Our Best New Artist considerations are a little different than the Grammys so you won’t see Bon Iver. You also won’t see artists that broke bigger this year but have been covered in Paste before (like Cults, Givers, tUne-YaRdS, Reptar, Yuck and Lord Huron—some of whom were named among our Best New Bands of 2010). You won’t even see new bands made up of already established musicians (sorry Middle Brother, Wild Flag and Mister Heavenly) or solo artists (who’ll be getting their own list next week). What you will find is some great music from some exciting young bands that were brand new to us this year. Here are the 20 Best New Bands of 2011.
Hometown: Saratoga Springs, N.Y.
Band Members: Sarah Barthel, Josh Carter
Album: Eyelid Movies
For Fans Of: The XX, Beach House, Cocteau Twins
The general consensus is that electronic-pop duo Phantogram materialized from the ether, emerging from nowhere to produce the type of danceable tracks Salvador Dali might craft if he traded his paintbrush for a drum machine and analog synthesizer. This is nearly the truth; Sarah Barthel and Josh Carter’s “nowhere” is the obscure New York town of Saratoga Springs. The pair had no pedigree as previous members of lauded bands or grand industry connections when they wrote the songs that became 2010’s sleeper success story Eyelid Movies.
“We weren’t planning on making a debut record,” Barthel says. “Technically it was supposed to be our demo. It just caught on a lot faster than we expected.” The vocalist and keyboardist explains this with an air of disbelief in her voice while Phantogram prepares to soundcheck before their sold-out headlining show in Denver, a mere 1,800 miles from their quaint upstate New York home.
Common threads permeate Phantogram’s catalog—synthetic beats, organic guitar lines, Barthel’s angelic alto and Carter’s urgent tenor—but songs never run together. “Josh and I always want to keep things moving,” Sarah says. “We admire The Beatles, how every single song sounded different but it worked so well together. We’re always inspired and influenced by so many different artists that I don’t think we even could make all our songs sound the same,” she says.—Ryan Wasoba
9. The Vaccines
Members: Justin Young (vocals), Árni Hjörvar (bass), Freddie Cowan (guitar) and Pete Robertson (drums)
Album: What Did You Expect from the Vaccines?
For Fans Of: The Strokes, The Ramones, Interpol
Guitar rock is still alive and well in the U.K., with a new quartet of kids stirring things up in the British press every other week. This particular version hasn’t reinvented rock ’n’ roll, but they’ve sure kept it entertaining. Justin Young and Freddie Cowan started making music together about a year and a half ago, but it wasn’t until May of last year that the rhythm section came into place. A driving minute-and-a-half single “Wreckin’ Bar (Ra Ra Ra),” an appearance on Jools Holland and a record deal with Columbia later, and they’re poised to stir things up on this side of the pond, too.—Josh Jackson
8. The Joy Formidable
Hometown: North Wales, U.K.
Band Members: Ritzy Bryan, Rhydian Dafydd, Matt Thomas
Album: The Big Roar
For Fans Of: Editors, Mew, Evanescence
The Big Roar couldn’t be a more aptly titled debut for The Joy Formidable. The album’s first song “The Everchanging Spectrum of a Lie” is such a tidal wave of crashing drums, heavy guitar and lead singer Ritzy Bryan’s harsh/soft vocals, that it’s exhausting by the time it’s over. Joy Formidable sounds like a band made for large arenas and even larger crowds. Fittingly, Foo Fighters chose them for their arena-packing tour this year, and after with their sound evoking Metric and the best of ’90s-era rock, it’s hard to imagine any stadium not left a little shaken even before Dave Grohl and co. took the stage.
The Big Roar never relents, with standout tracks like “Whirring” and the album’s perfect closer “The Greatest Light is the Greatest Shade.” Bryan’s vocals and the intense instrumentation blend beautifully throughout. The album would be great to utilize more of Dafydd, possibly giving the band a bit of an The xx feel, but we can always hope for the follow-up. The Joy Formidable create a sound that is uniquely their own, but nostalgic for rock of the past. If The Joy Formidable keeps making releases like this, they’ll be headlining those same venues soon enough.—Ross Bonaime
Hometown: Denton, Texas
Band Members: Trenton Wheeler, Nathan Allen, Aaron Stoner, Chelsea Bohrer, Chris Semmelbeck
Album: This Is Where We Are
For Fans Of: Mumford & Sons, Toad the Wet Sprocket, Bruce Cockburn
The Denton, Texas, house where singer/banjoist/accordionist Trenton Wheeler, guitarist/banjoist Nathan Allen and bassist/cellist/trumpeter Aaron Stoner live also serves as Seryn’s studio, writing and rehearsal space. As highlighted by all those slashes, everyone in the band plays multiple instruments and sings along, which has come in handy in Denton’s thriving music community, where friends often jump up on stage with one another.
