horror movies Features (1–20 of 240)
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The Lost Years of Horror Movies: 1936-1938 and 1947-1952
By Jim Vorel
August 23, 2019
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Joe Bob Briggs on Modern Horror Movies and Shudder's "The Last Drive-In" Marathon
By Jim Vorel
July 12, 2018
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In We’re All Going to the World’s Fair, Even Our Isolation Is Performative
By Kenneth Lowe
April 15, 2022
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Cabin in the Woods Turns 10: A Benchmark in the Long Love Affair Between Comedy and Horror
By Brooke Knisley
April 13, 2022
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Mark Polonia: The Hardest Working Man in the Bad Movie Business
By Jim Vorel
April 1, 2022
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Mia Goth Is a Stealth Scream Queen
By Brianna Zigler
March 28, 2022
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It’s Time for Scream 6 to Leave its Legacy Characters Behind
By Jim Vorel
March 11, 2022
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Mattie Do and The Long Walk to Laotian Horror
By Jacob Oller
March 9, 2022
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Hellbender Continues Wonder Wheel’s Family Filmmaking Success Story
By Kenneth Lowe
March 1, 2022
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Netflix’s Texas Chainsaw Is the Poster Child of Bad “Requel” Horror
By Jim Vorel
February 22, 2022
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The Texas Chain Saw Massacre Franchise Still Isn’t, Nine Movies In
By Jesse Hassenger
February 18, 2022
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Why Scream 3 Is the Franchise's Best
By Kyle Turner
February 7, 2022
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Daniel Isn't Real Is Horror's Best Borderline Personality Disorder Allegory
By Lauren Milici
January 11, 2022
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Woodlands Dark and Days Bewitched Is a World Tour of Folk Horror
By Kenneth Lowe
January 10, 2022
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The Devil Inside's Ending Remains a Laughable, Misinformed Milestone in Multimedia
By Matt Donato
January 6, 2022
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40 Years Later, Possession Is Recut, Restored, and Ready for Its Horror Audience
By Andy Crump
October 30, 2021
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ABCs of Horror 2: "Z" Is for Zodiac (2007)
By Jim Vorel
October 28, 2021
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ABCs of Horror 2: "Y" Is for Young Frankenstein (1974)
By Jim Vorel
October 27, 2021
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Thirteen Ghosts Thrives as a Trashy Early Aughts Talisman
By Natalia Keogan
October 26, 2021
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ABCs of Horror 2: "X" Is for X: The Man with the X-ray Eyes (1963)
By Jim Vorel
October 26, 2021