boyle, Slumdog Millionaire
3. Gus Van Sant, Milk
4. Christopher Nolan, The Dark Knight
5. Sam Mendes, Revolutionary Road

Strong Contenders: Clint Eastwood, Gran Torino; Darren Aronofsky, The Wrestler; Stephen Daldry, The Reader; Ron Howard, Frost/Nixon
Longshots: Jonathan Demme, Rachel Getting Married; Edward Zwick, Defiance; Baz Luhrmann, Australia

Fincher, Boyle and Nolan have all paid their dues and accumulated impressive and diverse resumes. Nolan, in particular, should still make the list regardless of whether The Dark Knight earns a best picture nomination. The time also seems right for the Academy to re-embrace Van Sant, who earned a directing nomination a decade ago for Good Will Hunting. While the directing and best picture categories rarely match up five-for five, it's tough to see Mendes (a winner for American Beauty) left out. Eastwood again lurks on the fringes. Should Gran Torino be any good, don't be surprised if he gets nominated. Again.

BEST PICTURE

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1. Slumdog Millionaire
2. The Curious Case of Benjamin Button
3. Milk
4. Revolutionary Road
5. The Dark Knight

Strong Contenders: Gran Torino, The Reader, Frost/Nixon, Doubt
Longshots: Wall-E, Defiance, Rachel Getting Married, Australia

Slumdog Millionaire's
already a critical darling and a crowd-pleaser. Benjamin Button has all the earmarks of a nominee: a star-studded cast, respected director, masterful cinematography and production values, and literary pedigree (it's based on an F. Scott Fitzgerald story). Ditto for Revolutionary Road. The warmly-reviewed Milk is based on a real person (Harvey Milk) and the Academy often falls hard for biopics (see: A Beautiful Mind, Ray, Finding Neverland). The real wild card is The Dark Knight, the second-highest grossing film of all time. If Lord of the Rings could overcome the bias against the fantasy genre, why can't Knight do the same for the comic book genre? Elsewhere, Wall-E's chances incrementally improve as big-name films (Australia, for example) continue to disappoint critics.

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