The 30 Best Stand-up Comedy Specials on Netflix (2018)

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20. Natasha Leggero and Moshe Kasher – “The Honeymoon Stand Up Special

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The enfant terrible dynamic between newlyweds Leggero and Kasher is the star of The Honeymoon Stand Up Special, a collection of half-hours, and is the element that holds the series tightly together when other elements falter. The main event is the collection’s third part, a series of improvised roasts/therapy sessions with various couples in the audience. Though it’s essentially a crowd work exercise, both Leggero and Kasher thrive on each other’s rhythms and clearly delight both in putting these poor people in the hot seat (their patients include a woman who admits to not feeling any emotion) and in giving them a thrill. This framing device plays to the couple’s strengths: a podcaster’s ability to draw a guest in and a roaster’s proclivity towards knocking them down as specifically as possible. Also, I don’t know, call me old fashioned, but there’s something beautiful in the real look of love Kasher gives a newly-Jewish Leggero when she refers to the Holocaust as a “membership dropoff.” These two are just in awe of each other’s abilities.—Graham Techler


19. Rory Scovel – Rory Scovel Tries Stand-Up for the First Time

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This is the risk Rory Scovel takes with his absurdist approach to stand-up: our official review wasn’t especially kind to his Netflix special, even though our comedy editor (uh, me) found it to be one of the smartest and most refreshing specials in years. Scovel balances conceptual metacommentary on the conventions of stand-up with fully-formed political material as biting as any other comic working today in an hour that sends up the very idea of stand-up even while showing how powerful it can be.—Garrett Martin


18. Jen Kirkman – I’m Gonna Die Alone (And I Feel Fine)

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What makes this hour of material so refreshing is that everything Kirkman discusses is the sort of subject that women are unfortunately supposed to be ashamed about in our culture. She’s supposed to be still reeling from her divorce and sad that she’s a childless single woman, living on her own at age 40 who will get discovered dead in her bathtub with her face eaten off by a cat. Instead, Kirkman is light on her feet, happy about her current situation and ready for the adventures that the second half of her life will bring.—Robert Ham


17. Lucas Bros. – On Drugs

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The political comedy in On Drugs is done both incredibly casually and with discernible commitment. If sometimes it seems hard to tell whether the Lucas Bros. are making it look effortless or simply not trying, we never really get the sense that they themselves are too cool for this. As far as comedy duos go, they seem to have taken a few cues from another set of twin comedians that eschewed a straight-man/funny-man dynamic, and not just because both the Lucas and Sklar Bros. reportedly attended law school. Kenny and Keith will occasionally check in with each other on a given topic, agreeing to “smoke on it.” Their hive minded brotherhood is routinely delightful, whether they’re pausing a joke to wipe sweat off each other’s noses, or tag teaming a letter to republicans on gun control.—Graham Techler


16. Reggie Watts – Spatial

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For my money, the most sublime pleasure in stand-up is less often in the punchline than the path to it. In so many routines it is too possible, I think, to predict a joke’s third act in its middle, and sometimes even the beginning. But when you cannot, when you are suspended for the entire journey in a state of orgasmic unknowing, then you might remember the mind-quaking possibilities that drew you to comedy in the first place. Reggie Watts is as virtuosic as it gets, a form-bending raconteur unsatisfied to tread too long in any single territory. In Spatial, his second Netflix special, he dances between joke-telling, storytelling, song, dance and an improvised play, featuring guest-stars Kate Berlant and Rory Scovel. The hour is infused with a level of emotion rare in stand-up, and which brought me nearly to tears in his closing number. This one really is remarkable.—Seth Simons


15. John Mulaney – New In Town

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John Mulaney’s New In Town starts silly and doesn’t stop. Mulaney’s boyish energy and looks couple with his goofy inflection to give the entire special a high energy that the comic gently grounds by focusing on his life. Mulaney digresses, but each joke—including the definitive Ice-T on Law & Order: SVU routine—is so deftly weaved into the larger story that you never feel a single segue. Instead of a well-rehearsed performance, New In Town feels like an old friend showing up to dinner with stories he can’t wait to tell you. As a special bonus to those who would watch the special rather than listen to the record, the opening credits are done up like an early eighties sitcom, with a theme by Reggie Watts. —Casey Malone


14. Hasan Minhaj – Homecoming King

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Homecoming King has a lot to unpack and asks more of its audience than the average special. It isn’t afraid to enter dark territory where even a full minute goes by without a single joke. The reason this works is that first and foremost, Minhaj is an all-around great storyteller. The performance could have had zero jokes and still would be a compelling piece of work. Luckily, he’s a smart comedian who knows how to use his material wisely, even if that means holding back to let the important points hit home.—Christian Becker


13. Hannibal Buress – Comedy Camisado

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Hannibal Buress  is the platonic ideal of your extremely stoned friend. In Comedy Camisado, he rides the fame bump of outing a famous rapist to treat you to the searing specificity of his anger, be it towards the woman who wouldn’t let him check into a 2 and half star hotel without proper ID, or how 32 is a pointless age. He’s not dropping culture changing bombshells this time, but he’s still the guy you wanna smoke a bowl with.—Gita Jackson


12. Mike Birbiglia – My Girlfriend’s Boyfriend

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Sleepwalk With Me, Mike Birbiglia’s one-man show about a tough break-up and sleep disorder that he eventually adapted to a book and feature film, looked for a while like the defining work of his career. And yet My Girlfriend’s Boyfriend manages to improve on Sleepwalk in almost every way. In it, Birbiglia tells us about coming to terms with the compromises in his romantic relationships, both today and as a teenager, as well as his views on marriage after the events of Sleepwalk, and it’s all wrapped in the story of a terrifying car accident that turns into a bureaucratic nightmare. Birbiglia’s an incredible storyteller, jumping from the present to his adolescence and to the recent past seamlessly, never dropping a thread and using every small tale to reinforce the larger story. —Casey Malone


11. Aziz Ansari – Live at Madison Square Garden

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Aziz Ansari  reveals a vital new strength in this special. He can comfortably broach serious, depressing issues and cut right to the heart of society’s ills without ever growing strident. He retains his effortless charisma and youthful exuberance even when talking about how horrible men are to women all of the time. He’s a more fully rounded comic now, a wiser and braver performer whose material now matches his stature, and one who has grown comfortably into his role near the top of the current stand-up hierarchy.—Garrett Martin


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