intense poetic encomium geared for Smith’s more adventurous
mere premise of punk priestess Patti Smith and My Bloody Valentine’s
erratic genius Kevin Shields collaborating is itself
electrifying, and the fact that it captures a raw corner
of Smith’s psyche urges closer inspection. Conceived as a eulogy to
close friend Robert Mapplethorpe and imagining the inner space of his
final voyage to see the Southern Cross, The Coral Sea
is a giant Smith poem punctuated by Shields’ soundscapes. While the
long and occasionally overwrought exposition is not for everyone, the
intensity and untangled abandon of Smith’s performances will
galvanize more loyal fans seeking yet another cathartic acid bath in
her emotional storms.
set is comprised of two live concert recordings from Smith and
Shields’ performances at London’s Queen Elizabeth Hall in 2005
and 2006. In the 2005 performance, Shields leaves larger open spaces
and Smith’s recitation frequently feels more loving and serene,
punctuated with near-sobs and a more naturalistic flow. Shields’
swells on the later show are more ominous and omnipresent, and
Smith’s heaviest howls exude a sharper rage at the face of death.
The choice to include both looks is perhaps a testament to the
subject’s multidimensionality, even if the premise of listening to
them both in succession is more than a bit overwhelming. Still, the
courage and passion of the performances shine through.