The Buoyant, Kirby-esque, Pop-Art Pleasures of Michael Allred
Art by Mike Allred & Laura Allred
Michael Allred—creator of Madman, co-creator of Art Ops and iZombie, and illustrator of classic runs on FF, Silver Surfer, X-Force and X-Statix—is a singular artist in comics, wielding a style as recognizable as that of Neal Adams or Alex Ross. With clean lines, quirky kineticism and pop-art leanings, Allred brings a sense of giddy fun that’s all too often lacking in sequential art. Gerard Way’s Young Animal “pop-up imprint” unleashed Allred (with brother Lee Allred writing) on one of the most obscure Jack Kirby characters—Bug! The Adventures of Forager, which debuted yesterday in a new miniseries. Now’s a perfect to time to celebrate or discover Allred’s exuberant art, which has brightened so many shelves and lives.
Allred is one of the most Kirby-esque artists in comics, though the influence is less immediately visible than in the works of Tom Scioli and Steve Rude. As Allred told Jack Kirby Collector for their 50th issue, the influence in partly about scope: “You have to ask the big questions. Kirby always asked the big questions.” Following in the Galactus-sized footsteps of the King of Comics, Allred merges metaphysical insanity with a humane sensibility—and his art always looks good enough to eat.
Allred’s instant-classic run on Silver Surfer—alongside co-plotter/writer Dan Slott—embraced Kirby-ism in obvious and subtle ways. Surfer is, in some ways, the most distinctly Kirby Marvel character, since the artist famously threw the herald into Fantastic Four #48 with no input from early career collaborator and comics pioneer Stan Lee. But this series has been inventive on the cuckoo-bonkers level of a 1970s Kirby comic, with new ideas and races and planets and gizmos appearing in every issue. Right in the first issue, Allred goes full Kirby with the introduction of the Impericon: “the impossible place” that’s part physics-defying vacation destination and part hiding spot from the heralds of Galactus. The Impericon is introduced in a two-page spread of hyper-detailed, multicolored insanity, as if Allred were the love child of Kirby and Geof Darrow.
Bug! The Adventures of Forager #1 Interior Art by Michael Allred & Laura Allred
Allred’s mind-blowing, reality-bending art reaches peak insanity in two of the most inventive issues of an ingenious run. Silver Surfer #11—“Never After”—features a Moebius-inspired layout, forcing each page to be read right-side-up, upside-down, forwards, backwards and back-and-forth, putting readers smack dab in the time loop of the characters. That loop is also a cycle of regret and self-loathing for the Surfer, who’s seeking a new home for the survivors of the millions of planets he once earmarked for Galactus’ menu. Allred’s twisting, trippy panels make the cosmic personal in a spanking new way. No wonder this issue won the 2016 Eisner Award for Best Single Issue/One-Shot.
Silver Surfer #11 Interior Art by Michael Allred & Laura Allred
The recent issue #10 (about a year after that #11, thanks to Marvel’s obnoxious renumbering obsession) merges the cosmic and the romantic in a way even Kirby (who expanded the genre of romance comics) couldn’t have envisioned. Galactus—now the life-giving yellow Galactus, thanks to recent events in The Ultimates help with some cosmic McGuffins. Surfer and girlfriend Dawn must save the cosmos by returning the Alphex and Omegron to the opposite ends of the universe. The problem: Galactus has enough juice to send them there, but it’s a one-way trip, leaving Dawn and Surfer stranded and alone.