Pages tagged “robert bradley”

Soul singer Robert Bradley continues down the path of previous Blackwater Surprise releases on Still Lovin’ You, even though he’s recycled most of his backing band in recent years. A mix of traditional R&B-infused pop rockers, Bradley emphasizes his soul roots on “All I Wanna Do,” “When You Love Something” and the title track. A perky cover of the Isaac Hayes classic “I Thank You” serves Bradley’s aging voice well. While this version of Robert Bradley's Blackwater Surprise is less inclined to rock, it provides solid-enough backing for Bradley's songs of life, love and longing. The second half of Still Lovin’ You is less cohesive, although “Virginia” and “Hollywood” tend to grow on you after repeated listens.

It took Robert Bradley until he was 46 to release his first album, but it took him another seven years to put out the record he’s always wanted to make, Still Lovin’ You. After three albums that mixed rock, R&B and even a little hip-hop, Bradley parted ways with the original members of his Blackwater Surprise — the group of Detroit rockers he hooked up with for his self-titled 1996 debut — and made a straight soul album.

“This is more of what I am. Even though we did some soul stuff on the other records, those guys came from rock and had a hard time getting into the R&B,” says Bradley, who thinks of himself as an heir to ’60s soul singers like Johnny Taylor and Bobby Womack. “Songs like ‘Mr. Tony’ and ‘You and Me’ from our second record? That’s what I wanted to do all the time, and those are the songs the fans always ask for. One time a guy got so mad we hadn’t played ‘Governor’ that I had to go back onstage and do it myself, because the band didn’t remember how to do it.”

With a new crew of hand-picked musicians, he filled his fourth album with both new material and songs that date back decades — to when he sang on the street and played clubs in his adopted hometown of Detroit. He wrote the Philadelphia soul-styled title track in 1968, and penned “When You Love Something” in 1975. Of the latter song, he says he set out to record something with a traditional gospel sound. “I always stop when I hear a good choir,” he says. “Not the Winans or these other modern groups. I’m talking about stuff that makes me remember the Soul Stirrers and Five Blind Boys of Alabama.”

Bradley grew up in Alabama, and was singing in Baptist churches by the time he was 11 years old. Later, he hit the coffeehouse and club circuit and then settled down in the Motor City. He says he doesn’t think of music in terms of what’s contemporary versus what’s old school. “I don’t know what’s new and what’s old,” he says. “It doesn’t really matter. Even though I’m 54, I feel like this is my first real album.” — eric schumacher-rasmussen