Last week in Portland, quirk pop maestro Jonathan Coulton explained to the sold-out crowd that, as a grade school student, he had anonymously left a note for a co-ed classmate with the binary question: do you like me? Yes/No. Though it was passed secretly, the young girl knew who left the proposal because Coulton sat right next to her. Tragically, he witnessed his would-be inamorata hit the roller skating rink with another dude shortly after a passive decline.
That story is exemplary of the paradox that lies at the heart of Coulton—a former NPR house musician who’s produced nearly ten albums and curates his own intellectual pop-culture cruise party, but still manages to embody daydream adolescent vulnerability with poetic finesse. That irony took on a whole new import that evening, as he was delivering the anecdote at Revolution Hall, a grade school built in 1906 that was renovated into a concert venue in 2013. Coulton continued through a litany of disarming pop gems and laugh-out-loud yarns, including odes to Ikea as well as cuts from his new album about technology dystopia, Solid State, (which also includes a damn fine sister graphic novel illustrated by Albert Monteys and written by Portland native Matt Fraction.)
Headliner Aimee Mann is also a modern storytelling master, who can weave tales of desperation, longing and occasional redemption into immaculately constructed three-and-a-half minute confessionals. The difference between her and Coulton is that the former sings about self-loathing giant squids while the latter addresses alcoholic boxers and California dreamers on the verge of harsh awakenings. Together, they comprise a new incarnation of Greek Muses Thalia and Melpomene, intoxicating with humor before summoning a tidal wave of melancholia. And Mann’s recent, exceptional album—Mental Illness —will absolutely invite tear jerks.
Paste photographer Sean Edgar captured the concert in the gallery above, which saw both Mann join Coulton’s opening set and Coulton reciprocate (Coulton contributed background vocals and acoustic guitar to Mental Illness). Aimee Mann is touring extensively in the US through July before hitting Europe in October; Coulton will continue to join her for all of those shows, as well as play a smattering of other gigs and events.
“Goose Snowcone” (Aimee Mann)
“Your Tattoo” (Jonathan Coulton)
“Humpty Dumpty” (Aimee Mann)
“Ikea” (Jonathan Coulton)