netflix Features (281–300 of 325)
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Why Narcos is Better off Without Pablo Escobar
By Brogan Morris
September 16, 2016
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That's Enough, Narcos
By Bonnie Stiernberg
September 12, 2016
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From Sequel to Saga: Stranger Things Season Two Needs to Play the Long Game
By Zach Blumenfeld
September 4, 2016
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Back to School Tech: Dorm Room Essentials
By Luke Larsen
August 29, 2016
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4 TV Shows "Doing" Feminism In Unexpected Ways
By Shannon M. Houston
August 14, 2016
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How The Female Characters of Stranger Things Reveal Its Bigger Problems
By Michael Snydel
August 4, 2016
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How Orange is the New Black 's Laura Gómez Became the Leader of Litchfield's Revolution
By Matt Brennan
July 28, 2016
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Eerie Cries from the Upside Down: The Remarkable Stranger Things Finale
By Roxanne Sancto
July 25, 2016
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Does It Matter that Stranger Things Lacks Original Ideas?
By Brogan Morris
July 21, 2016
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Lions, Tigers, Wind and Rain: Too Much Good TV at SeriesFest Season Two
By Mark Rabinowitz
July 11, 2016
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How Orange Is The New Black Used, and Then Failed the Black Lives Matter Movement
By Shannon M. Houston
July 5, 2016
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Cillian Murphy of Peaky Blinders is Giving the Best Performance on TV Right Now
By Brogan Morris
June 20, 2016
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Orange is the New Black is a Study in Why Black/White "Diversity" Is Not Enough
By Shannon M. Houston
June 20, 2016
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Lea DeLaria Talks Orange is the New Black and Dismantling Gay Tokenism
By Niki Cruz
June 17, 2016
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Pee-Wee Herman and Culinary Bravery
By Garin Pirnia
June 2, 2016
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Lady Dynamite : Maria Bamford’s Comedy of Recovery
By Seth Simons
May 19, 2016
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Drugs, Violence, Politics: Marseille Isn't the French Narcos , But It's Still Good TV
By Shannon M. Houston
May 9, 2016
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Ali Wong Doesn’t Want To Work Anymore
By Seth Simons
May 6, 2016
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Lucky Man: Flaked ’s David Sullivan on the Venice-Based Dramedy
By Mark Rozeman
April 8, 2016
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Devil’s in the Details: Daredevil Composer John Paesano on Scoring Hell’s Kitchen
By Mark Rozeman
April 6, 2016