Catching Up With Andy Shauf

Andy Shauf’s live set is one of the best things we’ve seen on stage all year. His five-person show features not one but two clarinets, and it’s a wonderful enactment of the Canadian singer-songwriter’s 2016 Polaris Music Prize shortlist nominee The Party. The album, with Shauf’s confident coos, gentle guitar strums, ambitious arrangements, tasteful strings and those revelatory clarinets, is smooth stuff for the most comfortably mood-lit rooms of your house.

When Paste first talked with Shauf a year ago, he was telling us about creating the characters he sings about on The Party, a concept album stuffed with awkward moments and drunk confessions. “People feel like they can really be themselves when they’ve had a few drinks,” he said, “or they can really not be themselves.” Since then, he’s been touring and playing the festival circuit consistently. We caught up with him following his set at Los Angeles’s FYF Festival to talk about his live set-up, Polaris and his personal FYF stand-outs.

It’s not often you see someone playing live with two clarinets as part of a four- or five-piece band. How did that happen?

It’s something that I’ve wanted to do for a long time. I mean, I put clarinet in almost every song on the last two albums. I used to live in Regina, Saskatchewan, and there’s no “gigging clarinetists” there… I moved to Toronto and I met some saxophone players who played clarinet as well, so it’s really nice to have that texture in the live show.

Was there something for the richness of the sound that required two people to play it?

I played the clarinet on my albums and I’m not a good clarinet player. So most of the lines are about the harmonies. So if there’s only one…it just wouldn’t really work to get those harmonies across.

The Party is a year-and-a-half old and it’s a well-executed concept album. Have you seen any of the characters since you’ve gotten to the festival?