Physical Specimens: New 4K Reviews, Including Anora, Brimstone & Treacle, and More

Physical Specimens: New 4K Reviews, Including Anora, Brimstone & Treacle, and More

This week in Physical Specimens, our biweekly round-up of new physical media and 4K reviews, we assess new 4K UHD releases of the most recent Best Picture winner, a John Wayne World War II classic, and a cult British film that features the musician Sting’s best acting performance.

Anora

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Mikey Madison more than earned that Oscar. She dominates Anora from its opening moment with a powerful, supremely confident performance as a sex worker who marries the young son of a Russian oligarch, and is almost immediately threatened into an annulment by his vaguely criminal family. Madison’s so good and so fully committed to the role, and the pacing so tense and reckless, that it’s almost easy to overlook how Anora the character has very little agency throughout. She marries the callow and spoiled Vanya (Mark Eydelshteyn, with another one of the movie’s many great performances) on his sudden party-fueled whim mostly because of his money, leaving her job and moving into his large, soulless mansion where the sum total of their relationship seems to be partying, having sex, and Anora watching Vanya play videogames. Once his family learns of the marriage and sends Vanya’s America-based godfather to take care of everything, Anora becomes an unwilling captive of both the goons who watch after Vanya and the movie’s plot. The bulk of the film is as loud and unrelentingly stressful as Uncut Gems, and between the constant shrieking and occasional outbursts of (sometimes cartoonish) violence Anora becomes a bit of a roller coaster, albeit one built on starkly drawn characters and actual emotion. 

Sean Baker’s movie is tricky. It’s simultaneously funny, sad, and exciting, shot with Baker’s typical leanness and naturalism, and with Madison’s show-stopping role contrasted by an understatedly powerful performance from Yura Borisov as a deeper-than-he-seems hired goon. It subverts standard rom-com expectations throughout, while remaining in obvious conversation with them. It’s also received understandable criticism over Anora’s perceived lack of control and depth—how her focus remains on money throughout, and how she ultimately has almost no power against Vanya’s impossibly wealthy family. How much power could a working-class woman from Brighton Beach have against billionaires, though? The final scene, when Anora’s default mode of defiant, “fuck you” confidence slides and she shows true emotion for the first time, immediately after offering sex as a transactional “thank you” to another character, can be read in a myriad of ways, both positively and negatively. It’s tempting to call it a kind of Rorschach test for how the viewer feels about sex work. It’s also a devastating moment that highlights Anora’s general lack of power despite her unflaggingly strong-willed exterior.

This typically top-notch Criterion set offers a beautiful 4K master with 5.1 DTS-HD surround sound, and has all the bonus features you’d expect, from commentary tracks with Baker and the cast, to deleted scenes and a making-of doc, to smart essays by Kier-La Janisse and Dennis Lim. Unfortunately it also sports a misguided new cover that pointlessly references Vampyros Lesbos and comes off as shameless fanservice for film nerds. (Also, anybody who feels that Anora is less interested in its heroine as a person than as a sexual commodity will see this cover as extra proof.) Otherwise this is yet another great Criterion release of a zeitgeist-y movie that is one of the very few to win both the Palme d’Or at Cannes and Best Picture at the Oscars.

Anora
Original Release: 2024
Director: Sean Baker
Format: 4K UHD Blu-ray
Label: Criterion
Release Date: April 29, 2025





Sands of Iwo Jima

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That John Wayne really could act. Who knew? When the Duke wasn’t too busy serving as a rock-ribbed defender of traditional masculinity and conservative values, he could turn in genuinely deep and moving performances, and few are better than the one he delivers in Allan Dwan’s Sands of Iwo Jima. His turn as a drop-dead drunk Marine drill sergeant abandoned by his wife and son and despised by his own men lets him be both tough and sensitive, a true loser who revels in whiskey-soaked self-loathing when he’s not taking his frustration out on his squad. Wayne’s so good that the rest of the (likable, entirely competent) cast feel like vaguely sketched and indifferently acted stock types in comparison. (The one exception is Forrest Tucker, F Troop’s resident con man Sgt. O’Rourke, who cuts a more blustery figure of tough guy masculinity as a boxing champ who blames Wayne’s character for his demotion back to private.) 

Sands of Iwo Jima builds up to the World War II battle’s famous flag-raising moment (recreated here with three of the soldiers in the photograph) by tracking Wayne’s gradual redemption in the eyes of his men. Along the way Dwan executes some genuinely thrilling combat sequences that clearly inspired Spielberg’s Saving Private Ryan. Unsurprisingly there’s a lot of casual racism here—it’s a movie made in the ‘40s about World War II—but it’s undoubtedly realistic to have these soldiers hate and mock the Japanese soldiers they’re killing and being killed by. Wayne’s main external tension—his on-going beef with a college-educated soldier who’s the son of Wayne’s former commanding officer and who resolutely hates war and the soldier mentality—is weightless and resolved far too easily, but his depiction of a hard man who’s harder on himself than anybody else is right up there with his roles in The Searchers and The Man Who Shot Liberty Valence. Watch this one with your dad or grandfather, if you can.

