Physical Specimens: New 4k Reviews, Including Killer of Sheep, Across 110th Street, and More

Physical Specimens: New 4k Reviews, Including Killer of Sheep, Across 110th Street, and More
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This week in Physical Specimens, our biweekly round-up of new physical media and 4K reviews, we catch up with some of May’s best new 4K UHD releases, including a box set of Blaxploitation favorites and the most prominent release yet of a genuine American masterpiece.

Killer of Sheep

4K reviews Killer of Sheep

The biggest home media story of May was Criterion’s release of Charles Burnett’s excellent (and once very hard to see) film Killer of Sheep, which arrived on May 27 in both 4K and Blu-ray editions. Long unavailable due to music licensing issues, Killer of Sheep is a document of a specific time and place dealing with timeless struggles and desires. Henry G. Sanders plays an underpaid slaughterhouse worker in Watts in the ‘70s, breaking his body working long hours to make barely enough money to support his family. Stan can’t sleep but never feels fully awake, and Burnett follows him, his family, and his friends and neighbors through a number of short vignettes. Burnett’s unsentimental, slice-of-life look at working class Black America avoids flash and melodrama, with believable, transfixingly human performances by its largely amateur cast, and a particular facility for capturing the private world of children. It’s a masterful film that matches Bresson in its minimalism and laser-focused attention to detail and evokes Altman in how it lets us eavesdrop unhurriedly upon its natural, fully realized world. Killer of Sheep is fiction with the power of documentary, and a true classic that’s now more accessible than it’s ever been. 

Killer of Sheep
Original Release: 1978
Director: Charles Burnett
Format: 4K UHD Blu-ray
Label: Criterion
Release Date: May 27, 2025





Blaxploitation Classics, Vol. 1 (Across 110th Street / Black Caesar / Hell Up in Harlem / Coffy / Sheba, Baby / Truck Turner)

4K Reviews Blaxploitation Classics Vol. 1

Shout Factory’s one-stop Blaxploitation starter pack bundles 4K restorations of UA’s Across 110th Street with five films from American International Pictures, one of the biggest producers of the genre. As with any collection, it’s very hit-or-miss. As the one non-AIP movie, Across 110th Street is a bit of an outlier; it’s not quite as sensationalistic as the others, and its violence is grittier, uglier, and heavier. The empathy it shows for its criminals and its forthright depiction of racist cops (including producer Anthony Quinn’s aging captain) became standard themes in Blaxploitation. It doesn’t celebrate those criminals, though, and in Yaphet Kotto’s new detective lieutenant it sees the police force as a redeemable institution. AIP’s movies immediately veer in a different direction, with Larry Cohen’s Black Caesar making Fred Williamson’s Harlem crime lord look like the coolest, smoothest, best-dressed superhero ever; James Brown’s original songs help with that, obviously. Cohen’s skewed sense of humor regularly pops up in Black Caesar’s quick-and-dirty—and only occasionally ludicrous—story of the rise and fall of Tommy Gibbs. It makes Gibbs sympathetic by depicting the cops not just as racist but as bigger criminals than Gibbs himself, who becomes a hero to his fellow native Harlemites. A scene where Gibbs’ men effortlessly massacre a pool party full of dozens of Italians is exactly what you expect from a Cohen movie—ridiculous, funny, subversive, and just plain cool as hell. That scene is improbably improved upon in the rushed sequel Hell Up in Harlem, which came out mere months after Black Caesar and totally feels it; in Harlem’s one truly great scene, Gibbs and crew scuba dive to another mob boss’s Miami home, and then slaughter them with the help of two gun-toting old ladies masquerading as the help. Sadly Harlem is otherwise a disjointed, slapdash affair that’s barely connected to the original; Edwin Starr’s music can’t compare to Brown’s, either. Next up is Coffy, where Pam Grier’s nurse-turned-vigilante allows herself to be routinely objectified while trying to take down the men who turned her community into a violent, drug-addled mess. Grier’s starpower is undeniable but Coffy is an uncomfortable watch that tries to dress its titillation up with fake empowerment. Sid Haig, Allan Arbus, and Booker Bradshaw make for an entertaining trio of stylish villains, though. Grier also stars in Sheba, Baby, which isn’t as violent as Coffy, and ditches the coastal metropolises for Louisville, Kentucky, which makes it stand out from other works in the genre. Too bad it’s a dull, sloppy misfire. And finally there’s Truck Turner, the best movie in this set and one of the best of the entire genre. Isaac Hayes plays Turner, a former football star turned put-upon bounty hunter just barely scraping by; a bail jumping pimp dies during a pursuit, and his madam (an astounding Nichelle Nichols, relishing every single line) puts a hit out on Turner. Matching Nichols’ gleeful villainy every step of the way is Kotto, playing the flamboyant but steely pimp Harvard Blue, in a role requiring an entirely different skill set than his turn in Across 110th Street. It’s Hayes’ picture, though, and Truck Turner isn’t a typical Blaxploitation hero; despite his imposing presence, he’s a bit of a schlub, a working class guy whose clothes smell like cat piss and gets beat up almost as badly as the guys he’s fighting. Truck Turner is smart, fun, and genuinely hilarious, with inventive action scenes and the ability to make violence feel both comical and, when necessary, truly tragic. If you see one movie from this box, make it Truck Turner; don’t pass up Black Caesar or Across 110th Street, though.

