The Raveonettes: Lust Lust Lust
Has the element of danger once so vital to rock 'n' roll... read more
Found in: Music, ReviewsRust Never Sleeps
Labels, hip-hop and more... read more
Found in: Music, FeaturesAfter the Goldrush: Does Seattle's Music Scene Still Matter?
The city responsible for innovators from Hendrix to Heart to (Wayne) Horvitz—the Ground Zero of grunge, the home of the influential Sub Pop label and the inspiration for period-perfect 1992 film Singles—has seen better days, musically speaking... read more
Found in: Music, FeaturesMike Doughty: Golden Delicious
Mike Doughty’s songs have always been punctuated with... read more
Found in: Music, ReviewsAtlas Sound: Let the Blind Lead Those Who Can See but Cannot Feel
On his debut... read more
Found in: Music, ReviewsRay Davies: Working Man's Cafe
Ray Davies once pined for the way love used to be... read more
Found in: Music, ReviewsThe Mountain Goats: Heretic Pride
The Mountain Goats’ John Darnielle is a... read more
Found in: Music, Reviews4 to Watch: Throw Me The Statue
Scott Reitherman says his previous band Flag Signs “imploded” before finishing its first recording sessions. Taking control, Reitherman decided to make an album on his own under the moniker Throw Me The Statue... read more
Found in: Music, Features4 to Watch: Bon Iver
Justin Vernon had a rough 2006. His longtime band, DeYarmond Edison, broke up soon after relocating from Wisconsin to North Carolina; then he was slammed with severe mononucleosis, and was bedridden for three months... read more
Found in: Music, Features4 to Watch: Estelle
Though her two-pronged attack as a rapper and vocalist has rightly earned her a reputation as the U.K.’s answer to Lauryn Hill, Estelle Swaray’s breakthrough hit “1980” was a classic more in keeping with Loretta Lynn’s “Coal Miner’s Daughter”... read more
Found in: Music, Features