“It’s still like a small town, but everyone plays music,” Allen says. “There’s so much going on, and it’s not commercialized. There’s a pizza place in town where you can just go up to the counter, grab the calendar and write your name down on a date, and you’re playing a show there that day. So, you can play in front of people, and invite your friends, and kind of have a chance to make god-awful music in front of people enough times that you start figuring out what’s not god-awful.”
Seryn’s live presence—with each member swapping instruments and all five singing choruses at the top of their lung—can best be described as “joyful,” causing Paste to name their performance the best of this year’s SXSW and their song “We Will All Be Changed” one of the Best of 2011 (So Far).
“It’s so much fun, especially in the writing process when we’re picking up everything from some piano, kalimbas to clarinets and trombones and harmonicas,” says Wheeler. “Our studio and where we rehearse, it’s kind of like a middle school band hall. It’s just got a little bit of everything from the kiddie shakers and tambourines to what you would hear in concert bands and then random things like pump organs. In our living room, we actually have a marimba, a piano, a vibraphone, and I think five organs, half of which are working.”—Josh Jackson
6. Sallie Ford and the Sound Outside
Hometown: Portland, Ore.
Band Members: Sallie Ford, Jeff Munger, Ford Tennis, Tyler Tornfelt
Album: Dirty Radio
For Fans Of: Those Darlins, Buck Owens, The Cramps
isn’t content with the state of modern music. If this isn’t clear from the hints of Etta James and others greats who came before her, Ford comes right out and says so in the opening track of Dirty Radio. “When I turn on the radio, it all sounds the same,” she laments in the first line of “I Swear.” “What have these people done to music? I just don’t care anymore.”
Ford sounds almost exasperated with the situation as she huffs and puffs her way through the song, and her solution to this quandary seems to be to take a look through her mom’s record collection. But rather than simply imitating her diverse influences, Sallie Ford & The Sound Outside decided to take a little bit of Bessie Smith and mix it with a dash of Tom Waits. The result is a delicious goulash of rockabilly and blues with just enough punk attitude to separate Ford’s sound from all the other homage-rock bands out there.—Wyndham Wyeth
Our Best New Artist considerations are a little different than the Grammys so you won’t see Bon Iver. You also won’t see artists that broke bigger this year but have been covered in Paste before (like Cults, Givers, tUnE-yArDs, Reptar, Yuck and Lord Huron—some of whom were named among our Best New Bands of 2010). You won’t even see new bands made up of already established musicians (sorry Middle Brother, Wild Flag and Mister Heavenly) or solo artists (who’ll be getting their own list next week). What you will find is some great music from some exciting young bands that were brand new to us this year. Here are the 20 Best New Bands of 2011.
5. The Head and the Heart
Hometown: Seattle, Washington
Album: The Head and the Heart
Members: Jonathan Russell (guitar, vocals), Josiah Johnson (guitar, vocals), Charity Rose Thielen (violin, vocals), Tyler Williams (drums), Chris Zasche (bass), Kenny Hensley (piano)
For Fans Of: Fleet Foxes, Midlake, Mumford & Sons
The Head and the Heart had already sold 10,000 copies of their independent debut when Sub Pop signed the group last November. They’d also opened for Vampire Weekend, played two sold-out shows with Dave Matthews, earned props from NPR and become the toast of Seattle’s indie folk scene. Not bad for a group whose full lineup didn’t come together until January 2010.
Scruffily handsome folkies are a dime a dozen in Seattle. What differentiates The Head and the Heart from the rest of the flannel-wearing pack, beyond the band’s unnaturally speedy climb from dive bars to an upcoming mainstage spot at Sasquatch, is its penchant for mixing rootsy Americana with orchestral, chest-swelling chamber-pop. Violin and piano help elevate the songs beyond their earthy origins, and three-part harmonies—anchored by co-frontmen Josiah Johnson and Jonathan Russell, and boosted by the Cat-Power-gone-Appalachian crooning of violinist Charity Rose Thielen—sweeten the deal.—Andrew Leahey
Hometown: Portland, Ore.
Members: Kyle Morton (vocals, guitar), Toby Yuuki Tanabe (bass, vocals), Tyler Allen Ferrin (trumpet, vocals), Devin Gallagher (percussion, glockenspiel, vocals), David Patrick Hall (guitar, vocals), Nora Zimmerly (percussion, toy piano, vocals), Alex Fitch (drums/vocals), Pieter Larsson Hilton (drums, vocals), Ryan McAlpin (trumpet, vocals), Jen Hufnagel (violin, vocals), Shannon Rose Steele (violin, vocals), Samantha Kushnick (cello), Eric Stipe (trumpet, vocals)
Album: A New Kind of House
For Fans Of: Sufjan Stevens, Lost in the Trees, Elbow
After garnering attention for an EP that came out this spring, A New Kind of House, the Portland band is starting to find stages all 13 members can actually fit on, including the one on the set of Late Night With David Letterman. It’s been a long road to get here, though. Morton and Tenobe have known each other since they were kids in Salem, Ore., and were part of the original Typhoon record in 2005 before the band went on hiatus a couple years later. “There was too much pressure, and it wasn’t really working,” Morton says. “There were a lot of interpersonal problems. We didn’t know what direction we were going in. We didn’t really even know who was writing the songs.”