Across 110th Street
Original Release: 1972
Director: Barry Shear

Black Caesar
Original Release: 1973
Director: Larry Cohen

Hell Up in Harlem
Original Release: 1973
Director: Larry Cohen

Coffy
Original Release: 1973
Director: Jack Hill

Sheba, Baby
Original Release: 1975
Director: William Girdler

Truck Turner
Original Release: 1974
Director: Jonathan Kaplan

Format: 4K UHD Blu-ray
Label: Shout Factory
Release Date: May 20, 2025



Vice Squad

4K reviews Vice Squad

One man’s trash is another man’s treasure, and all that, but it’s hard to imagine who would want to rescue Vice Squad from the county dump. Gary Sherman’s ‘82 crime flick is unrepentant sleaze, a deeply unpleasant sewer dive driven almost entirely by sexual violence. Despite his character’s one-note misogyny and cartoonish villainy, Wings Hauser is perversely charismatic as the psychopath Ramrod, a pimp who prowls Hollywood in tacky Western wear and a Ford Bronco with his nickname emblazoned on the spare tire cover—two affectations that make him look like a failed country singer. (He also kind of looks like pro wrestler Sting when he takes the face paint off.) He has a tendency to beat his prostitutes to death, including Ginger (played by original MTV VJ Nina Blackwood), whose death incites friend and fellow sex worker Princess (Season Hubley) to take Ramrod down, with the help of cynical vice detective Tom Walsh (Gary Swanson). Hubley had experience breathing life into a thankless role as a prostitute from her excellent turn in Paul Schrader’s Hardcore, and her performance, along with Hauser’s, is the best thing about Vice Squad. Weirdly enough, this trash ultimately treats Hubley’s character with more respect than Hardcore does, even though it turns her into a victim of some unnecessarily voyeuristic violence in the last act, and despite Schrader’s movie being a far better one. Exploitation can be fun and funny, and it should feel like everybody’s getting away with something, and that’s all lacking in Vice Squad, a cheap, ugly, sordid film that still somehow developed a cult following. They’ll probably be glad it’s in 4K now, I guess.

Vice Squad
Original Release: 1982
Director: Gary Sherman
Format: 4K UHD Blu-ray
Label: Kino Lorber
Release Date: May 13, 2025



Prophecy

John Frankenheimer’s eco-minded creature feature came out just over two years after the Love Canal environmental disaster was discovered, which no doubt influenced this unique sci-fi horror film. A Native American tribe in Maine is embroiled in an increasingly violent dispute with a logging company determined to destroy their ancestral forest. The EPA sends scientist Robert Foxworth to study the project’s ecological impact; his classical cellist wife Talia Shire comes with him, hiding the fact that she’s pregnant from her avowedly anti-child-having husband. Meanwhile, loggers are going missing, and they blame the local indigenous population (whose activist leader is played by, uh, Italian-Irish-American Armand Assante), who claims to have nothing to do with the disappearances, blaming them on a mythical spirit who protects the land. Let’s just say they’re both wrong, and add that mixing bears with toxic waste isn’t the smartest idea. It’s sad that an almost 50-year-old movie could be considered too “woke” today, but that would happen with Prophecy, whose sympathetic leads are a government scientist dedicated to stopping large companies from harming the environment and an indigenous political activist. Politics and issues take a backseat to good old fashioned mauling during the third act, when grotesque mutant bears start tearing through a small group of survivors one by one. Prophecy doesn’t really say much about the issues it raises, other than a perfunctory “harming the environment is bad,” but it at least has a little something to hang its story on besides just random wanton violence. The creature models are appropriately disgusting, and come off even better today, after a few decades of CGI supplanting these kinds of practical effects. And the opening moments, when an emergency rescue squad searches the forest at night, their flashlights the only thing cutting through the dark, act like a darker, more sinister predecessor to E..T.’s infamously ominous flashlights. 

