Upon repeated listens, melodies and intricacies within the arrangements do begin to reveal themselves, though there are moments when Mohr’s fourth album feels like an exercise in digging for gems in a pile of sound.
The K-pop group’s comeback tour begins in the shadow of an American and Israel-provoked war in Iran that has killed more than 3,000 people and is disproportionately driving up energy prices in Asia.
Following two irresistibly groovy records, Ware serves up another sleek, sexy helping of disco-pop. It’s too bad the songs are less innovative than their predecessors.