TV Features

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Netflix's Siempre Bruja Is Frothy, Fun and Entirely Too Facile for 2019 By Alexis Gunderson February 12, 2019 | 9:00am
Big Mouth’s Valentine’s Day Special Is a Devastating Portrait of Toxic Masculinity By Jim Vorel February 11, 2019 | 11:00am
HBO Asia's Folklore Returns the Fairy Tale to Its Horror Roots By Jacob Oller February 7, 2019 | 1:00pm
How Schitt's Creek Built TV's Most Relatable Romance By Matt Brennan February 7, 2019 | 9:00am
Why Does Netflix's Tidying Up with Marie Kondo Provoke Such Strong Reactions? By Matt Brennan February 6, 2019 | 10:50am
Sundance: Nick Hornby and Chris O'Dowd on Their "Heartbreaking" Short-Form Series State of the Union By Manuel Betancourt February 5, 2019 | 9:00am
Sundance: Now Apocalypse Creators Gregg Araki and Karley Sciortino on Their "Queer Sex in the City Meets Twin Peaks" By Manuel Betancourt February 4, 2019 | 10:00am
How Andi Mack Landed A Quiet Place Breakout Millicent Simmonds' First Time Speaking on Camera By Alexis Gunderson February 1, 2019 | 1:00pm
Why Are Sarah Phelps' Adaptations of Agatha Christie So Bewilderingly Bad? By Amy Glynn January 31, 2019 | 1:00pm
If You Love Game of Thrones or The Walking Dead, Netflix's Zombie Period Piece, Kingdom, Does Them One Better By Jacob Oller January 29, 2019 | 9:00am
True Detective and the Crisis of "True Crime" By Matt Brennan January 25, 2019 | 1:15pm
Pandemonium! In Season Three, The Good Place Discovered the Exhilaration and Exhaustion of Storytelling at Full Tilt By Alexis Gunderson January 25, 2019 | 10:30am
Why Black Dahlia Victim Elizabeth Short Deserves Better Than the Hollywood Treatment By Whitney Friedlander January 24, 2019 | 1:00pm
This Is Us Analyzing This Is Us: The Glaring Problem with That Vietnam War Storyline By Amy Amatangelo January 23, 2019 | 1:25pm
The Masked Singer, Temptation Island, and the Return of Early 2000s Reality TV By LaToya Ferguson January 23, 2019 | 9:00am
Meet Eris Baker, the Young Actress Behind the Big Coming-Out Arc on This Is Us By Amy Amatangelo January 22, 2019 | 2:00pm
What the End of Netflix's A Series of Unfortunate Events Misunderstands About the Novels By Amy Glynn January 22, 2019 | 9:00am
The Vampiric Appeal of Matthew Goode By Matt Brennan January 16, 2019 | 1:30pm
How Syfy's Deadly Class and YouTube's Wayne Update John Hughes for Our Mad-As-Hell Moment By Alexis Gunderson January 16, 2019 | 9:00am
Fyre Fraud Offers a Depth of Insight into Billy McFarland, the Patron Saint of Millennial Con Men By Jim Vorel January 15, 2019 | 12:30pm
Why Is It So Hard for Film and TV to Get Silicon Valley Right? By Matt Brennan January 11, 2019 | 12:00pm

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