Our Best New Artist considerations are a little different than the Grammys so you won’t see Bon Iver. You also won’t see artists that broke bigger this year but have been covered in Paste before (like Cults, Givers, tUnE-yArDs, Reptar, Yuck and Lord Huron—some of whom were named among our Best New Bands of 2010). You won’t even see new bands made up of already established musicians (sorry Middle Brother, Wild Flag and Mister Heavenly) or solo artists (who’ll be getting their own list next week). What you will find is some great music from some exciting young bands that were brand new to us this year. Here are the 20 Best New Bands of 2011.
20. The Lumineers
Members: Wesley Schultz (vocals/guitar/piano), Jeremiah Fraites (drums, yells), Neyla Peckarek (cello, piano)
**For Fans Of:* The Head and the Heart, Ryan Adams, The Avett Brothers
Wesley Schultz and Jeremiah Fraites forged their band from the sparks of pain and built upon that foundation with a persevering gleam of hope, so it’s fitting that the band’s name is an imaginary term for the shine that comes from porcelain veneers used in dentistry. Schultz and Fraites grew up in the same small town in Ramsey, N.J., but it wasn’t until Fraites’ older brother, also Schultz’s good friend, lost his life to a drug overdose that The Lumineers were formed.
After a short stint paying their dues to the New York music scene, on a whim, the two of them decided to uproot to Denver. The first order of business was to place an ad for a cello player. That’s when they found their missing link, the charming Neyla Pekarek. The trio then went on to mix and master their own seven-track EP, an impressive at-home venture. Now, gearing up for the release of a debut album around the new year, they have a few wishes. “Get a bigger van—we’re in a soccer mom van with LUMINRS vanity plates,” Shultz says. “Make music that makes you smile, cry and stomp your foot simultaneously. Make music for years with these dear friends of mine. Be proud of our music. Play Letterman and Europe.”—Alexandra Fletcher
Hometown: New Orleans
Band Members: Ted Joyner (vocals, guitar), Grant Widmer (guitars, vocals)
For Fans Of: Apples In Stereo, Dr. Dog, The Strokes
New Orleans indie-pop duo Generationals released their second full-length album, Actor-Caster, several months before we talked to them for our “Best of What’s Next” issue. But guitarist/vocalist Grant Widmer, while flattered by the recognition, isn’t even sure what the title means: “Is that something that’s usually used to describe a debut album or something? It definitely feels cool, though—better than being ‘Best of What Used to Be.’”
Widmer and partner Ted Joyner have a connection that’s deeper than ever. But, as Widmer attests, being in a band with your best friend “is a tricky balance to walk. I definitely think it would be easier sometimes to have two people who have a sheerly professional relationship—because then there wouldn’t be any reason not to just lay it all out there. And I think we did have to navigate through that when we first started. But where we are now, we have confidence in what we’re doing that no amount of criticism from the other guy is going to wound our egos that much. … We’ve kind of joined our artistic visions to the point where, if there’s any kind of criticism, it’s coming from the place of trying to make sure the vision is clear and that the album that comes out is going to be as good as possible.”—Ryan Reed
Hometown: New York
Band Members: Matthew Iwanusa, Jimmy Carbonetti, Stefan Marolachakis, Sam Hopkins, Jeff Berrall
Album: Coco Beware
For Fans Of: Andrew Bird, Edward Sharpe & the Magnetic Zeroes, The National
“Listenable” is the best way to describe Caveman’s debut album, CoCo Beware. The album, with all of its clacking drums, gently strummed rail-thin guitars and careful, pleasant melodies, is instantly catchy and likable on a first listen. Songs like “Decide” “Thankful” and “Easy Water”—easily the album’s standout cuts—plod along like lazy, slowed-down versions of early Shins tracks, and that’s a great thing.
Frontman Matthew Iwanusa’s relaxed take on guitar-based rock is a unique sound that isn’t really trying to offend or take any unexpected twists or turns. Instead, the album is almost comforting by creating instantly recognizable, hummable melodies that feel just as familiar on the first listen as they do the 10th. It’s a strong, cohesive opening statement from a group of talented musicians that only gets better with repeated listens.—Tyler Kane
17. The Belle Brigade
Hometown: Los Angeles
Band Members: Ethan Gruska, Barbara Gruska
Album: The Belle Brigade
For Fans Of: The Indigo Girls, Simon & Garfunkel, The Everly Brothers
There’s nothing particularly complicated about The Belle Brigade. The band, made up of brother/sister duo Ethan and Barbara Gruska, writes simple songs about common themes like being in love, loneliness and feeling like an outcast. But it works.
The most ear-pleasing quality of the band is the way their DNA-sharing vocal chords are able to vibrate perfectly together, creating full, textured harmonies that seem to rise above the instrumentation while flowing along it. There is certainly something about familial bonds and the way they provide an added connectivity in music that’s just not present in other acts. The album’s best song “Losers” is an excellent example of this. It transforms a straightforward acoustic guitar and vocal piece into a powerful, anthemic rejection of societal opinions concerning those it deems not up to snuff.
The Belle Brigade
is a fine debut albumfull of breezy melodies straight from the highways of California; it’s damn near impossible not to bob along to the freewheeling music the pair has compiled for this first LP. There’s sure to be more of the same to look forward to in the future.—Wyndham Wyeth
Hometown: Brooklyn, New York
Members: Alex Toth (Trumpet/Vocals/Bandleader), Kalmia Traver (Lead Vocals/Tenor Sax), Adam Dotson (Trombone/Vocals), Dave Cole (Drums), Darby Wolf (Keyboards), Craig Myers (Percussion), Mark Stewart (Bass), Ian Hersey (Guitar)
Album: Omega La La
For Fans Of: Dirty Projectors, Fela Kuti, Vampire Weekend
For Rubblebucket vocalist Kalmia Traver and her gang—including bandleader/trumpet player (and Traver’s boyfriend) Alex Toth—the exhausting exchange of performance, of devoting one’s entire body and spirit to music, is what makes life worthwhile. They’ve been categorized by the curious genre tag “yes-wave,” a label used to describe bands who are both good at their instruments and project positive vibes. But Rubbebucket are pretty hard to pin-down sonically—their line-up sports an array of horns, keys, and percussion; their dense soundscapes are equally hooky and technical, bouncing from sublime pop hooks (like on the effortless back-porch soul of “Raining”) to rhythmically challenging clatter (the furious synth-twitch breakdown that propels the second half of “Breatherz”). The tunes aren’t easily pigeonholed into jam-band, funk, or indie rock scenes, so “yes-wave” might just be as good a description as any—but Traver isn’t worried about labels in the first place.
“It’s hard for us to find a home within any genre,” Traver says. “And you can spin that good or bad. And that’s actually been a frustration of mine. You meet somebody on the street, and they ask, ‘What kind of band are you?’ It takes so many sentences to explain it, but that being said, ‘yes-wave’ doesn’t really explain anything at all. So I just think it’s funny, and I also connect with that word, ‘yes-wave.’ It sounds fun, and from what I understand, the spirit behind it is sort of what we’re all about, which is being good at your instruments and really devoting a lot of time to mastering the music, and then being positive and sending ‘yes’ energy out into the world.”—Ryan Reed
15. Kopecky Family Band
Hometown: Nashville, Tennessee
Members: Kelsey Kopecky (vocals, keys), Gabe Simon (vocals/guitar), Corey Oxendine (bass), Markus Midkiff (cello), Steven Holmes (violin), David Krohn (drums)
Album: The Disaster EP
For Fans Of: Arcade Fire, Stars, Eisley
The Kopecky Family Band isn’t actually a family, whatever Google would have you think. Despite multiple search results for Gabe Kopecky, the vocalist and guitar player actually has the decidedly less Polish surname of Simon. The band’s namesake derives singularly from Kelsey Kopecky, a maternal-yet-feisty songstress who spends days off babysitting for her booking agent.
Still, the six-piece outfit is a close coterie of friends. In fact, Simon attributes their songwriting prowess to the ability to perform a Vulcan mind meld of sorts. “[Kelsey] and I have this natural ability to sing together and predict what each other will end up doing,” says Simon. “One time we were on this writing retreat and started signing the exact same melody at the exact same time. It wasn’t another song, it was something we both came up with,” he said.
While the Family has four or five new demos and is working on four or five more, they don’t expect their debut full length to come until next year.—Allie Conti
Band Members: Patrick Riley, Alaina Moore
Album: Cape Dory
For Fans Of: Best Coast, Neko Case, The Four Seasons
Landlocked in Denver, Tennis’ Patrick Riley and Alaina Moore had almost no sailing experience when they first decided to venture out on the open ocean. But a lack of sea legs was no match for the couple’s thirst for adventure and desire to live minimally. They began devoting every spare hour to the study of all things nautical. “We would test each other at breakfast,” Riley says, “tie knots during lunch, and talk about hypothetical situations during dinner. It literally had taken over our lives.”
Once he and Moore had consumed every textbook they could find on the subject, they dipped into their life savings and cast off on an epic voyage. After spending more than half a year together on their boat, the adventurers returned home to find that life on the high seas had changed them. “We ran into an issue,” Riley says, “with not being able to communicate our experiences with sailing to the community around us. Friends and family couldn’t possibly understand things like having coffee at 6:00am while a sting-ray jumps out of the water just in front of your bow. We found ourselves with such heavy nostalgia that we had to funnel it somewhere. That place was music.”
