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The Hold Steady studio diary - Stay Positive - #10

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photo by Tad Kubler
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“Stay Positive”, November 29th through February 19th

I love mixing. It’s really a lot of fun taking all the sonic info and putting it into the right spaces. It’s fun mixing with The Hold Steady. They all have different viewpoints of the mixing phase of a record and they all complement each other.


Dear Diary

The Hold Steady studio diary - Stay Positive - #9

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“Stay Positive”, November 29th through February 19th [Above: John Agnello and Ben Nichols]


One of my favorite things about new technology of recording is the ability to e-mail rough mixes to people and have them contribute to your record. It’s a convenient and fun way of getting other people involved. We had some cool guest stars on the last record and it worked so well, that early on in the recording process, we were thinking towards that end.


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The Hold Steady studio diary - Stay Positive - #8

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[Above: John Agnello and Tad Kubler]

“Stay Positive”, November 29th through February 19th

Yep, things were looking great. After a peaceful four-day weekend with my wife and daughter, I woke up Monday morning and loaded my car with incidental gear and headed to the wilds of Long Island City. I printed directions from Mapquest to make sure I had directions. This is where things turned a bit. After driving in circles for a half hour, I decided to call the studio and try to figure out how Mapquest could do me so wrong.


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The Hold Steady studio diary - Stay Positive - #7

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photo by Tad Kubler
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It’s always fun watching band members disappear during the overdub phase of a record. There’s nothing like sitting and listening to the same guitar part or vocal line over and over that will send other musical types running for the local bar. With four more days at Water Music and plenty of overdubs to do, we needed to make sure we used the big room to it utmost. That means picking the overdubs more suited for the space we were in.


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The Hold Steady studio diary - Stay Positive - #6

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[Above: Bobby Drake]

Every band has its own dynamic. Sonic Youth, DBT and Dinosaur Jr are all very different bands internally. Some are more democratic than others, and with that, dealing with each band and individual member is a case by case scenario. The same holds true with The Hold Steady. In terms of songwriting, both Tad and Franz are strong songwriters in their own way.


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The Hold Steady drink beer and play darts with Vice

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photo by Marina Chavez
the hold steady At this point in their careers, the members of The Hold Steady have become more or less synonymous with boozing and fist pumping, which is a feat most of us (Andrew W.K. excluded) can only dream of accomplishing someday.

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The Hold Steady studio diary - Stay Positive - #5

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photo by Tad Kubler

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[Above, L-R: Bobby Drake and John Agnello]

Things are really rolling. We’ve been tracking furiously and the band is really hitting their stride. We’ve nailed easier songs like “Stay Positive” and harder ones like “Creepy Jam,” which will end up being called “One For The Cutters.” That song became one of my favorites early on. We cut it live with Franz playing the intros and verses with a synth harpsichord simulation. We knew we needed a real harpsichord on the song, but we had to find one that was accessible. But that would be for another day.

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The Hold Steady: Stay Positive

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One of America’s best bands kicks out a new batch of positive jams

Craig Finn just might be the most self-aware frontman in rock ’n’ roll. “Our songs are sing-along songs,” he declares on Stay Positive’s opener “Constructive Summer,” and a couple verses later he shows instead of tells. “Me and my friends are like,” begins the line, before Finn is joined by backing vocals for “double whiskey, coke, no ice.” It’s a moment that begs for a full room’s worth of shouting as uniting as “LEONARD BERNSTEIN!” during that R.E.M. song about the end of the world. Finn intuitively knows this, tossing off lines just like it throughout Stay Positive—it’s yet another reason The Hold Steady is one of the best bands in America.

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The Hold Steady studio diary - Stay Positive - #4

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photo by Tad Kubler
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“I don’t think anyone could have anticipated 'Adderall' not making the record.”


Sound familiar? The first part is all too familiar with me. That’s how our administration explains levy breaches or not finding WMD’s, etc. But that’s a different blog for a different day. At least in this case, my statement is absolutely true.


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The Hold Steady confirms new details for Stay Positive

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photo by Sean Edgar
Those of you jonesing for some bar-rocking Americana only need to wait a little bit longer, because The Hold Steady is about to open up the party pit. In preparation for the upcoming release of their fourth LP Stay Positive (which is already available in full on the band's MySpace) Craig Finn and Co. recently announced that the album will be available exclusively on iTunes beginning June 17, nearly a full month before the brick-and-mortar release.

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The Hold Steady streams Positive in full on MySpace

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Worried the coming months won't contain enough massive nights? Dismayed you may never know how a resurrection really feels? Well, Craig Finn and his band of bar-barons The Hold Steady are now streaming their entire new album, Stay Positive, via MySpace to put you on the fast track to a constructive summer.

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The Hold Steady studio diary - Stay Positive - #3

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On a panel a few years ago at SXSW, a producer/manager sitting to my right discussed how he developed a camaraderie with the artist during the making of the records. He described it as “making the record company the common enemy.” I found this transparent and short sighted. And those were two of the nicer things I thought about this idiotic approach.


Dear Diary

The Hold Steady studio diary - Stay Positive - #2

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photo by Tad Kubler
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Above [L to R]: Tad Kubler, Galen Polivka, John Agnello, Bobby Drake


As fans eagerly count down the days until The Hold Steady releases Stay Positive, the follow-up to Paste's #2 album of 2006, on July 15, we thought it would be interesting to hear a little background on the record. So we asked producer John Agnello to reminisce on the recording process of Stay Positive. This is his second post. Read his first here.


The Hold Steady tours a ton. I believe the number of shows they played last year was around 200. That’s amazing, but essential for bands these days. With CD sales lagging and tons of people putting out records, it’s a jungle out there. If you're lucky enough to be Spoon, OK Go or Of Montreal, it’s a jingle out there. Which is a good thing. Over the last few years, that’s been one of the ways bands have put food on their collective tables. Twenty-odd years ago, a band called the Del Fuegos supplied music for a Miller beer ad. And it was widely frowned up by the press, other musicians and the other music biz insiders. But I digress.


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The Hold Steady studio diary - Stay Positive - 11/29/07-2/19/08

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photo by MaryEllen Devoux
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Above [L to R]: Producer/Paste blogger John Agnello and mastering engineer Greg Calbi

As fans eagerly count down the days until The Hold Steady releases Stay Positive, the follow-up to Paste's #2 album of 2006, on July 15, we thought it would be interesting to hear a little background on the record. So we asked producer John Agnello to reminisce on the recording process of Stay Positive. This post, the first in a series, covers the album's first single, "Sequestered in Memphis," which is available today (Mary 20) on iTunes.


“That sounds great, Greg! Really awesome. Okay, let’s do a single edit and use the lead vocal up version of the song.”


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