Prophecy

Original Release: 1979
Director: John Frankenheimer
Format: 4K UHD Blu-ray
Label: Kino Lorber
Release Date: May 20, 2025

 



Notable Recent and Upcoming 4K Releases

Bolded titles are recommended.

June 3, 2025

Brazil, 1985, Criterion
Bring Me the Head of Alfredo Garcia, 1974, Shout Factory
Dirty Work, 1998, Vinegar Syndrome
Freaky Tales, 2024, Lionsgate
The Golden Child, 1986, Vinegar Syndrome
Jade, 1995, Vinegar Syndrome
Mishima: A Life in Four Chapters, 1985, Criterion
Monkey Shines, 1988, Shout Factory
Naked Came the Stranger, 1975, Vinegar Syndrome
When Evil Lurks, 2023, Shudder

June 10, 2025

11 Rebels, 2024, Well Go USA
Air America steelbook, 1990, Lionsgate
The Dead Zone steelbook, 1983, Shout Factory
Dr. Jekyll and the Werewolf, 1972, Mondo Macabro
Drop, 2025, Universal
Gwen and the Book of Sand, 1985, Deaf Crocodile Films
Lord of Illusions, 1995, Shout Factory
The Return of the Living Dead, 1985, Shout Factory 
Sean Connery 007 James Bond Collection, 1962-1971, Warner Bros.
Swordfish, 2001, Arrow Video
When Titans Ruled the Earth, 2010-2012, Arrow Video
The Wiz, 1978, Criterion
A Working Man, 2025, Warner Bros.

June 17, 2025
DeepStar Six, 1989, Kino Lorber
Jaws 50th Anniversary, 1975, Universal
Jurassic Park Trilogy, 1993-2001, Universal
Jurassic World Trilogy, 2015-2022, Universal
Sabrina, 1954, Kino Lorber
The Way of the Gun steelbook, 2000, Lionsgate

June 24, 2025

Arbor Day, 1990, Terror Vision
Bring It On, 2000, Shout Factory
Daleks’ Invasion Earth: 2150 A. D., 1966, Severin
Dark City, 1998, Arrow
Dr. Who and the Daleks, 1965, Severin
Eaten Alive!, 1980, Severin
Fascination, 1979, Powerhouse
The Gentle Gunman, 1952, Powerhouse
High Society, 1956, Warner Bros.
I Know What You Did Last Summer, 1997, Sony
Jack the Ripper, 1959, Severin
JFK, 1991, Shout Factory
Last Cannibal World, 1977, Severin
Lethal Weapon, 1987, Warner Bros.
Longlegs steelbook, 2024, Decal Releasing
The Monkey, 2025, Decal Releasing
A Minecraft Movie, 2025, Warner Bros.
MouseHunt, 1997, Kino Lorber
Novocaine, 2025, Paramount
Palindromes, 2004, Radiance
The Peacemaker, 1997, Kino Lorber
Road Trip, 2000, Kino Lorber
St. Elmo’s Fire, 1985, Sony
The Ship That Died of Shame, 1955, Powerhouse
The Shiver of the Vampires, 1971, Powerhouse
Slave of the Cannibal God, 1978, Severin
Snow White, 2025, Disney / Buena Vista
Sorcerer, 1977, Criterion
Thirty Two Short Films About Glenn Gould, 1993, Criterion
Total Extermination: The Peter Cushing Doctor Who Collection, 1965-1966, Severin Films


Senior editor Garrett Martin writes about videogames, TV, travel, theme parks, wrestling, music, and more. You can also find him on Blue Sky.


 
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