Kai Barry, Ian Shorr, and Toby WilkinsCinematographer:
Shea Whigham, Paolo Costanzo, and Jill WagnerStudio/Run Time:
Magnet Releasing, 82 mins.Splinter begins
with a strong, though bordering on cliché, hook.
Two (naturally, young) people driving from a campsite spot a woman in the
road and are soon carjacked by her hick cohort.
When forced to drive away, they hit and kill something monstrous in the
road, quickly combining both the “something’s in the woods” theme with the less
politically correct but frequently more frightening “rednecks are serial
From here, though, the
film becomes less interesting, as the cast ends up locked into a gas station, fighting
to escape the monster.
If Splinter incorporates a
third type of horror film, it’s the zombie movie. Whenever the monster strikes someone with its
quills (which, incidentally, should’ve been the title for the movie: Quills), the victim becomes a creature as well. The film especially emulates the disembodied hand concept of Evil Dead II: Dead by Dawn, and with
some good reason. For how low-budget the
production clearly is, the design on the monster is inspired and doesn’t look
like anything else out there. This is
about the only aspect of Splinter that stands out, though, with little else
separating the film from its countless predecessors.
Toby Wilkins draws strong performances out of his cast, but with
the constraints of the script, his actors are only slightly more memorable than the
typical band of horror-movie victims. Likewise,
actions sequences are coherent and well-conceived. It’s only Splinter’s contentment with wallowing in its genre that makes the
feature a disappointment. While there’s a
strong element of craft at work, its ambition is to be a typical monster movie
based around a gas station. What
separates it from its peers isn’t anything new or stunning, just that it lacks
the egregious errors that plague so many second-tier horror movies.
At the end of its taut 82 minutes, Splinter feels less like an accomplished feature than a student
film. Wilkins can be proud of how
proficient the product is, but the lack of innovation is truly a downfall for movies like this. Fans hoping for a substantial
work are left with no real statement or vision, while horror aficionados have
already seen this film a dozen times before.
Watch the trailer for Splinter: