Lucinda gets her joy back
Lucinda Williams has a great laugh—it’s a joyful sound to hear on the aptly titled Little Honey, the 10th album in her three-decade career. A sweet sense of renewal imbues Williams’ latest work, which encompasses all the elements of her eclectic catalog—from her stark early sets
Ramblin’ (1979) and
Happy Woman Blues (1980) to her 1988 self-titled breakthrough to last year’s textural
West, co-produced with Hal Willner (Lou Reed, Bill Frisell). But not since her masterpiece, 1998’s
Car Wheels on a Gravel Road, has Williams dug so deep and come up with an album that brims with such varied, impeccable writing. Aided by loose-limbed playing from her band Buick 6, some notable party guests, and a voice full of everything from righteous gusto to hard-won wisdom,
Little Honey is Lucinda Williams at her best.