Prior to Pineapple Express, most people probably thought they had David Gordon Green pegged as one of American cinema's up-and-coming indie auteurs. His modest, somber debut, George Washington, was one of the best-reviewed films of 2000. His directorial follow-ups—All the Real Girls and Undertow—garnered favorable reviews as well, and prompted Green's biggest cheerleader, Roger Ebert, to say the following: "He has made three films of considerable power and has achieved what few
directors ever do: after watching one of his films for a scene or two,
you know who directed it."Popular@pastemagazine.com
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Life, Camera, Action: Movie Hopping While Rome burns
Live at Paste: Whitley






