Classically trained on the piano from the age of 4, and having written more than 2,000 songs since age 8, Gayle was destined to achieve a prestigious musical career no matter how she went about it. Her toolset includes a majestic voice that is delicate enough to accurately portray her penned musings and strong enough to portray the feeling behind those words. She also plays a number of varying instruments, ranging from electric guitar, banjo, ukulele, flute, marimba, organ, mandolin, ocarina, accordion, trumpet, percussion, and many more you’ve probably never heard of. Gayle believes anyone can learn any instrument if they dedicate the time it takes to learning music theory, confirming that even with her exceptional musical ability, it takes time to be great in your craft.
Gayle writes original material about the highs and lows in life with musical inspirations coming from Radiohead, Jeff Buckley, Damien Rice, and other artists who are are bold in their songwriting or elaborate on-stage antics. This has clearly left an impression on her and has opened the door for self-expression to the fullest. Gayle’s talents have attracted other top-tier musicians who enjoy touring or recording with her, as she has opened for the likes of Jason Mraz, Lisa Loeb, Steve Martin, Sean and Sara Watkins, Sam Phillips, Coeur d’Pirate, and many others and has recorded with such artists as The Softlightes, Bushwalla, Jason Mraz and Tyrone Wells.
Her impressive music career is an outlet to express the different stories that come from a tumultuous life, an experience that she finds personally fulfilling. It has led her to winning multiple awards, from Best Pop in the 2015 San Diego Music Awards, Best Pop Album for “Sleeping Bear” in 2014, and Best Singer-Songwriter in 2013. However, despite her successes, her new album was written as the roadmap of moving on from heartache and loss. Gayle’s first full length vinyl album “The Golden West” (her 20th independent release) was originally planned to be an E.P. but quickly turned into a full-length in 2015 following her extensive touring across the U.S. The personal journey that Gayle went through is beautify captured in the 10-track indie pop album that was recorded in legendary studio Rancho de la Luna in Joshua Tree, Singing Serpent in San Diego, and at Ninkasi Studios—a recording studio built right inside a Eugene, Oregon brewery.
“Eugene has felt like a second, though much weirder, home for the past few years since I have been collaborating with Ninkasi Brewing, so recording at Ninkasi Studios felt super comfortable right from the start,” Gayle said. “It doesn’t get much better than having Ninkasi on tap right outside the studio door, as well as nitro Stumptown coffee for a nice pick-me-up during late night sessions. They have a killer setup there and it was so much fun to work with James Book on the album.”
All the songs on the album make up the story of how she overcame loss, from the opening track’s “Pale Ghosts” that deals with the struggle of letting go of people we’ve lost and feeling afraid to move on to “Beautiful Soul,” a song about falling in love and working up the courage to confess your feelings. As the album flows on, lyrical themes cover topics about leaving the past behind, feeling nostalgic of what was left behind, and the fear of moving forward but having the commitment to journey with a trusted companion.
“I penned the chorus to a song I’d been working on while the sun set on the old mining town of Sonora, California,” Gayle said. “I knew immediately that this would be my single and title track for my upcoming album. The chorus’ lyrics, ‘Let’s bury all we put to rest in the golden west,’ captured the spirit of the record. Since I was contemplating a move to Amsterdam at the time, it seemed only fitting that this album about letting go would be titled after the song that talked directly about leaving California.”
The first song on side B is considered a turning point in the ongoing narrative with the track “How to Let You Go,” which is about getting rid of nostalgic memorabilia that hinder us from taking hold of our future. Following that is “Honey Bee,” a pop song about the first pure happy day after long years of pain with “Moving On” serving as a celebration to completely let go of painful parts of the past. The final two songs, “The Hallows” and “Only Ever You” deal with making peace with the ghosts of the past and finding a different way to look at the painful years in the rear view mirror. Overall, the record was a dissection of a troubling time and the recording of it took its toll on her, though it eventually became a very cathartic experience that saved her perseverance.
“The week before my wedding I was still finishing vocals for the album, which was pretty insane,” Gayle said. “One year, four cities, and four producers later, we finally had an album. Finishing it has been one of the most challenging things I’ve done.”
The album was also released as a full-length vinyl, making the listening of the journey an intimate one.
“It’s been a dream come true for me to release a full-length vinyl album—especially one that comes in all different colours,” Gayle said. “I have always preferred listening to vinyl albums. I know that there is still a lot of debate about the quality of sound on an LP versus a CD and that it’s very subjective. For me, it’s the comfort that comes with the experience, the magic of nostalgia and the familiarity of the crackle that make it extra special. When I was little and dreaming of being a musician, I never imagined that I’d actually get to hear my own album on vinyl.”
--Pump it Up Magazine
Skeletons for songs 1-4 and 6-10 recorded at Ninkasi Studios in Eugene, OR, fueled by the marvelous tap right outside the studio, by the infamous James Book. That means "really famous." More recording and magic for these songs happened at legendary studio Rancho De La Luna in Joshua Tree, CA, and Singing Serpent Studios in San Diego, CA.
Engineered and produced by James Book in Eugene, OR, and Joshua Tree, CA.
Additional engineering by Hayden Scott in Joshua Tree, CA.
"Hourglass," "Only Ever You," "Honey Bee," "Pale Ghosts," and "Beautiful Soul" edited by Ben Moore. Strings for "Pale Ghosts" and "Only Ever You" engineered by Ben Moore. Drums on "Beautiful Soul" edited by Ben Moore in addition to very minimal production on these 5 songs.
Track 5, "Long Way Home," engineered and produced by Phlip Coggins at Amusement Park Recording Studio in Lubbock, TX, in the middle of the night on a whim. Additional production and general spacey goodness by Brandon O'Connell.
All songs edited by Brett Wagner, my high school prom date and a very talented... more
released April 7, 2017
All songs written and performed by Gayle Skidmore.
all rights reserved
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