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I'd been hyping up this show pretty much all damn Bonnaweekend, but it fully met my expectations. Really, there were so many great acts I got to see at the festival (some old and familiar, some brand new to my ears), but Band of Horses and I, we've been going steady for several months now. Things are getting serious. And if you ask me, there's no better time to see a band live than when you're right in the thick of that phase. I was a bit late to jump on the Bandwagon of Horses, having immersed myself in Everything All The Time  and Cease To Begin a decent while after their respective releases. But in the end, it seems as though my timing couldn't have been better.

Still royally tuckered out from some late-night Girl Talkin', day three at Bonnaroo was pretty mellow for me. I spent most of it catching the tunes at the Sonic Stage (Brett Dennen, Grace Potter, Heartless Bastards, etc.) where the lovely Paste oasis is stationed. In early evening, I caught a solid half hour of Athens, Ga. kooks, Of Montreal, who absolutely won me over. As soon as I return from Manchester, I plan on listening to their songs that have been sullenly sitting on my iPod, just waiting to be loved. 

The Boss Rules Bonnaroo with a Pumped Fist

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Usually at Bonnaroo, my musical ADD makes me hop from one show to another after six or eight songs—there’s just so much good stuff to hear. But two artists accounted for over five hours of my time yesterday—Wilco and Bruce Springsteen. A two-hour set from Wilco reminded me that the band has two of my favorite guitarists—Jeff Tweedy and Nils Cline—and Pat Sansone ain't no slouch. I Tweeted to the world (or at least the small portion of the world that gives a crap about my proclamations) that there are very few live bands better than Wilco right now. But I saw one of those few later on that same stage when Bruce Springsteen and the E Street Band played their first U.S. festival ever.

Bonnaroo 2009: Phoenix, Crystal Castles, Girl Talk

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My personal Bonnaroo setlist this year has taken a turn for the electronic. Last year's experience was steeped in folk and good ole' guitar rock, but so far, it's been a non-stop dance party this time around. Sometimes these musical selections feel a little odd at a festival known for its hippie garb and vegan fare, but I've noticed a strong following of young folks who want to pulsate to blaring techno beats until the wee hours of the morning. And last night, I pulsated with the best of 'em.

In a day full of musical highlights from The Low Anthem, Animal Collective, Santigold, Grizzly Bear, Lucinda Williams, Beastie Boys and David Byrne, the most memorable came during Al Green's set on the big What Stage, when we broke into "Let's Stay Together." Hitting impossible high notes and sliding onto his knees, Rev. Al showed that his time in the pulpit has been just fine for the soul. He looked mighty dapper in his dark suit and tossed roses to pretty girls in the front the front rows.

Bonnaroo 2009: Santi's Golden Performance

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It sucks to be short at Bonnaroo. It sucks to be short at any concert, really. And at my meager stature of 5'3'', my typical view is all dreadlocks, all the time. With a year's practice, though, I've nearly mastered the art of squeezing through the throngs of unshowered neo-hippies.The key is to start from the sides and angle in toward the front, shamelessly taking every pathway that presents itself when the folks suffering from bad trips decide to exit the tents for much-needed timeouts. In the past, it's gotten me inches away from Lupe Fiasco and Iron and Wine, to name a few.

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The Eyes of Me

If you missed the biggest little film fest in the south here are some things to look forward to next year.

Little Rock Film Festival 2009: More Films

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LRFF organizers say attendance numbers have more than doubled over last year's festival. Part of the reason has to be the high quality of films screening. Here are some of my favorites.

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Daryl Wein (Breaking Upwards) & Logan Miller (Touching Home) at LRFF Picnic

Touching Home
Think about this scenario: You've never written a screenplay. You've never directed a film. You've never acted in a film. Heck, you've never even been a grip. Try taking that resume and making a film with it, starring veteran actor Ed Harris. That is exactly what co-directors Logan and Noah Miller have done with Touching Home. Based on the true story of the Miller Brothers' relationship with their alcoholic father (played by Harris) the twin brothers play themselves and are surprisingly good.  Filmed at and around their home in Marin County, north of San Francisco, the story focuses on the boys' attempts to become professional baseball players while coping with the deterioration of their father's life. If the film wasn't enough, the Miller brothers have also penned a book about their journey called "Either You're In Or You're In the Way" and are plugging both through radio and television talk shows.

Little Rock Film Festival 2009: Donahue talks

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Raving about the city's downtown restoration to a glammed up crowd at the Clinton Library Gala, Phil Donahue gave the keynote address for the Little Rock Film Festival declaring "You look like you bought a pretty prom dress." The legendary talk show host had screened his documentary Body of War earlier in the day. Also, awards were distributed for best documentary The Way We Get By and best narrative That Evening Sun

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Festival Organizers Craig and Brent Renaud with Phil Donahue

The Way We Get By
Director Aron Gaudet follows three senior citizens who voluntarily spend their days, with others, greeting American troops as they arrive at Bangor, Maine's airport on their way home from Iraq or on their way there. With close framed, emotional interviews Gaudet evokes a multitude of thoughts and opnions from his subjects. For example, 86 year old Bill at first appears to be winding his life down with a disastrously messy house filled with cats and trash. And his talks about death are heartbreaking. But I underestimated the strength of this guy who makes a major, positive turn. At 86! There is no apparent political standpoint in The Way We Get By. The troops obviously relish in the attention. The greeters obviously relish in the giving. And the audiences obviously relish in the opportunity to see one of the better "feel good" docs of the year.

Little Rock Film Festival 2009

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First thing to do when arriving to the Little Rock Film Festival (if the films and parties haven't started) is to walk down Markham St. to The Flying Fish restaurant, just a rock's throw from the Bill Clinton Library. While waiting in line to order (there is ALWAYS a line) you giggle at the hundreds of photos of customers with fish that are posted on the wall . Then you grab a beer from the fridge and order from a choice of catfish, shrimp, oysters, frog legs, crawfish, calamari--fried, grilled, boiled, whatever. Today I kept it simple with a shrimp cocktail, a couple pieces of cat and some fantastic grilled zucchini while chatting with the filmmakers from Slumberland. We talked about the wealth of creative talent around Little Rock like Ray McKinnon who co-produced and starred in the fest's opening film That Evening Sun
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The movie has been winning festival awards around the country since its unveiling at SXSW a couple months ago, and receiving Oscar buzz for its star Hal Holbrook who plays an elderly Tennessee farmer who resists being put out to pasture in an old folks home and gets into a battle over losing his farm to an old enemy, Lonzo Choat, played by McKinnon. After some acclaimed work in projects like HBO's "Deadwood" and O, Brother Where Art Thou? McKinnon gives his strongest performance to date in his dark portrayal of Choat, an extremely unlikable character that McKinnon somehow convinces us to sympathize with. This is the actor who captivated us when he burst onto the scene and won an Oscar for his short 2001 film The Accountant, still a classic. After the screening director Scott Teems and co-producer/co-star Walton Goggins joined McKinnon for a Q & A, moderated by screenwriter Graham Gordy. It screens again Saturday night.



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