HBO’s Room 104 Is More Unpredictable Than a Roadside Motel
Photo: Jordin Althaus/HBO
The following review contains some spoilers from the first episode of Room 104.
When HBO canceled Togetherness, the weird, uncomfortable, emotionally in-tune series from brothers Mark and Jay Duplass, after just two seasons, I was distraught. Just as “peak TV” means more and more quality shows to check out, so too does the churn of content, and the shifting nature of viewership, bring about the cancelations of shows that deserve more time to explore their creative visions. Togetherness wasn’t a series grand in scope or novel in premise, but it was achingly human. Across 16 episodes, it explored the strains of marriage and friendship in a way that felt honest, trading in dramatic fights for subtle bits of aggression and disappointment.
My own disappointment at the end of Togetherness was somewhat abated by HBO’s announcement that the Duplass brothers would be back in 2017 with an anthology series, Room 104. The premise, at first glance, seems perfectly suited to the kind of low-key personal drama that guided the pair’s previous outing: The new series, which offers up half-hour looks at the various happenings in a single hotel room, is ready-made for digging into the nitty-gritty of relationships and how there are commonalities when it comes to human flaws and triumphs despite the shifting time period and anthology format. So, when I received screeners for the show, I sat down with the expectation of seeing, in some way, a more condensed version of Togetherness’ Season One finale, in which Melanie Lynskey’s character uses the blank slate of a hotel room for her own personal transformation, inviting all the joys and consequences that come with it.
You can imagine my surprise when the series premiere of Room 104 starts out with a creepy kid telling his babysitter that he has his evil brother locked in the bathroom; later in the episode, he details a grisly matricide and then chases the babysitter around the room, attempting to choke the life out of her. It’s a surprising and shocking first episode that couldn’t be further from the tone of Togetherness. In fact, the episode, and much of the first season in general, share their DNA with the horror anthology film V/H/S more than any cozy, complicated drama. That first episode acts as a confident, ambitious destabilizing force, removing any preconceived notions about what Room 104 can and will be and opening up endless narrative and tonal possibilities.
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