The band reformed last year with new members from the Portland music community, several of whom had been Typhoon fans before joining. One of the most compelling things about Typhoon is the contrast between Morton’s darker lyrics and the triumphant music made by his bandmates. In general it’s the fun of having a dozen other members to play music with that keeps each musician going. It’s certainly not the money.
“We’re basically breaking even, if that,” says Morton. “With so many people, I don’t think anyone can ever accuse us of selling out, as long as we split the shares evenly—we’re splitting everything 14 ways.”—Josh Jackson
3. The Civil Wars
Hometown: Santa Cruz, Calif./Florence, Ala.
Members: Joy Williams and John Paul White
Album: Barton Hollow
For Fans Of: The Swell Season, Buddy & Julie Miller, Ray LaMontagne
Their name may indicate otherwise, but internal discord has never been a problem for The Civil Wars. When they’re not cracking jokes or singing each other’s praises, Joy Williams and John Paul White are crafting striking harmonies even Abe Lincoln and Jefferson Davis would agree upon.
The pair—whose full-length debut Barton Hollow entered at #12 on the Billboard chart—may seem like a bit of an odd couple on paper. Williams is a chatty California native, originally hailing from Santa Cruz. White, who calls Alabama home and by his own admission is not quite comfortable with the spotlight, is talking to us while in line at an Ace Hardware.
However, they’ve managed to mix their styles together to create a sound unique to both of them. “I love the blend of what has happened, that I am collaborating very much with a Southern gentleman,” Williams says, adding, “If we hadn’t been in that same room together, there would have been no way we’d written what we’d written.”—Bonnie Stiernberg
2. Dale Earnhardt Jr. Jr.
Band Members: Daniel Zott, Joshua Epstein
Album: It’s a Corporate World
For Fans Of: Surfer Blood, The Long Winters, Of Montreal
The first words associated with Dale Earnhardt Jr. Jr. aren’t lyrics, but sponsors. Cheerios, Lysol, Hamburger Helper, Mac Tools, Ford, Good Year—these corporate names decorate the band’s signature attire, like a gimmick employed by a buzz band using cheap tricks to gain attention.
Detroit-based musicians Joshua Epstein and Daniel Zott know this. They know their name is a misdirection from their thoughtful lyrics and carefully crafted melodies. Their lighthearted schtick and goofy aesthetic are distraction by design; the Michigan duo wanted to say everything with their music. “I think it’s cool that people can hear our name and then be forced to just judge us on our music because it doesn’t sound anything like what we thought it was going to sound like.” Epstein says.
The project arose from a chance encounter of two veteran musicians, both of whom had settled into a steady groove as established local artists. Zott fronted The Great Fiction, while Epstein led a band called silent Silent Years. “I think between the two of us, we’ve probably put out like 15 albums before putting out Dale Earnhardt Jr. Jr. stuff,” Epstein says.
But all the direct heartfelt moments and sardonic societal observations come from the same place. Their humor serves their earnestness, instead of detracting from it. Ultimately, Epstein and Zott tread the rare middle ground of writing serious music without always having a serious attitude. They remind us that it’s all right to be loose in an uptight existence, to remain cool in a corporate world.—Max Blau
1. Alabama Shakes
Hometown: Athens, Ala.
Members: Brittany Howard, Heath Fogg, Zac Cockrell, Steve Johnson
Album: Alabama Shakes EP
For fans of: Janis Joplin, Sharon Jones, Led Zeppelin, Otis Redding
To call the ascent of The Alabama Shakes meteoric might be a little hyberbolic, so let’s just stick to the facts: Two months ago, they set CMJ abuzz, their name on the lips of seemingly every journalist, publicist and all-around industry type in search of the “next big thing” at the festival. Now, despite having only a four-track EP to their name, the Athens, Ala. group’s song “You Ain’t Alone” can be heard in a Zale’s holiday jewelry commercial. They recently signed to ATO Records. On Feb. 22, they’ll cross the pond and make their London debut. The show is already sold out. In short, it’s a lot for a band whose members held day jobs as recently as a couple of weeks ago.
They’re certainly new to the scene, but give the Alabama Shakes EP a listen or two, and you’ll be convinced that Howard, Johnson, Heath Fogg and Zac Cockrell have been doing this for years—decades even. As our own Josh Jackson wrote when we named them one of our favorite live acts of 2011, “At some point, God decided to take the voices of Janis Joplin, Robert Plant and Tina Turner and roll them all up into the body of Brittany Howard. She also happens to front a band that sounds like it just sprouted fully formed from the clay of Muscle Shoals.”—Bonnie Stiernberg