Amazon’s “Welcome to the Blumhouse” Returns With Trailer for 4 More Horror Films

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Amazon’s “Welcome to the Blumhouse” Returns With Trailer for 4 More Horror Films

After enjoying quite a bit of success and attracting a good amount of attention to its slate of indie horror films the first time around, Amazon is reviving its “Welcome to the Blumhouse” concept once again to release four upcoming horror movies in October. Positioning the releases as a duo of “double features,” the films are primarily from young directors making their feature film debuts. You can see a first trailer for the quartet below, as well as synopses of each film here.

First up on Oct. 1, 2021 is the duo of Bingo Hell and Black as Night.

Bingo HellDirector: Gigi Saul Guerrero

When a sinister figure threatens the residents of a low-income community, a feisty senior citizen tries to stop him in Bingo Hell, a wickedly original horror movie with a fiendishly funny twist. After 60-something neighborhood activist Lupita (Adriana Barraza) discovers that her beloved local bingo hall has been taken over by a mysterious businessman named Mr. Big (Richard Brake), she rallies her elderly friends to fight back against the enigmatic entrepreneur. But when her longtime neighbors begin turning up dead under grisly circumstances, Lupita suddenly discovers that gentrification is the least of her problems. Something terrifying has made itself at home in the quiet barrio of Oak Springs, and with each new cry of “Bingo!” another victim falls prey to its diabolical presence. As the cash prizes increase and the body count steadily rises, Lupita must face the frightening realization that this game is truly winner-takes-all.

Black as NightDirector: Maritte Lee Go

A resourceful teenage girl leaves childhood behind when she battles a group of deadly vampires in Black as Night, an action-horror hybrid with a strong social conscience and a biting sense of humor. Fifteen years after Hurricane Katrina ravaged New Orleans, a new threat leaves its mark on the Big Easy in the form of puncture wounds on the throats of the city’s vulnerable displaced population. When her drug-addicted mom becomes the latest victim of the undead, 15-year old Shawna (Asjha Cooper) vows to even the score. Along with three trusted friends, Shawna hatches a bold plan to infiltrate the vampire’s mansion in the historic French Quarter, destroy their leader, and turn his fanged disciples back to their human form. But killing monsters is no easy task, and soon Shawna and her crew find themselves caught in a centuries-old conflict between warring vampire factions, each fighting to claim New Orleans as their permanent home.

One week later, Oct. 8, 2021 will see the debut of Madres and The Manor to close out this installment of “Welcome to the Blumhouse.”

MadresDirector: Ryan Zaragoza

Beto (Tenoch Huerta) and Diana (Ariana Guerra), a young Mexican-American couple expecting their first child, move to a small town in 1970’s California where Beto has been offered a job managing a farm. Isolated from the community and plagued by confusing nightmares, Diana explores the rundown company ranch where they reside, finding a grisly talisman and a box containing the belongings of the previous residents. Her discoveries will lead her to a truth much stranger and more terrifying than she could have possibly imagined.

The ManorDirector: Axelle Carolyn

A malevolent force preys upon the residents of a sleepy nursing home in The Manor, a gothic tale of terror with a modern twist. When a mild stroke diminishes her ability to care for herself, Judith Albright (Barbara Hershey) moves to Golden Sun Manor, an assisted living facility with a sterling reputation. But despite the best efforts of the staff, and a budding friendship with fellow senior Roland (Bruce Davidson), strange occurrences and nightmarish visions convince Judith that a sinister presence is haunting the massive estate. As residents begin to die mysteriously, Judith’s frantic warnings are dismissed as fantasy. Even her devoted grandson Josh (Nicholas Alexander) thinks her fears are the result of dementia, not demons. With no one willing to believe her, Judith must either escape the confines of the manor, or fall victim to the evil that dwells within it.

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