Sands of Iwo Jima
Original Release: 1949
Director: Allan Dwan
Format: 4K UHD Blu-ray
Label: Kino Lorber
Release Date: April 15, 2025



Brimstone & Treacle

new 4k reviews

Richard Loncraine’s supernatural kitchen sink drama stars Sting (the musician, not the wrestler) as a mysterious weirdo creep who might be a devil or an angel or something in-between. He lies his way into the home of a middle-aged couple caring for a mentally incapacitated adult child, and although he builds up to an act of unquestionable evil he does have some amount of positive impact, giving housewife Joan Plowright the confidence and sense of agency she’s sorely lacked since her daughter’s accident. Denholm Elliott, meanwhile, is a less overtly sinister but more relentlessly unlikable and debilitating presence as Plowright’s irritable, philandering husband with a terrible secret: their daughter’s injury was a direct result of her catching him in the act of cheating. 

Dennis Potter’s script is intentionally vague about Sting’s character. He walks, seemingly confused, out of a church at the start of the movie, takes a wrecking ball to Elliott’s life, and, driven by self-interest and with a thorough indifference to the well-being of Plowright and daughter Suzanna Hamilton, inadvertently helps both. Part of Potter’s plot is legitimately sickening—spoiler: Sting revives the daughter from her vegetative state by trying to rape her—and yet it’s Elliott’s patriarch who comes off as the bigger villain, a bitter, hateful cad who doesn’t want his daughter to recover because she can expose his infidelity, and who wants to keep his wife trapped at home as their daughter’s around-the-clock nurse. (Potter’s original play goes further, making Elliott’s character a proudly racist member of Britain’s fascist National Front party.) 

It’s tough to watch, and using sexual abuse as a plot device and a source of healing is deeply unsettling. That’s the point, of course, but it’s a kind of dramatic nuclear option that understandably divides audiences and can come off as flippant and desperate to shock. It can distract from how good the rest of the movie is; it’s a thorny, provocative take on the insensitive selfishness of men, with great acting from all involved (this obsequious con man is Sting’s best performance) and a striking visual aesthetic that’s greatly enhanced by the 4K restoration and HDR color.

Brimstone & Treacle
Original Release: 1982
Director: Richard Loncraine
Format: 4K UHD Blu-ray
Label: Vinegar Syndrome
Release Date: March 25, 2025



Notable Recent and Upcoming 4K Releases

April 29, 2025
Anora, 2024, Criterion
Basquiat, 1996, Criterion
The Beyond, 1981, Grindhouse
Dirty Harry, 1971, Warner Bros.
Drop Zone, 1994, Cinematographe
Gandhi, 1982, Sony
Last Tango in Paris, 1972, Distribpix
Lethal Weapon, 1987, Warner Bros.
Mad Foxes, 1981, Cauldron Films
Motorpsycho!, 1965, Severin
Murder Rock, 1984, Vinegar Syndrome
The Nesting, 1981, Vinegar Syndrome
Night Train Murders, 1975, Severin
The Outlaw Josey Wales, 1976, Warner Bros.
Pale Rider, 1985, Warner Bros.
Plane, 2023, Lionsgate
Pokémon: Detective Pikachu, 2019, Warner Bros.
Shanks, 1974, Cinematographe
Short Night of Glass Dolls, 1971, Celluloid Dreams
Star Trek: Section 31, 2025, Paramount
Stripes, 1981, Sony
Suddenly in the Dark, 1981, Terror Vision
Swept Away, 1974, RaroVideo
Things to Do in Denver When You’re Dead, 1995, Kino Lorber
Timecop, 1994, Shout Factory
Up!, 1976, Severin
Who Killed Teddy Bear?, 1965, Cinematographe

May 6, 2025
In the Heat of the Night, 1967, Criterion
Lilo & Stitch, 2002, Disney / Buena Vista
The Umbrellas of Cherbourg, 1964, Criterion
What Lies Beneath, 2000, Shout Factory

May 13, 2025
The Andromeda Strain, 1971, Arrow Video
Better Man, 2024, Paramount
Black Bag, 2025, Universal
Captain America: Brave New World, 2025, Disney / Buena Vista
The Crazies, 2010, Lionsgate
Kick-Ass, 2010, Lionsgate
Mickey 17, 2025, Warner Bros.
Vice Squad, 1982, Kino Lorber
Wanted, 2008, Shout Factory

May 20, 2025
Batman Ninja, 2018, Warner Bros.
Blaxpoitation Classics, Vol. 1, 1972-1975, Shout Factory
(includes Across 110th Street, Coffy, Hell Up in Harlem, Black Caesar, Truck Turner, Sheba Baby)
Girls Without Shame, 1973, Powerhouse
The Iron Rose, 1973, Powerhouse
Jason Goes to Hell: The Final Friday, 1993, Arrow Video
Jason X, 2001, Arrow Video
A Knight’s Tale (Steelbook), 2001, Sony
Law Abiding Citizen (Steelbook), 2009, Lionsgate
Oliver!, 1968, Sony
Presence, 2025, Decal Releasing
Prophecy, 1979, Kino Lorber
Withnail and I, 1987, Criterion


Senior editor Garrett Martin writes about videogames, TV, travel, theme parks, wrestling, music, and more. You can also find him on Blue Sky.


 
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