Unglued: Bands You Can't Google

Unglued: Bands You Can't Google

Rumor has it that early-'00s rap-rock ensemble Linkin Park chose to spell its name all funny-like for a simple reason...  read more

Found in: Culture, Features

Ears We Trust: Tucker Martine

Ears We Trust: Tucker Martine

Portland, Ore.-based producer Tucker Martine has helmed albums by the likes of The Decemberists, Laura Veirs, Thao with the Get Down Stay Down and Bill Frisell. He just wrapped a record with Tift Merritt, and he makes his own music as Mount Analog. Here’s what he’s listening to and loving....  read more

Found in: Music, Features

Vivre sa vie DVD Review

<i>Vivre sa vie</i> DVD Review

Release Date: Available Now Director: Jean-Luc Godard Writers: Marcel Sacotte, Godard Cinematographer: Raoul Coutard Starring: Anna Karina, Sady Rebbot Studio/Run Time: Criterion Collection, 83 min. Early outing from New Wave auteur reveals great depths “I… is someone else,” confesses Nana (Anna Karina) during a police inquiry, echoing the century-old sentiment of French poet Arthur Rimbaud. In the next scene, she transforms from a meek record store clerk with suffocating debt and a child that she (and the audience) never sees, to a prostitute with a new set of problems. The 1961 film is classic Godard in its exploration of...  read more

Found in: Movies, Reviews

Dusty Springfield: Once Upon a Time 1964-1969 DVD Review

<i>Dusty Springfield: Once Upon a Time 1964-1969</i> DVD Review

Release Date: Available Now Director: David Peck Studio/Run Time: Reelin’ in the Years, 84 min. Soul survivor Born in the U.K. and baptized in Memphis as the queen of blue-eyed soul, chanteuse Dusty Springfield left an indelible mark on pop music in the mid-20th century. With her ascent, the ex cathedra roster of legitimate solo musicians was suddenly coed, and Springfield coolly one-upped the old boys’ club with her charming stage presence and booming, brassy alto. Once Upon a Time, one of the first releases in a planned “British Invasion” series, serves as a workmanlike overview of Springfield’s career....  read more

Found in: Movies, Reviews

Tape Delay: After Years in the Musical Margins, Cassettes are Back

Tape Delay: After Years in the Musical Margins, Cassettes are Back

The humble cassette is alive and well...  read more

Found in: Music, Features

Breaking Upwards Review

<em>Breaking Upwards</em> Review

Release Date: Out Now Director: Daryl Wein Writers: Wein, Zoe Lister-Jones Starring: Wein, Lister-Jones, Julie White, Andrea Martin Studio/Run Time: Mister Lister, 88 min. Longest. Break-up. Ever. The first 40 seconds of Breaking Upwards are the film’s most tortuous. Daryl (Daryl Wein) lays horizontally over Zoe (Zoe Lister-Jones), and can barely muster the energy for coital thrusts. Zoe, sighing, tells him to go ahead and come: “Really, it’s fine.” Based on the true story of the co-stars’ relationship, this SXSW selection follows the twenty-something New Yorkers as they ease out of their shared yoga classes and into a break-up...  read more

Found in: Movies, Reviews

Nina Nastasia: Outlaster

Nina Nastasia: <em>Outlaster</em>

Master of crazy-songs lets the crazy master her Legend has it that Nina Nastasia has never bought a record in her life. Whether or not this is true is irrelevant; like most myths, it highlights an important truth beyond itself—in this case, that the singer/songwriter is practically incomparable to anyone else making music today. She’s been compared to everyone from Leonard Cohen to PJ Harvey, but nothing quite fits....  read more

Found in: Music, Reviews

Baffled Once More: Thomas Frank Resurrects Journal of Pop and Politics

Baffled Once More: Thomas Frank Resurrects Journal of Pop and Politics

I meet Thomas Frank at a chain coffee shop in the Washington, D.C. suburbs...  read more

Found in: Books, Features

Best of What's Next: Deep Sea Diver

Best of What's Next: Deep Sea Diver

“I couldn’t believe I was actually playing in the Hollywood Bowl...”  read more

Found in: Music, Features

John Hiatt: The Open Road Review

John Hiatt: <em>The Open Road</em> Review

A worn-out road On first listen, John Hiatt’s 19th studio album sounds like the rallying cry of an American absconder, all fugitive lead-footing and Mardi Gras beads hanging from rearview mirrors. But in the end, the characters of the Indianapolis-born songwriter’s country-blues ballads are happiest when they have someone to settle down with, even if they have a hard time staying put. “I got down on my knees last night and I thanked someone / for the chance for two people to try and live together and not roam,” Hiatt sings just before his woman leaves him in “Wonder Of...  read more

Found in: Music, Reviews

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