Pages tagged “the knife”

Mute Records has announced the deluxe edition of The Knife’s critically acclaimed 2006 LP, Silent Shout, slated for release on May 8th, 2007. The three-disc package will include, in addition to a CD of the album, a previously-unreleased audio recording of one of the band’s stunning live shows, a DVD featuring footage of the same concert (directed by Andreas Nilsson), their full collection of music videos, and an animated short called “When I Found The Knife.”

Silent Shout is the third album by Stockholm, Sweden’s sibling duo Olof Dreijer and Karin Dreijer Andersson.

Tracklisting for the deluxe edition is as follows:

Disc 1 – CD Silent Shout
1 - Silent Shout
2 - Neverland
3 - The Captain
4 - We Share Our Mothers’ Health
5 - Na Na Na
6 - Marble House
7 - Like A Pen
8 - From Off To On
9 - Forest Families
10 - One Hit
11 - Still Light

Disc 2 – CD “Silent Shout - An Audio Visual Experience”
Recorded Live in Gothenburg, Sweden on April 12th, 2006
1 - Pass This On
2 - The Captain
3 - We Share Our Mothers’ Health
4 - You Make Me Like Charity
5 - Marble House
6 - Forest Families
7 - Kino
8 - Heartbeats
9 - Silent Shout
10 - From Off To On

Disc 3 – DVD “Silent Shout -- An Audio Visual Experience”
Recorded Live in Gothenburg, Sweden on April 12th, 2006
1 - Pass This On
2 - The Captain
3 - We Share Our Mothers’ Health
4 - You Make Me Like Charity
5 - Marble House
6 - Forest Families
7 - Kino
8 - Heartbeats
9 - Silent Shout
10 - From Off To On

Music Videos
1 - N.Y. Hotel
2 - Heartbeats
3 - You Take My Breath Away (I)
4 - Pass This On
5 - Handy Man
6 - You Take My Breath Away (II)
7 - Silent Shout
8 - Marble House (I)
9 - We Share Our Mothers’ Health
10 - Like A Pen
11 - Marble House (II)
12 - When I Found The Knife (Short Film)

Related links:
The Knife’s official website
The Knife on MySpace.com
Mute Records’ official website

Hometown: Stockholm, Sweden
Members: [l-r] Olof Dreijer and Karin Dreijer Andersson
Fun fact: The Knife’s “Heartbeats” was covered by indie-folk singer (and fellow Swede) José Gonzalez and featured in a recent Sony ad.
Why they’re worth watching: The Knife proves there’s more to Swedish pop than ABBA and Roxette—its music pairs catchiness with depth.
For fans of: Kate Bush, Laurie Anderson, Annie, Björk

With layers of synthesized atmosphere and drum patches encased in ’80s synth-pop amber, getting to the heart of The Knife’s sound can seem an exercise in spot-the-influence. However, you needn’t engage in such analysis to appreciate the Swedish brother/sister duo. Karin Dreijer Andersson and Olof Dreijer started in 1999, and have emphasized a whimsically classic sense of melody alongside various technological backdrops, be they state-of-the-art or retro-futuristic. Dreijer once described one of the group’s videos as “occult and dark, but at the same time funny,” which is a concise—if not terribly evocative—way to summarize the group.

The Knife’s first two long-players—2001’s The Knife and 2003’s Deep Cuts—achieved modest success in Sweden, and found a small but devoted fan base in the rest of Europe and America. The techno-pop synthesis of the latter album appealed to those enamored with highly stylized, detail-oriented production, though the band’s ace song craft (moments on Silent Shout recall no less an art-song figurehead than Kurt Weill) foreshadowed something altogether weightier.

Silent Shout is The Knife’s third full-length, and the first to land an American release. Andersson’s lyrics detail a sickly, vaguely traumatic buffet of characters: the scared housewife, the hermaphrodite, the media addicts. About the hypnotic, subtly kinetic title track, she says, “it’s like when you dream and really want to scream something, [but] nothing comes out.” Still, Dreijer’s production adds sheen and brilliance to otherwise cold, mechanical parts, and the myriad manipulations of Andersson’s voice—a blue baritone here, a child’s meek cry there— betrays the duo’s fascination with sound, and its willingness to override “dark” tones with purely playful experimentation.