Published at 7:00 AM on December 15, 2009

By Paste Staff

The 25 Best Albums of 2009

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We spent the month of November considering The Best of the Decade, from albums and TV shows to books and comedians. But lest we forget all the great music that came out in the last 12 months, here are our picks for the Best Albums of 2009.

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25. Thomas Function – In the Valley of Sickness [Fat Possum]
Josh Macero’s snotty, high-pitched vocals recall halcyon-era Black Francis, filled with feral yelps and frantic questions. His polarizing voice is the first thing anyone wants to discuss about Alabama’s Thomas Function. And yet, it combines perfectly with his galloping, jangly guitar, his bandmate Zach Jeffries’ organ-aping keyboards, Travis Thompson’s excitable bass and supportive backing vocals and Philip Dougherty subtle, tasteful drumming. So when Macero brashly asks “Are you gonna buy a record or what?” on “Picking Scabs,” you’ll find yourself, perhaps surprisingly, nodding: “Yes, please.” Austin L. Ray

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24. Various Artists – Dark Was the Night [Beggars Group]
For its 20th AIDS benefit release, The Red Hot Organization enlisted Aaron and Bryce Dessner of The National to curate. The result is a double album featuring collaborations that include David Byrne with The Dirty Projectors, Feist with Grizzly Bear, Feist with Ben Gibbard, Conor Oberst with Gillian Welch, The Books with Jose Gonzalez, and Bryce Dessner with Antony, and Aaron Dessner with Bon Iver’s Justin Vernon. On top of that are a parade of new songs, traditionals and covers from acts like The Arcade Fire, Sufjan Stevens, Andrew Bird and Iron & Wine. It’s a snapshot of indie rock during the last few years, and the Dessners definitely caught its best side. Josh Jackson

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23. Yeah Yeah Yeahs, It’s Blitz! [Interscope]
Initial singles “Zero” and “Heads Will Roll” suggested that we were hearing YYY 2.0, a sleek, chrome-coated dancefloor act; Nick Zinner’s mutant guitar gives way to a synth-heavy attack, while Brian Chase’s drumming scales back to a 4/4 pulse. But the rest of It’s Blitz! turns out to be a bit more complicated. The synths are there more for window dressing, doing double duty with the guitar to flesh out the tracks, and “Dull Life” shows that the band can still dirty itself up when the songs call for it. Forget aesthetics for a moment, though, and focus on Karen O: Now an established talent, the singer has shed her early gimmicks—the screeches, the panting. She sits back, lets the tune come to her, and picks it apart with clear-eyed purpose. The trio hasn’t quite put together an album of complete heart-stoppers just yet, but Blitz charts them in the right direction. Jeremy Goldmeier

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22. Sufjan Stevens – The BQE [Asthmatic Kitty]
Sufjan Stevens’ 2007 multimedia tribute to the seemingly mundane Brooklyn-Queens Expressway included an orchestra, three simultaneously projected films and live hula hoopers. Ever the perfectionist, Stevens took two years to record and edit this combination CD/DVD set which presents the project in its entirety with an essay by Stevens, a comic book and a vintage View-Master reel added for good measure. With his sweeping, swooning, swirling orchestral arrangements leading the way, it’s an utterly enchanting amalgam of Gershwin and Warhol, Copland and Brakhage, somehow weaving traffic jams, grainy cityscapes and construction sites into a rich tapestry of percolating humanity. It’s his most ambitious undertaking to date, and while it presents no obvious singles or easy entry points, he pulls it off without it feeling pretentious or ponderous. Matt Fink

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21. Wilco – Wilco (The Album) [Nonesuch]
On Wilco (the album), the band evokes sounds from its entire catalog while mostly continuing in the same angst-free vein of Sky Blue Sky. Despite missing the experimentation that was Wilco’s hallmark, the album is full of thoughtful, artfully crafted lyrics wrapped in memorable hooks that should stand the test of time. Tim Regan-Porter

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