Rily and Moore began writing and recording songs inspired by their journey. The project has resulted in debut Cape Dory, a record about exploration, devotion and life on the ocean, all set to sunshine melodies and the rhythm of the waves.—Wyndham Wyeth
13. David Wax Museum
Hometown: Boston, Mass.
Members: David Wax and Suz Slezak
Album: Everything Is Saved
For Fans Of: Calexico, The Low Anthem, Devotchka
It’s with that same sort of relentless mentality that David Wax Museum approaches its live craft. In 2010 alone, David Wax and Suz Slezak played over 200 shows, welcoming everything from house parties to major music festivals. As rigorous as their touring schedule was, the members of David Wax Museum flourished as performers as the result of playing night in and night out. “I think that really helped us hone our live show,” Wax admits. “It really helped us come into our own as a live band.”
While the Boston-based folk duo recorded a good portion of its latest record Everything Is Saved in early 2010, David Wax and Suz Slezak spent much of the year testing and tweaking their songs in front of their audiences. As a result, their record exudes a sense of confidence stemming from a lengthy process of musical trial and error, blending a seamless mix of Mexican and American folk into the group’s triumphant sound. Wax’s immersion in Mexican folk music jumps out at first listen. After traveling to Mexico through a fellowship to study son mexicano, he absorbed the informal musical teaching process through learning by ear and playing along with others. Although David Wax Museum technically can be considered a duo, David Wax Museum has performed with over 10 people at a time, mirroring the sonic swells innate within the band’s songs.—Max Blau
12. Of Monsters and Men
Hometown: Reykjavik, Iceland
Members: Ragnar þórhallsson (acoustic guitar, vocals), Árni Guðjónsson (accordion, keys), Nanna Bryndís Hilmarsdóttir (acoustic guitar, vocals), Arnar Rósenkranz Hilmarsson (drums), Kristján Páll Kristjánsson (bass), Brynjar Leifsson (electric guitar)
Album: My Head Is An Animal
For Fans Of: Mumford & Sons, Edward Sharpe and the Magnetic Zeros, The xx
It all began back in 2010, when Nanna Bryndís Hilmarsdóttir decided to add more members to her then-solo project. With three more members, Of Monsters and Men entered last year’s The Icelandic Music Experiments: Músiktilraunir, a nationwide “battle of the bands” competition. Hilmarsdóttir and her new bandmates won over the audience—and the judges—with their catchy number “Little Talks,” and went on to win the entire competition.
After Músiktilraunir, the folk-pop quartet decided to expand its sound by adding two more members. Of Monsters and Men then began playing at venues around Iceland, taking over Iceland’s airwaves with “Little Talks” and earning a strong fan-base. Over the past year, the band has expanded its fanbase worldwide—its Facebook page shows requests to play gigs from the United States to England to Australia thanks to the YouTube video for the band’s single “Little Talks,” which has received over 180,000 views. The feedback, the group says, is part of what keeps them performing. “We like talking to people that like our music, we like hearing from them,” says þórhallsson. “We love making music for them.”—Caitlin Peterkin
11. WU LYF
Hometown: Manchester, England
Band Members: Evans Kati, Thomas David Francis McClung, Ellery James Roberts, Joseph Louis Harlan Manning
Album: Go Tell Fire To the Mountain
For Fans Of: My Morning Jacket, Muse, Sigur Rós
For all the start-up bands out there trying to chase down a record deal or get a talent scout to one of their gigs, the four lads in WU LYF have been doing the opposite. When their song “Heavy Pop” showed up on the blog Gorilla vs. Bear at the end of 2009, there was little information to accompany it. As the buzz built, they ducked and dodged it, declining all interview requests and releasing a band photo showing a group of unidentified people in balaclavas. When labels came calling, they charged £50 for a copy of their demo, while charging fans a single quid to get into shows. And according to NME, they “told one legendary scout, ‘We’re on at 11 p.m. Don’t be late.’ He arrived at 10 to be informed they’d finished at nine.”
But for all the mischief and mystery, they’ve come out of hiding on their own terms, releasing Go Tell Fire to the Mountain. The album marries My Morning Jacket guitars with a wash of keyboards that wouldn’t be out of place on a Sigur Rós record. Punctuating it all are Roberts’ desperately barked lyrics about brotherhood, love and not selling out.
A year ago, they hadn’t played a show outside Manchester, but this past summer’s tour stops included France, Switzerland, Portugal, Japan, Sweden, Norway, Belgium and the U.S. Plus, there’s another record already in the works.—Josh Jackson