A little too pure
The Pains of Being Pure at Heart is named after an unpublished children’s book. A track on their debut was titled “Young Adult Friction.” Their latest album, Belong, features an Anne of Green Gables reference (“Anne with an E”). The Brooklyn quartet is twee-er than hand-knitted leg warmers, but their music is strong, which covers a multitude of cutesy sins.
With tight guitar/bass hooks, vocal harmonies and production from Flood (Depeche Mode, Nine Inch Nails, Smashing Pumpkins), Belong is a big, melodic sound blast. Bits of lyric float audibly between string crashes—“she was the heart in your heartbreak,” “take your sweater off,” “even in dreams, I will not betray you”—but most of Kip Berman’s verses are lost to the resonant riffs. This isn’t necessarily a bad thing on first listen—the intricate guitar rock is rousing enough on its own—but after a few replays, all the tracks blend into one long verse-chorus-verse. Belong is pleasant enough, but with Heart’s almost-too-sweet-persona and faint lyrics, its second offering isn’t compelling enough to be compared with their super-producer’s other greats.

who cares what other album's flood produced? the smashing pumpkins were/are an overrated band for the most part even though they had some memorable, classic songs.
the pains have always said that what they are doing is nothing unique or groundbreaking, and they just want to create great catchy pop tunes. . .mission accomplished.
i think the album is great, not perfect but a great album that will be remembered years from now as one of the better dream albums of the 2000's noise pop revival