For quite some time, 30 Rock has seemed content to spin its wheels as far as character development goes. Sure, the show’s undergone some changes due to episode arcs, like my much-hated Dealbreakers one late last year, but its characters have remained pretty well entrenched in their basic roles; at their worst moments, nearly to the point of self-parody. The show’s mantra could in some sense be summed up by Jack Donaghy in last night’s episode: “People don’t change.”
"Vera" picked up this theme and brought in two contradictory answers
to Donaghy's assertion. First there’s Jenna’s mother Verna visiting,
which is the first time we’ve met this character. This bodes poorly for
Jenna, who reminisces about the terrible things her mother put her
through whilst leeching off of Jenna’s talent. Despite her horrible
ways, it appears as if she’s arrived at 30 Rockaround to pitch a reality TV show to Jack about the way she screws up her
daughter’s life. Despite appearances to the contrary, she’s just doing
the same old thing and still hard at work screwing
over Jenna in new and creative ways.
Liz is busy with her own business, such as avoiding Jenna’s mom,
which leads Jenna to look towards Jack for support during this trying
time. Oddly enough, she finds it with him, and the pair bonds over
their mutual hatred of abusive mothers. Jack not only counsels his
young protégé in the ways of hating and avoiding your mother, he takes
her through a sublime video-slideshow presentation that stresses his
“Say no, talk low, let her go” philosophy and leaves her with the
self-confidence to shut her mom down. Verna throws this off balance by
acting nice for once, but when this flips around later Jack steps in
again and literally begins paying Jenna’s mom off to be nice to her
Jack has long had a sort of surrogate father thing going on with Liz,
not to mention Tracy and Kenneth, but this is quite a display of
affection from him towards Jenna. It’s a real change of heart from his
usual ruthlessness, and shows that it’s not just Liz but the entire TGS group that has been growing on him—he
gives a damn about them as people now. Contrast that with season one
and you’ve got a pretty meaningful change. Jenna, on the other hand,
has lately tended towards cartoonishness, and her character has begun
distracting from more interesting things going on during episodes. In
this sequence she becomes much more of a real person and her reactions,
for once motivated by more than “look at me, I’m a star” impulses, are
interesting beyond simple throwaway gags.
Liz gives up junk food. Despite the hackneyed nature of this whole
affair, solid writing keeps the story afloat until things culminate in a
Paranormal Activity parody that somehow feels natural and
original. Laughter wasn’t constant during the episode, but the
direction it moved in kept interest even when jokes were sparse. That
being said, some of the material, especially one-liners from Tracy and
the videos that framed the episode, were pretty great by even the show's
Liz’s fantasy at the beginning of the
episode is random but not particularly funny. I am a fan of Meat Cat,
“His name is Mr. Wiggles, and his cat’s name is Benson.”
"I’d like to pre-apologize for clogging your tub, sink and toilet."
"Say no, talk low, and let her go." - If anyone tries this out, I
would like to hear about their success or failure stories.
"Wow, an old white lady yelling at me while wearing microwavable
socks. This is so different than living with my mom."
"Manufactured in a facility that also processes food."
"I took the elevator all the way up here without losing my breath."
“Could a bad mother raise a daughter who was engaged to a congressman
when she was sixteen?”
“You didn’t believe in me but I believed in myself. Just like the
scene of all movies!”
The singing horribly inappropriate songs gag isn't exactly original,
but that doesn't mean it doesn't work.
"OK, I don’t mean to e the black guy at the movie … but you need to
“You’re a good man, Jack Donaghy.” “Thank you Meat Cat.”