Riverdale Season 7 Gives Cheryl and Toni a Second Chance, and Cements Choni as the Heart of the Show
Photo Courtesy of The CW
Six episodes into Riverdale’s seventh and final season, it is crystal clear just how freeing the ‘50s time jump has been for the writers of this series. (In Episode 5, for example, Riverdale ventured into the mind of Jughead “Jugular” Jones and told four short horror stories using our central Riverdaliens as the main characters of Jughead’s bid for a Pep Comics byline). Beyond the ways in which the vintage setting has created more opportunities for creative freedom and campy self-reflection, it has allowed for the relationships between each character to be reevaluated and recontextualized, opening the door for further exploration of high school-age dynamics the series time-jumped away from in the middle of Season 5. In particular, the recontextualized relationship brewing between Cheryl (Madelaine Petsch) and Toni (Vanessa Morgan) has been stellar so far, grounding Riverdale in the blooming love shared between these two young women.
In order to talk about Cheryl and Toni—affectionately dubbed Choni—in the past, we have to know where they started in the future. During the second season of the series, Cheryl’s storyline shifted from exploring her mean girl shenanigans and all-consuming grief over her brother’s murder to an exploration of her sexuality. Towards the end of the season, Cheryl is sent to the Sisters of Quiet Mercy convent, where she is forced into conversion therapy by her own mother. In Episode 17, Toni is one of the small group to help break her out, and they share their first kiss in the flickering light of the projected conversion film playing in the convent’s small chapel. Throughout the rest of the series, Cheryl and Toni find themselves growing together and then growing apart, with Toni getting married to her friend Fangs just before the comet explosion sent them back to 1955. Because of their long history (and the Season 6 revelation that the two of them are actually, magically and canonically, soulmates destined to be together), it’s always been easy to make the case that Choni is one of Riverdale’s central pillars, but never more so than in Season 7.
From the very beginning of the season, Toni makes her desire for Cheryl very clear, and immediately sets out to win her heart. Between asking her to dance at the sock hop and inviting her to come watch her interpretive dance performance at The Dark Room, Toni takes every opportunity to get closer to Cheryl, and she’s finally rewarded for her efforts in Season 7’s sixth episode. After Cheryl nearly runs away to get married to Archie in a desperate bid to hide her lesbianism from both her family and Riverdale at large, she allows herself to open up to Toni, and they finally share their (second) first kiss in the empty locker room after cheer practice. Ever since the time jump was announced, there have rightfully been concerns about putting Riverdale’s out queer characters into a crueler time period, effectively closetting them in the show’s final outing. And while those concerns were not unfounded, the handling of Cheryl and Toni’s story in particular has proven to be spectacular, and was only further uplifted by Episode 6.
Because, despite being in a more constraining and restricting time, where sexuality of any kind was shielded from view and deviance was not to be tolerated by any means, there is a kind of earnestness at play within this new relationship between Cheryl and Toni—a weightlessness, somehow, that wasn’t there the first time around. Even though there is potentially even more danger waiting around the bend for them should they be caught, Cheryl and Toni in this ‘50s timeline do not carry that weight with them, in a seemingly conscious choice by the writers of Riverdale.
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